Radical Pedagogy: a collaborative projec

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the reason the call me no actually yeah it appears so much tracy lead but

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no in the seats but they the print something was almost comes more uh uh does also that

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to the percentage to some more conducive may evoke a man the

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difficulty most p. c. v. gives you a a to the border there

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no we don't want to be a three school meeting that keeps around confer also that

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don't yeah the due to war show the cannot use it

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to the the the cure viewed columbus you want to uh

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not to your visit to you on the the the the the late yeah shoes utica

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he looked call the uh that should take to the gym

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but but i so ga separate lucille exposes all kinds of

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this with more uh_huh done less uh the the i. p.'s

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possibilities culminate okay six p. c. to publishers do more

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did men yeah develop the double the let's say you want without should take you

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yeah it the uh the the last week the unknown a deduction

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there sure sure uh see but you yes either but i could

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on the book by shows released wow but you know super aloof a good

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dupont books with most young duplicated one hopes the least wow

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donate division complete more people want to the shoes compulsory the company

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this was the last uh let deduction the price p. c. v. good yeah

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g. d. she's got uh the the shape should do your three skull mean

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but we do the text the base of the cliff d. but

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no one no one uh just seen yeah looked in yeah these are these are the

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the chicks eastern products young uh was uh is the remote

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but more to see the we should use out there is it

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le um nobody should be deeply very the most

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uh legal review it exceeds divorcee may you please e.

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but corpora yeah in the pitch comics young

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didn't is on the same principle be do

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j. p. blue you look american and yeah yeah the per hour

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or other countries them you see look around the house or something huh

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he will be the all the but i but the

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chevrolet publicity manager there should be poor build up speed

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also should be pretty easy but maybe own fit the the attorneys we don't

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build the colour you so no movie but simply p. t. v. you the

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lip and we pay it seems that the call you up and prepared to

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say that because you always some t. c. minute keep that the usual we

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but the either the the at preschool mean that the yeah yeah

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adjustable keep all the blue decompress the about all the and

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the not decided aspire to be good enough they're pretty big

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the upper lip service your key the upper me do we need

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to make a c. d. me dude me to do the the

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tool she didn't should take two more they have no i probably don't use them all the point of you you know don't you

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l. c. w. sue over the

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mm mm but the gender architecture

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p. n. that yea led uh by the blade says it ask and

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that that's good uh_huh not most there does it not be also academy cat

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but only the playboy should people better shows one more the we don't want to let me see not don't you be

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pushing your rigorous uh uh some for that i will not

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because they're that long back to the city machine a yeah but

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some too muscular so your lipstick do mary kay

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sure let's say that should be pyramid again i'll see

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uh certainly wouldn't imagine it could make the for the national prefer i think it should be in the do

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law prevents the it does not to be should be become open to publish the i'm sure all slew of uh

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no d. to sumo ah but up for uh a long delay

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some are better it's gonna mean that it p. d. lit up a lot and

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the uh should do more there than that he me you said that the uh

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the the the uh the for some laughs a lot and that a lot public school d.

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e. dude she does some correctly stick them a bit me pay a lemon here don't mostly

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so j. some be truly a limit you know put them in a a

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two to three p. no i don't but there should be no more them

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so lets you pick your big homemade but uh the core bluesy mix window draw it

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michelle she plays on portals room that's good

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via the say the money and the d. crudely

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lush big you'll be due leap at the muppet slowly document the

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remote that indeed they the upper that limit yeah sampras proposals will be

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the old uncivil problem you know the the uh the other crew image that

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modem need they they actually do i killed kids verse there should be you

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get about the of this on a pack the media peak is should most she diversion paged young

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but uh uh a limited yeah calm the one you know the um did you should you

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yeah yeah the some powerpoint for the mode dial let me near the you have immediate people

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who we all live wire in the yeah the continued people but the but the apology effect

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little bit so these all the the get the normal didn't need to

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motion you buffy good be a preschool need a

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phone five seymour repair that the maple move move

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we see a late prefers a a priest done

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that in a law most used for anybody to lou

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move program in media in modern e. t.

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yeah exactly mon le lap piece to do the

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show shaky correctly liza superbowl you you look so

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multi million worship be productive to work that people think we're articulation of should proceed on that

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he sunset should repeat the done new work shop you know you use a bit

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no one should um let's see you're not allowed to do that a six on that should be you know beloved be inaccurate

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yeah but it's a problem you know the work actually been up a a beep us young ages we uh your trees but they don't know about

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and i thank you very much for your very very

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uh the arrows uh uh infrared and you really know everything

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okay so thank you also to see you don't but the and but maybe a four

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invited me to uh be part of these uh a project on uh on by price so

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'cause i i don't know much about advice or some of my students uh one of my students knows quite a bit

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but what i can try to do is to place but but i saw in the larger context

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of the experiment that to placing the fourth or a ideas

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i'm in and not only in uh into the make up of course

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everywhere except global uh phenomena that i have been studying with a p. h. d. students

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at princeton so the see sarah what i'm presenting the other places or whatever at these

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project with that uh you know the or a one sided

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that on a number yeah meister but also all that use these

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uh in the beauty in the beauty program or file of print them

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so this is an ongoing would be a it d. or collaborative project

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uh uh involving deep archival research uh oral histories

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lectures i more so but that would be kind of quality is very important because these you know

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generation just deal i found so it's very important to you then also

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without batteries so to bring been interviewed into film

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that because that's part of the deal design but um

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the other nice thing ah part of line in my case in this

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uh was so but i dunno princeton is is uh is collaborative work

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i think we did you think of precisely between teachers and

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students are in between it's colour some protagonists are kind of rare

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did you hear what yeah okay but um in fact multiple point that one east of uh of these do you

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i would also teaches where also a a. r. t.

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v.s but also white those and where of soul activities

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uh i think for example and mark with all the different i. e.

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e. e.

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yeah

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yep

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it's it's like

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oh okay so yeah example in them out you know where we are maybe with them

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i it so

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oh yes yes okay so here you see in them out

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some of the uh is that without this the and i

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uh it's a include they think that you can you know i think that a a ah enough

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of paris after six they it okay for now

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all they easy to the fact that but that little earth but i also think that are more on

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the edges of them up like they are in the other or what's our survey is a victim of voices

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for the device with of uh of this sign or so all

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the schools in that dilemma in fact we have no meaning more

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that uh uh that will be here late to whom on with who loved idea that that is that that

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i i mean experiments that then uh you do though of course you can

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thing not only about a a but the of candidates uh with the exit program

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uh um and so many other things in the money of course these warm it's very difficult for

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the the don't yet but i will uh the percent in each one of these cases uh later

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but in terms of the of the research i was saying that in fact more a protagonist of the spirit

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we're also going so far teachers archivist activist uh

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uh try to say that there are a thing for example uh about young cover the co what

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not only member of the i'm not with the uh partly but here is the now the no

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again with a is to those that are trying to a close in fact they get close

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uh they um they be annihilated all comply with the hand of no no nineteen sixty eight

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well think about a global to uh the group uh

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amount of fluorescent with your uh with whom uh its data

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well think about uh uh to lower and on farm and all

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the propeller most of these be you think even about the the forty

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mm itself a member of the communist party and uh uh it

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radically changing that we we understand uh architecture history in that to you

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i see these i say this because we to sewer service uh aspect of it and

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so we see it scholarships just having three other facts are in the

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work history asked not something distant but something a life fully and alive

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they probably just part of a series of experiments which go back at least a a change yours

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and they need the idea was to try to find a new uh if you want a

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or typical uh more than a particular before the

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peers be a program yeah it happening to them

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in which instead of of having the students work in isolation in some kind of forced to do the research

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or perhaps only opened or to them and their adviser and it will have plenty of time

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to do that you take a student's india first and second year and what within collaborative the on a project

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he said we uh for me to introduce them to uh um the methodology but it's also

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a way to stop this relationship with others and to know how to work uh uh in collaboration

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um uh is also very important to me in this project that

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the research is always or interest or the production of twelve something

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what is a book a conference an exit with the on off

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in a et cetera so the biological aim is not simply to reflect

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on a a different kinds of midi on the relations between architects on different kinds of media but

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also uh to produce you know we media that is to learn about a communication by communicating to

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some also uh uh forty years c. speech the programs uh what first establishing the

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united states and just time to rethink uh the people want to collect brought these programs

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to give you a same sixty eight was cornell seventy berkeley seventy three planes don't

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it might be a a seventy four car but eighty seven so hard body copy is the problem

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until eighty seven eighty nine b. g. near columbia university ninety four

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angie a two thousand nine so you can say in many ways that a p. h. d.

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programs uh i still trying to pull it out what is it that they are supposed to do

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what is clear to me is that the model of being a kind of isolated yeah it's colour isn't

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on our uh i deeply you are more the collaborative uh i yeah applied thinking of

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design is to you i think they're not precisely as a new model for scholarly uh research

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this may be very without delay lesson from learning uh from us because

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which is precisely this to contact to develop theory i'm part is in

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the form of a very famous book uh and then infer has made us

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in the best uh we treat uh it's quite heavy research just kind of a it's to your project

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uh as a kind of design project right but in the sense of collaborative

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laboratory but also understand so fatigued intersected serve as an act of this time

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so is that the main uh the year two thousand when i took over the production of the a. p. d. a. p. h.

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d. program i have friend about uh eight uh experimenting this is

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presently which include this uh it is one core wore a four houses

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which was just see so far assuming our son and

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also some board work america incriminate it in this book

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yeah it will work a whole vote is that some of the things that you can in my

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opinion they with me here in which is one of the if you it's a a drop the

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uh one of the it is where there is a um mission sixty six so plastic of me get paid

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so copy deportment up yes i see a all pole

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is or or bay themes that emerge in this moment

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uh we also the the separate it called the supreme building which is actually precisely

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uh trying to look uh addict history of the peacekeeper only narcotics or in the united

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way and and also the this is the is the look up or work about it

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i i don't want to put it on all the problem is the they first b. a. programs

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or on the phone i thought maybe there is the and although i think that i think yeah on me eh all

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those uh a lot of the guys man uh uh would

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find it easy to walk there someday when his brother brown

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and my co pays and so many people awaiting board on the

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first uh a p. h. d. program and that could mean eating it

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you know um conference and uh the proceedings probably would be probably spacing

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the next one was the the based on uh for uh which you said became an exhibition any

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was i study on the uh you the magazines

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from the practically the magazines of the sixties and seventies

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we and you have trouble already over a twelve c. d.'s

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a a war why any keep said go and maybe other unable

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to stop uh this one simple discussed these uh effect they may have that's

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an of uh this for example is basically can se was see mister from

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well not to to change that only ah in new york and

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you can see the existing on with the laziness are inside this uh

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uh this both and they said fine line and the wallpaper and

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it's also sound component because uh fragments of day interview sorry these

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the dictionary speaker so that when you are for example under now opposition to hear beta is not talking

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about the beginning of a posse also when you are under active around you make here peter who talking about

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how they came up with the the of forty them right yeah if the wallpaper in it's easy and initial for

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and i get more and i i they were also facts even if they

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can see at the end they also you will also take them and read them

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uh it's anything on was not only a jury service but

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also the design and even the the fabrication itself of the

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uh over the exclusion was done i'm by myself with the with experience in that sense

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was actually very interesting to see if the user rumbling why i'm paid in the library

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uh with uh eh how much some electrical uh these uh

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i end up thinking that this actually is pretty good therapy

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for a writer's block some of these other the sort of the uh when

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non disorders of of p. h. d.s another it's colours uh actually architects like

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like the war with they are a fountain even if you are a doing a

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p. h. d. program emphasise leave us pack was yours says maybe today to get to

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do something at my animal and and and and uh innovative over

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because new york um we invited everybody with by the

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entire team of over six years to cram and now

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uh it was always like a standing room only because of

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that we have more a gallery and uh another maybe of up

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they protagonists of october magazine like rolling it out and let them walk

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it's it data and we've reported all these conversations and another uh is new york so

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you only have to stay in your place and everybody would turn around of them point

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so that some point where enough people uh from london and we do kind of fun london underground uh

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uh and i the air with people like my way

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one peter more and i'm saying with all the underground moccasins

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of landed on all isolates cried from one side

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all uh i think the whole would have to go also plan populate architecturally the magazine in the

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late seventies so so since the vengeful used to do um skyline

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even a up the powerpoint can score line turn happen with you and from the pen of uh

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senior uh in the gallery and uh like weiss out there who has served to

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not even before they excision was open and we also have a an event um

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trendy and they excision travel to other places that you went to uh

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to want they are to this is the ah m. and they are

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yeah yeah where of course eh it's more for most years you have to be careful we couldn't put these kind of war paper but the stories they

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well so we came up with this white paper that is very dedicated and that's

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and destroyed the a the walls and that and they have a lot of uh

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or easy now so we put the oldies yeah that yeah but this is that i have

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to look very different every time the thinking everytime they send us the plan of this space and

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every time i have to be is these resuming all think of uh in the stuff but

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they're all trainers architects anyway to design a day it to be genetic in just see how different

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and also every time i bring a bunch of a student to

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mount but also to present day exclusions they become part of the

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when i was a girl a project to be able not only to do an exhibition but

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also to kind of particularly an idea about what we think that we are trying to do

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from there you went to document the income also what

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i think it is a completely different uh s. face uh

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very important is the newsletter i forgot to the meeting with a group so the fragments of uh

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of the interviews and and the plans of the exhibit yeah maybe dainty thing and getting document there

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and so on a document that we win today uh in unknown where they are we

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are with our friends uh uh a british here and some of us are and that

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so many uh the same people uh thing from the accident would be no it was one of the business dealings

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insert and a lot of people from all over back

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if anyone most uh is right they um because none

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of course the where are sort of people the next morning the next day partly pretty none of the event

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in which the into our group of this or bible members

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of market and uh hitting the table uh either who then

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then it's going to uh yeah but other people like beneath our own if anyone morse

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wondered why that us of the tissue the machine on it is say you probably know uh

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uh this is a proper i'm from paramount be new and modern on 'em basin there

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and uh other people a lot but i'm i'm profile money or

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would be i think less be speed or more it it it

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when they are they engage union went to so it's not been exhibiting astrid case is very important to understand

00:22:13

that so for example with its place that we go

00:22:15

willy and something new and denise incorporated into the extrusion

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but i don't know when by the number of people that are from buffalo not i probably avoid are sort of my money or

00:22:26

our product will formally but other people i found while i'm not a

00:22:29

lot of people who can be guys non uh what part of the event

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i thought well i knew anything about our keep uh architecture marketing scene now

00:22:38

in its thing because i study they are and i thought the end but even uh

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i it discover things i didn't know like this man i think all the fly yeah moscow

00:22:48

which they can sell for or you're we ask i've forgotten that to the to the these magazine

00:22:53

you got a fantasy here what is happening in buffalo now we bring uh they banned ah ha happening new york

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or in london a too so not only will and what about new moccasins and

00:23:05

we incorporate it so it grows big switch unless you got from place to place

00:23:09

and this is incorporated into the it's it's it's kind of fun interactive

00:23:14

uh archive for an archive every arcs to the people that that's either and i'm kind of observe

00:23:20

uh they have uh they are here and they we need to also lower they say

00:23:25

we couldn't put that wall paper on the wall because the walls of course are uh

00:23:29

they are desperate yet so we came up with the idea

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of this our core down with a x. area the cotton with

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tend to be a a work properly weighted and in fact people in or slow wanted to have um

00:23:42

uh uh they're trying to do we they want to go back to like the the

00:23:46

the well to the us to sell it so that we could put it in there but

00:23:49

some will know what to do with a skate with the with the wallpaper

00:23:54

here is in oslo uh is the uh at this within in

00:23:58

buffalo now with the with the plan place in the meantime we came

00:24:02

up with the book everybody was asking but if they've always able we were having thought about the book it took two years to put together

00:24:08

they broke with what we thought at this point but in fact as i say it's an exhibition that it's going to the book in fact

00:24:14

it's just what they exceed what uh uh the research was at this point but of course we

00:24:20

keep adding a detainee it has been in that in america for example it opening but what paul

00:24:26

uh the summer where you have here they exhibit in before you open and

00:24:31

a four hundred and fifty uh people in the opening which was

00:24:36

very nice because it's a uh it's a nice uh art gallery

00:24:41

and they never huh architecture and they were very hesitant about an architecture

00:24:45

exhibit and they keep them in the people in the architect for willow

00:24:48

architecture you know nobody's interested is never not public the neighbours have been probably

00:24:53

then with the exception so he was nice also that i'd open the door for

00:24:56

them to do uh all the extra business because the material architecture can be of interest

00:25:01

to a lot of people in this case of so graphic designers some foresee and people with it

00:25:08

and i think we have a number of events including a proper one is squeeze these uh the youth

00:25:13

and and uh from the uh uh that these people that were doing you the marketing for we didn't know

00:25:20

with ah i'm from there we went to dealing with again a scene began which

00:25:24

is a cancer a centre and uh they it's easy service in the in the library

00:25:31

which is nice because people are they of walking on their thing and they have these other publications

00:25:36

ah that they can look on their wall yeah and and here is the

00:25:40

it's a nice place easily and it's lazy and so much about new moccasins that

00:25:46

never made eating too light basing united states are into euro that we don't

00:25:50

know anything about in each place again uh it is discussing it with a a

00:25:56

a students from they are like that on the part about it would be a lot of research on chilean

00:26:02

magazines but also with proper one east of the the

00:26:05

the year that we uh incorporate into a they're kind of

00:26:11

another ah experimenting in princeton was this one which is

00:26:15

beginning from libby down brought that you're probably familiar with that

00:26:19

meaningful as big as well after many infrared bit has been used it got brown and government with another one

00:26:25

ball team for architects and then after for a these

00:26:29

wrote this is how i'm writing or mining from maybe time

00:26:33

and we get older we said something going to see them in they are are all these

00:26:39

and that they are they dinners which has a a same email we would

00:26:43

look into the archives in the basement looking through all they a local mains

00:26:48

uh even they did boards that day is to

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you produce a d. a. in in nineteen seventy two

00:26:57

in which are all all the strong and they look also not only up because of

00:27:03

that maybe townhouse about how the house was represented in the media is so popular simply and

00:27:08

number five months uh if it didn't so you you you had very very different indeed basic back that

00:27:15

has one of these uh maybe townhouses and see if that's making changes to hire or uh that that one

00:27:23

and eventually oh the nice invited out to a car cost is is the only according to uh

00:27:30

of uh bob into it the only available house in a in a in a megan

00:27:35

and easy going inside then that as signs of uh oh

00:27:39

for a or that's big uh also or or like the owners

00:27:43

it together with andy warhol also or or some birds i'm i'm believable kind of victorian platter

00:27:48

english you see all these uh uh elements of popular

00:27:52

culture american popular culture together with uh a date or

00:27:57

and uh the eight yes you're right it was precisely to do after you

00:28:01

so we interviewed them on camera i brought up the maker from n. i. d. u.

00:28:06

i. d. on a student and a and a yeah would be uh to do a theme

00:28:13

and also of course uh broke the companion volume planning from the spigot at me about you

00:28:19

look alright probably a playboy add a playboy uh

00:28:23

architecture the research was based on the kind of them

00:28:26

uh idea that there was a lot of architecture in playboy even you never knew about the people in the fifties

00:28:33

make these jobs that i think before the articles are in fact you open playboy you would be of tony's of uh

00:28:38

uh the the quality of the arctic or martin new one article

00:28:43

examples harper articles omni seen article from all kinds of philosophers and writers

00:28:49

all the time but nobody would have about all of you that there is a lot of architects about from the very beginning

00:28:55

of a playboy you have fun divide them need then they move

00:28:59

on to the four nineteen fifty dean is you don't know file

00:29:02

even sorry in a in a noise et cetera to

00:29:05

go to the seventies writing to the radical project that we

00:29:08

have been a talking about like up on from also

00:29:12

with injury uh yeah it sells more uh if it yeah

00:29:17

i exceeded actually in um mostly at the end i

00:29:21

you where you want any was in a in a in

00:29:24

program the salmon is going to be down in um

00:29:27

in from four in february so it best near here um

00:29:33

it's one of these to bunny ears in the case it's time yeah i

00:29:38

in the marketing there is something about architectural they sign an interview with an architect

00:29:42

so you can imagine how much content uh uh them i've seen has in terms of our detection

00:29:48

uh the seats and i a delegated to the production of the of the marty

00:29:53

how was the marketing may with uh have marion bit uh reflect the narrows uh

00:29:59

in the database and i hated to the war because of course a playboy is a product of the of the cold war

00:30:06

and uh it's very important to understand it in these conflicts a wee bit referred to that kind of uh

00:30:11

a good set up and put all these set teachers or uh

00:30:16

uh that related to it to the to the well the part of

00:30:19

it did you get it to make was easy big button or farm

00:30:24

of playboy these uh these these heavy on displaying that the that have no huh

00:30:31

another point what to do with the close said because of course with

00:30:33

all these things that they recommend you to buy which improved window along for

00:30:37

a cabinet uh if it uh where are you supposed to put all this is that and uh

00:30:43

then these details with we um borrow from either but also volunteered for ah in playboy

00:30:50

and so many other sections well the point is that ah on the way include the

00:30:56

the key directly apply to make an architecture and it

00:30:59

was a pilot exhibiting sell power will last this body

00:31:04

and last but not least is radical topic i would see with opening ah these one

00:31:10

which is the one i'm going to talk a little bit more in detail you know

00:31:13

the opening these one as part of the itinerary i'm still uh the

00:31:17

i think on the uh whether it is the um only now and um

00:31:22

uh it's it's of they exceeded yankees marketing side uh i think that the data that is cool

00:31:28

so basis of of the market for their uh

00:31:32

their maximum ah i indicated to places in the war

00:31:35

where these uh experiments uh of campaigning nice i on top

00:31:40

of the stable it's and number of these uh is payments

00:31:44

and uh there are where they can't on the on

00:31:47

the wall oh you must've related to a different uh experiment

00:31:54

and right there you see with some uh basic to uh

00:32:02

is for a radical either the you're right

00:32:07

yeah i haven't seen any good for the safety of this period at this preview

00:32:13

of the of the boards more uh experiment to see when was the last time

00:32:18

but the they were some uh experimentation in architectural integration because of course

00:32:23

they put us of the project that that we're staying away spinning wheel that what we're doing

00:32:28

now in spite of architecture is the oars uh a gradient to uh uh to this moment

00:32:37

it's it's a artfully i was talking with somebody template media about these before these are

00:32:42

uh the different kind of it's it's i say that is good will depend you could

00:32:47

uh pick him up and put them enough although i don't walk out of the exhibit can with a lot of information

00:32:52

all these thirty three cases of a experiments a worldwide

00:32:57

all four of it up again and again a bunch of us when they um presented in the

00:33:03

in a where in uh in baseball where a

00:33:07

lot of events what they mean um ah place

00:33:12

the way these uh i yeah projects uh overlap is actually a part of the

00:33:18

of the middle network to produce a collaborative across generations on the protesting away influence uh

00:33:24

each other and how we if if we always just printed with new kinds of upright

00:33:29

um new kinds of analyses and new kinds of of communication uh they

00:33:34

still these overlap that has been do you put for um for us

00:33:39

the key key point of a credit card will be not want to project the of the recovery that what you project is up it was

00:33:46

you can experiment free up with your role in shaping architectural discourse some

00:33:50

practised mystical part of the twenty century so the organ i see my properties

00:33:55

for research it precisely that these experiments can be understood

00:33:58

are radical architecture product is is in the air on prime

00:34:02

and they are already got in the sense that we understand normally radical a

00:34:06

politically too but also radical in the uh eternal sense coming from the lighting

00:34:11

yeah we already chain as something belonged in a to the root

00:34:16

two is basis and explanations so radical a happy

00:34:20

that with the sake a foundation and the starr

00:34:23

uh something else rather than having fortune disseminate them and the channels

00:34:27

to normative thinking was uh i made your uh forced in port war

00:34:32

uh architecture our house will presumably be neglected in us policy

00:34:38

this was of course a time of a a a collective uh that they yeah these are images of

00:34:46

course of these a moment you of a unit is like the one so about but i used to

00:34:53

but also for the ah ah in and on what basis bar stool that would work around maybe for and

00:34:59

ah it's good because part of uh of these experiments sometimes consisted in in uh

00:35:04

a in actually bypassing the institution itself an organised method might be far infrastructures

00:35:10

as when a bigger moray with every price and and a

00:35:14

in an aunt or an ice these buttons would walk around

00:35:17

uh the finished goods and different things will happen that will be recorded and go on to the next though

00:35:22

and explain what did they made our office in a four star

00:35:26

convey anything yeah in the late fifties uh it kind of as consultant

00:35:32

to um the school of design or any yeah these the lovely thin

00:35:37

yeah and you know with the the or or you can think about uh unequal i think up

00:35:42

one day and the marketing group but in my t. that were funded the no nineteen sixty seven

00:35:48

that's one of the first uh uh it's good to start thinking

00:35:52

about it within of computers in architecture for many people is to

00:35:55

it seems that computers being uh in the nineties and it was something

00:36:00

that happened at columbia university for something the police and cute because three

00:36:05

oh well the the involvement between architecture and no and computers

00:36:10

and to understand the the the history of of these these uh

00:36:14

just to make the important not only i might be but also harbour would remain with uh computers

00:36:22

what comprises all of these uh hopping all these radical up the body integration

00:36:28

this is pretty precisely without prime of a collective you say it did fiance against me

00:36:34

avoid your fifty two channel bureaucratic and capitalise speak uh a structured

00:36:39

the political a landscape uh uh farther transform by the cold

00:36:44

war and maybe it no more would you give on or

00:36:47

you have the efforts on board thickly tennis is right here

00:36:50

and ah an article community working get going to be talking

00:36:55

i'll parties and in fact paris is inevitable uh it here

00:37:00

um it really at the mention of society anybody

00:37:03

dimension of architecture is uh is being a wisdom

00:37:09

and uh but it's not that far you can see a what is going on

00:37:13

in a forest but also quite a different matter things and we have

00:37:17

come up with the third when we were doing the remarks inaccurately cover billy

00:37:22

or would you be it it yeah that what we're all these uh

00:37:27

these protest which also includes protest against the system of increasing on an against

00:37:33

and guess what in the in contemporary against if the goal of the simpler uh

00:37:39

a genius architect and they and they conduct building so basically we're

00:37:42

in the same spot all these years uh i have to write

00:37:47

but they are also of course exporters uh a bookcase

00:37:51

publicly uh you know it's a baseline in nineteen sixty eight

00:37:55

uh you have a database innovative had it i rate talk about

00:37:59

the uh with all the students of me than over by hand

00:38:03

uh they deny lay an even uh the story yeah already

00:38:07

uh the building and and the installation only t. v. that was like the in

00:38:13

the fall of this and you're buying a couple the problem which included a section

00:38:18

for without the they protest of the yams of the protests have

00:38:21

been now incorporated as part of the of the uh exceed the theme

00:38:27

you can think of course about that uh pa and not just part

00:38:31

but columbia university this is say use propane in the comfort of columbia university

00:38:36

maybe it is the billing of architecture a very easy only strike

00:38:40

all you can think about yea a university the

00:38:43

architecture building web form ah down basis pieces they uh

00:38:48

uh and here you have a three the panther a a bummer handing uh

00:38:53

from uh uh the portal go about building distillers were uh of course uh industry

00:38:59

uh protesting a ah the trial of the

00:39:02

population of the trial free yeah pointers and

00:39:06

is precisely in this context that you have to think that this is when it's happening

00:39:11

in addition to deal of than just got brown and all that into the

00:39:15

ah uh and then mean and some maybe down so in the context of these

00:39:20

radical a protest these uh a kind of a is to is

00:39:25

taking place an interesting thing is that they still predictably port every class

00:39:29

is that the last of the news about an governmental because they were a politically what bring into villages that were

00:39:35

analysing what was happening with thousand in america they were putting

00:39:39

into it begins the uh racy al and all the uh

00:39:43

uh uh uh situations that were happening in america in these at this point

00:39:49

so they were sympathetic to distance and you were also sympathetic um ah to them

00:39:56

what this does happen well of course about highway so ah also

00:40:00

the students uh brought the x. o. or in mexico of course

00:40:05

i say this is all against uh i idea political landscape that had been transformed by the core war

00:40:11

yeah are they get in the way that they must get in the faith in the american activity anymore for fifty nine

00:40:17

uh i would maybe get to save and and a and b. ten minutes on the within

00:40:22

vice president of the of the county of this other thing was uh uh the bait as they were

00:40:27

uh depicted in life a magazine would be practically a kind of a

00:40:32

heater and and the meeting kind of kind of calmed down

00:40:36

in the context of these americans above all else we'll file

00:40:40

of appliances were uh it needs understand to make the point the disability of the

00:40:45

american system east yeah it's precisely yeah da yeah that everybody has a house

00:40:52

full of appliances if it didn't so uh and of course

00:40:56

they make and what absolutely terrified the what losing uh the war

00:41:00

uh on the space is based more in the sense of this put me was a already

00:41:05

uh inaudible where the nice i keep having one ms up water

00:41:10

and all that and uh this was somebody to live assistant scenes

00:41:14

yeah they discussing like now we focus on whether uh the makeup as well and tools

00:41:20

with this you can have a uh this was there that is pink or blue or light yellow

00:41:25

instead of having a government of this isn't from the top uh the essays that uh that is white

00:41:32

so ah is precisely discount they so far of fun environment

00:41:37

a build up of a a consumable uh

00:41:40

plastic uh all the exam object of mass produced

00:41:44

uh the sire and little and adobe and technological property

00:41:48

for a tall in science fiction tales now realising

00:41:52

a brave new world of computation got it under spacey

00:41:56

so it's in this context that architecture is uh is reacting is of course not impaired because at all

00:42:03

to uh uh sightseers disabling so to stake its claim i'm it's a new territory

00:42:09

be articulated the relationship to the variety of technological such a political and cultural transformations

00:42:16

that were occurring here you have a all the tupperware products that existed

00:42:21

uh as a a us the presented in a highway in uh the united states

00:42:29

um whether in mass i take a space a uh like this one

00:42:34

and a quarter of a d. nineteen sixty seventy mice in the wall

00:42:39

of two thousand and twenty miles in this is like the new existence minimum for the architects right

00:42:44

uh the space suit and the and the capsule becomes a like you suggested

00:42:49

for that generation but also uh uh when you use you see people like a dedicated to

00:42:56

new market some of those with the cost of black africa or all these uh the nation

00:43:03

we there of a of people in india but you

00:43:06

can also think about day a significance of the informal city

00:43:11

that we now i think also that was invented the other they uh but people now teaching uh appear to

00:43:16

a a lack of three though really morgan other people

00:43:20

but when you look historically utilise that already in the sixties

00:43:23

uh like this are uh any and the seventy second maybe study material

00:43:28

the tactical of uh make you go and so many other uh magazines including a d.

00:43:34

these are enormous at indian already uh to the question of the informal i'm a c. d.

00:43:41

and uh they probably know so where is it quite

00:43:44

big of the space seats or the form there's a nice

00:43:49

architecture us classically defined you can say is one i could fix racial 'cause we can indeterminate

00:43:56

and it is in the seat we see on the basis of paint was forced to examine is on uh protocols

00:44:02

why some problems of radical practised

00:44:04

celebrated architectures integration is larger cultural maybe

00:44:09

and it's like a coach um you could be any anything for on a political to

00:44:13

port fraught with parameter or even it was a crime is also very important to them

00:44:18

but that we now i think also that we were a shipper generation thinking about equality but

00:44:23

you really have to go work uh uh to the sixties on to the little moccasins of these

00:44:28

for you to the and and not only that a light don't want to rely

00:44:32

significance that they had for uh uh that generation in fact we should the last time

00:44:37

uh we have to meet what go but the research because the this was the last time in with this uh thing

00:44:43

uh it was taking a yes you usually with the prices

00:44:47

of the biggest prices of of the seventies it at that

00:44:50

and then we don't have any more uh gas prices right on with him for a

00:44:54

while and and and we entirely forgot a whole research the world down and in architects from

00:45:01

anyway it was so um it 'cause you and

00:45:05

then uh became a a big goal for a uh

00:45:11

for uh uh don't for so either they very active uh uh in this way it can't

00:45:17

kind too in case the amount or they say they only the it's the quality of data

00:45:22

oh yeah another set of the school repeated into them

00:45:25

so trained to find a a what was uh basically the

00:45:30

autonomy of architecture trying to understand what the the steeply

00:45:33

into worse outside of all these uh question people like um

00:45:38

uh you don't pay the pot cooper junior on it it i would belong to these uh

00:45:43

to this category in any case uh uh here is uh you know the

00:45:48

the look and the nice where i'd be up to put union uh for example

00:45:54

um it occasionally came they they call for uh the subversive axioms

00:46:00

harding conference provided radical upheavals in academia institutions or attractive

00:46:05

these units of the between were generated to progress to

00:46:08

put up what you've got you need yet these it i would see oh but it it's an active agent interpreters

00:46:14

with which he was concerned for a remote sort of uh that that's completing recollection

00:46:20

got a couple of woody allen's uh compare you have to be

00:46:23

very skate that renders request can be institutions of it agrees young girl

00:46:28

architectural disciplinary or something else i need to be

00:46:31

stark architecture permission to soccer political and economical ah processes

00:46:37

yeah it is a and again is war while so he's had

00:46:40

a picture of magnetic go in nineteen fifty nine indicating on or ideology

00:46:46

uh here if the students of the architecture of of the if you want in on them complaining i mean

00:46:51

you would have thought that can be with the people that they have a pity not a a at that point

00:46:57

i think people like rubber it like a head be there is me so and i get people like the whole i'd young group like the

00:47:04

the good that they will be you know of these kind of the liberties in the way that now we are you know all these the liberties

00:47:10

hitting the great uh in the public schools of architecture but in fact the the students from the very beginning the work pretty

00:47:16

good so it really is to then uh a group have a little marketing and they were always good the only one that is

00:47:23

say from all these good is more is there to write but everybody else's of corporate right so you see

00:47:29

yeah making fun of far we can go to a here but they

00:47:32

uh uh practically all of them i mean uh uh the the site

00:47:37

the a a a a a or fire are the way that the hearing with use

00:47:43

elephant providing at the a this is a really cool party member crispy you up i

00:47:50

the thing i don't know how can i be picture association nineteen seventy nineteen seventy two

00:47:55

s. full of boston said that some rubber or maybe by way handing out of the bar

00:48:00

first to your right and we'll give you one downs opens

00:48:04

your plans if you won instructors opal or h. b. a. c.

00:48:09

well the three thousand nine so this is what the maturity of

00:48:14

the schools uh so the only place that you could just feel a

00:48:18

lamb yeah the architects uh uh uh for phase you're in kind

00:48:22

of a a conventional uh we uh it was a work with them

00:48:28

that i'm not like that but that would see many times uh um i

00:48:32

ask about these these ten is of course uh um uh uh that uh

00:48:37

then i from practical architectural term but that was fine by their manager line

00:48:41

for the there there's a a product enough i mean ideally of italian groups

00:48:46

individuals and partly case yawns rains in time for

00:48:49

nineteen sixty three to nineteen seventy one and within

00:48:53

ah it's supposed to deal uh on this so with will uh is it oh yeah but you

00:49:00

have to put it to deal a lot with another non stop see the uh it it and um

00:49:09

and a and here you have a a a global

00:49:13

uh toots uh on one but he's already gotten ah

00:49:19

so all we're saying really with this them is that there is a powerless to betsy

00:49:23

on in academics or so is this term that uh that that's a line invented of radical

00:49:28

i think so up acted like a kind of umbrella either at this and they see the the

00:49:33

easily for this group of radical i critics need everybody like let's see well all on the little groups

00:49:40

uh and that was fun yep onto a land and to uh to

00:49:44

that in america well we're trying to say is that these are a little

00:49:48

servers and in a book isn't that we need to pay attention because

00:49:52

it seems to me like into a thoughtful to my students that would

00:49:56

that the method that we're using for the page cannot be candidate

00:49:59

because they need to look but not the to move a four

00:50:04

at least yeah is that at the uh in the uh what's he doing yeah well this is the fully of

00:50:11

course there was a against uh uh uh uh uh uh

00:50:15

the radicals the course of the focus not practical uh enough

00:50:20

uh yeah and in fact i thought that that i the other radicalism awards in

00:50:24

uh if you were signed up for example the architects of the basically

00:50:29

but connected to the radicals as i was saying before was also

00:50:32

perfume of education with the for it doesn't seem to uh talk about

00:50:38

it doesn't seem to to consider

00:50:41

ah and perhaps even even if the content of external peace um uh what

00:50:45

radical and uh that may pose that keyboard using whatnot cover the kind of them

00:50:50

but these are they who made out with the an oxymoron ah some of

00:50:54

my students uh uh it was kinda in a at the same you know

00:50:59

if radical means uh going back to the audience to change uh this is

00:51:03

good stuff but that would be um to back to or used to change

00:51:07

this is the what i would imply sexiest and then try to compare that with the seems like an oxymoron about have this is

00:51:14

tool for radical product is is you need a system in order

00:51:17

to undermine another system try to compare that with the in other words

00:51:21

maybe a sort of transitional phase you cannot be radical for a long time

00:51:25

to come up with any space in a way that's what i'm trying to say

00:51:28

that these are system is the bed up to undermine an existing system but it really didn't use it initiated to turn allies

00:51:35

and no longer run the company will have to be undermined by another radical directories

00:51:40

in the same way that avery island are inevitably become someone remain unused to be channels by another one

00:51:46

so it's important to remember them that are occurring guards are always

00:51:51

a systematic even before the arabs or by the institutions of the market

00:51:56

or the computer with g. indices is not an option on it is that the

00:52:00

phase when users being easy to use to undermine and all seems in but doesn't

00:52:05

i mean not all that we would be radical for ever you be ready

00:52:09

go for a while and then you will not be radical anymore innovative right

00:52:14

so ah from a formal ah i'm meetings like uh those so far in warm

00:52:21

in nineteen fifty five one of the first is good that we study uh two conferences

00:52:27

ah the we're speaking you but here we are in princeton with people like with the

00:52:32

iceman and um my of others on and ah from candles on it was with the

00:52:38

that gave peter and my wonderful innocence somewhere around here it's not or

00:52:44

is that the ah with all the other nice apple event and this

00:52:48

is the on off a lot of we who uh you'd be good

00:52:52

i've been uh on tony builder so uh to conference's than uh

00:52:58

to the no parties like this uh are the you know part b.

00:53:01

of the group of they needed to the point that they are under

00:53:04

bunny thirtieth uh in new york and you can see all these people

00:53:08

uh if you have like a bigger i the man and we are not very fun ah

00:53:12

uh can i found them on my on the phone out and tony blair said

00:53:16

anything but uh the main plot that one is the of the in easy to

00:53:22

to uh you can say the big parties uh i embark arrays so

00:53:26

oh to meet these meetings in the grass with bucky

00:53:29

fuller for example i had one day or in the beads

00:53:33

i seen again uh about price or where the

00:53:36

students and the teachers becoming a way uh the architecture

00:53:40

sure very sam takes a very architects or a a quality that needs to be a study

00:53:48

so what are they uh uh uh the we're probably going kind of that

00:53:55

what are they the case study that the students uh uh looking to

00:54:01

we have ah ah well one of the important things so one of the first things that we

00:54:05

used for you would be looking to was precisely jack around here yeah crown fear uh uh uh

00:54:13

you probably have read this book uh the around the school a martyr now

00:54:19

it's a fictional story of this jacket though that discovers that he can't eat what gets

00:54:24

and no and in the with this is the first thing that we've even be set

00:54:28

in the set similar is very important to me no this is pretty nice to always start with something of which i know nothing

00:54:34

about that for example by now why no asked me to does anybody know like for example that you make

00:54:40

a marketing know already got that would be the place of the the place of the we're all in the same

00:54:45

uh a little bit so uh uh da da no way is uh

00:54:50

is to um get everybody to uh respond to the material

00:54:55

in the same turns other than somebody taking or something to be

00:55:00

uh seemed to eliminate the idea all final for the the already

00:55:04

in control of the material i myself become bit ignorant a schoolmaster

00:55:12

and ah these are the some experiments very quickly it

00:55:16

that we uh study in pain and going back to the

00:55:20

uh to the beginning oh uh or to the elderly elderly ideas

00:55:25

the first one that we uh that will look and into is a black one time uh i call it

00:55:31

uh which is of course or a very famous just define honey

00:55:35

albert uh uh i thought they are oh john k. to market going gone bucky fuller

00:55:40

claiming remember rubber mother word billion it going with that and this is not

00:55:45

a problem that had been a study very much from the point of view part

00:55:47

addiction but it's definitely worth a look at uh but the fuller which was

00:55:52

a very important percent there as well i think means that we're also visitors gaze

00:55:57

with nothing a putting them and yet is the other long ah in black

00:56:02

mountain a quality somebody's button for the uh understood in mounting uh this thing

00:56:09

yeah he knew how far um a bucket wither up that one day

00:56:15

ah the united states and yeah it is it still is and

00:56:19

again uh you have within them without the thought never have one day

00:56:23

because ah you know way yeah yeah this is also part of the

00:56:28

evolutionary thing about bucky fuller just you would be teaching

00:56:31

uh like apart side cutesy dispersed typical kind of uh

00:56:36

a four seasons that you're taking existing schools of architecture like the thumb

00:56:40

and work the wheel yeah it be there for a few weeks m.

00:56:43

b. that on on something else will happen after more so so very much

00:56:48

you for the uh that all of this form a network of uh

00:56:52

well for schools involving a many many thousands of these two years of working on one project

00:56:58

and he also believe very much in the a. v. oh well recording uh

00:57:03

the so the idea of media is very much part of it was it

00:57:08

uh this is of course another problem that we know grad with this this will own ah i

00:57:14

it before but the the project of mark's really from nineteen fifty two

00:57:18

i need to raise another used to which is the question of the building itself i could it's racers as a form of uh

00:57:23

of that with the uh you know the the the with a built by the uh

00:57:28

uh uh by the by this the the the one with uh uh not the

00:57:36

and of course introduce the question of this

00:57:38

sign ah so we took the elevator a society

00:57:43

many people visited warming printers and re use

00:57:47

the he um another with part of one method

00:57:51

another problem that we look into what that texas a rangers of

00:57:54

the nineteen uh fifty switching to the people like young radio can

00:57:58

uh uh well this last key according show it yeah

00:58:03

you know are actually quite intro with but now of course in texas in nineteen

00:58:09

a fifty five even a part of it it it will explore in

00:58:12

the this to bring out the enemy these kinds of the schools that

00:58:15

i say uh other mormon of a density on instead of radical i

00:58:19

smell to reply to find the autonomy of the the basically the beep

00:58:23

they don't want to know anything outside uh these deeply impressed i know

00:58:28

and it's very important to understand how cooper union that big also eh i don't

00:58:33

play the game from there and this will be bought ah p. if it though

00:58:38

another school about what i say you know what of a place for me to tell you any things those are some of the

00:58:44

uh faculty they ever so groove up whether your me y'all uh

00:58:50

and some of the file name is thin but but id so

00:58:54

with your very away from india uh with so i won't spend any time

00:58:59

yeah this is the problem facing within my first bill of nineteen sixty seven the ball's in but by so

00:59:05

very important to understand that this is all happening again asked with powers and with many of the little ones

00:59:11

well the transformation of the radical perform a science in him but that

00:59:14

wasn't happening the context of a political upheaval and i mean uh mexico

00:59:23

disqualified picture in medical so it's important to understand that it's not just uh but but i so lonely that's no

00:59:30

next you know an inmate people you can also think about four hours

00:59:33

well one of our case uh it's probably probably part of it so

00:59:37

and we're one is more intel powder this of course would be really

00:59:41

know villanova r. t. there's it's it's also a great okay so they are

00:59:46

about nine and transform that kelly they probably put them

00:59:51

you think about the last when there are enough anything yeah what people like uh

00:59:55

like rossi ah and basic being a it is key

00:59:59

many of the italians were uh in argentina at that time

01:00:03

things to look more i'm not twenty nine forty six something that you're taught that

01:00:07

of nineteen seventy and seventy a five this is not a lot of well

01:00:13

uh the they yeah but uh we know how much more time for the

01:00:17

i think when look also to uh then you just go round on a lot of

01:00:22

into it gaining from a less data uh they are they are in as big as a

01:00:27

and they are they are very studious uh and became very goofy in basically the in as big as

01:00:35

uh the institute for her number one ah studies this is the the team you know

01:00:41

that the the the iceman is very obsessed with soccer and so it be thought everybody

01:00:45

round me to the the part of the with a a soccer uh thing

01:00:52

and this is a typical ah review uh oh okay i'll be easy to

01:00:59

a not only a a was a um at the institute

01:01:04

in the united states in thinking about that that would be but

01:01:07

also a dimension of modern art in collaboration with uh uh the institute

01:01:13

uh oh nice these uh components called didn't have to pass in nineteen seventy two

01:01:18

we stay interested released a focal experimentally neighbours the dedicated to the problems of environmental

01:01:24

design so very current again on the people including discomfort you're not going to believe it

01:01:29

every leper miserable for one another another more important member

01:01:33

topical finer r. and b. and and then the local ones

01:01:37

peter i remember something about it but you can see for example here of

01:01:41

a political on our yeah yeah yeah but here to look at the uh

01:01:45

at the at this book uh that was within the public so you never think that'd be

01:01:50

a very very interesting also very interdisciplinary all these people probably also

01:01:56

be thinking about what is that it's not like i think so

01:01:58

going to a yeah b. indicates that we haven't done

01:02:02

anything of that magnitude in a long long um time

01:02:08

uh i it's awful interesting to look at things that we're having here

01:02:13

in x. it with the group that believer better lay and going to work

01:02:16

uh eh just a big but it started

01:02:19

uh again very theoretically yeah oriented is buying perfume

01:02:23

to look at the lethal for if you're that they marked out of this program people like drawing

01:02:28

a violence uh leave it in watching with that part of the uh

01:02:32

if at that so and the books that came out of that is good

01:02:37

did they end of history and theory also was very important to look at the group of uh of top forty

01:02:44

which is at the institute of architects or a a history may

01:02:48

need which is not a fully only but the for each you see

01:02:51

mark to market cherry francisco or margaret mead gaily is your face or pound gorilla

01:02:56

and so many uh well uh somewhat what is relevant is that you will get

01:03:01

a degree in architecture and markets of architecture without ever having that up with it

01:03:06

people do yes custodian theory and these issues i in nineteen uh sixty when it's

01:03:13

when they start to make the sixty five or something like that if it's completely crazy

01:03:17

right is computed radical it's not happening anymore business but that would be that would be not

01:03:22

to be true you would not want to plan to do something like the and write about it

01:03:28

global our tools uh i kind of nomadic if pull it that started in florence in in

01:03:35

nineteen seventy three and people like uh arcade to on nine nine nine nine to paris to your

01:03:41

with full yeah it's it or and that again uh it was normally we

01:03:46

move uh from place to place some for for what was happening in different places

01:03:51

you can think about the institute of uh uh the now

01:03:54

they do well with the the internet's in a laboratory for architecture

01:03:59

and the one uh is that it's it would be no but then coupled apollo ideas to run for five or so

01:04:05

they i think uh in nineteen eighty but a lot of people

01:04:09

were uh uh they have before me you like going to be ideas

01:04:12

they were they were constructed of different schools of architecture and we've got there for two months normally in the summer

01:04:19

it was nominated in terms of the team by team tame people like for example

01:04:23

peterson it's on and and and uh and so on used to come quite a bit

01:04:30

the body on which again is another uh and nomadic disqualify say before organised by peter worry

01:04:37

what's on it off e. d. in connection with a in and around and pay the price

01:04:43

and uh the idea was a a two per more flexible forms of uh of learning

01:04:48

which require according to say the price more while flexible and temporary infrastructure so again these are

01:04:54

it would belong the collection of all these experiments but rejected

01:04:58

the idea of ethics building in the fix institution and they

01:05:01

seem to require the small you see in other uh it

01:05:05

to open a so the bus is double the car uh buyers

01:05:09

uh eh when between a school to pick us between it's cool and reported

01:05:14

on broadcast it uh uh the material in the next uh is that is that

01:05:20

in terms of technology i have already mentioned this but it's very

01:05:22

important to remember that that that computer finished third in the nineties

01:05:26

yeah and columbia university we support paperless is to you

01:05:30

you have to go to the beginning of this experimentation particularly

01:05:34

it might be the architecture machine group of another one thing in nineteen sixty seven

01:05:40

which makes architecture engine you up on computers

01:05:45

and it is it is part of the what we look like yeah a computer with the size of a vulnerable

01:05:52

but even less known if uh uh people know about they in mighty

01:05:57

very few people not that far off of a laboratory for computer graphics

01:06:01

and especially l. analysis supported by are you down from the for a foundation nice even before in

01:06:07

my the architecture messing that we're talking about nineteen

01:06:10

sixty five right and they had been experimented with computers

01:06:15

and with a on martin yeah our math is on ah

01:06:19

the thought about a group that one of my students to study

01:06:22

build a detailed has been important to also remember how i have probably save it probably too many

01:06:29

times but the but the phenomena is the one that we have not talking any more about that

01:06:34

a western experiments that these europa or uh the united states

01:06:39

uh you can think about the easy to of uh of design

01:06:44

you want about that i already mentioned were the teams were uh otherwise source

01:06:48

and they just have a sign i mean all the acting with people from that we'll be

01:06:52

that it will the participating and and the the uh uh worth uh in fact between ball

01:06:59

or this uh uh people in india in the the people want or uh designs that were uh

01:07:06

uh that were of the saying a part of the of the lot of a lot of what kind of uh

01:07:11

uh uh more than uh for the for the the very interesting to see it

01:07:17

into it than the school and this with the the mares it's our who insist on

01:07:23

uh somebody calling this school that emerged from the ruins or or what

01:07:30

eh another oh you were so friday or tool and the light

01:07:34

uh a way destruct us enough to about nineteen uh sixty nine

01:07:40

very interesting for me with the discovery of these uh program a bit berkeley painter

01:07:46

for independent living of nineteen seventy two at that point berkeley was considered

01:07:51

like leap capital of america you know how uh_huh clipper studies at now

01:07:55

very much uh uh in vogue and and a lot of people are paying a lot of attention it seems to me

01:08:01

that there were a lot of a on x. number of uh of people of disabled people know what living in berkeley

01:08:07

uh an approval for students to but with five would be expected this uh uh

01:08:12

this is the the will for accessibility okay i'm painting

01:08:17

to be in a study of the compose everybody nice deep what i think

01:08:20

is the the guy doing is thirty to make a decompose accessible and collaborative

01:08:26

so again when do you think that the per study scrapping uh uh i just i think i think we need to the

01:08:32

remember that in seventy to it but it was a very active

01:08:35

group what experimented with doing a a very uh important uh more

01:08:42

in the screen i'm going to put at least that is like the great it's nothing

01:08:47

of all the people that have wanted it to be without a lot of have done uh

01:08:53

very uh a detailed analysis that i have no way to percent gains that's sort of fine of each

01:08:58

one of these uh cases is very important to me also to the degree that this group is already

01:09:04

mm much smaller than the real group because something has

01:09:07

happened very similar to what happened with the past downfall

01:09:11

you are on the wall on other people come out but being you know

01:09:14

about being to the people might well no idea nobody to do the the one

01:09:18

somebody told me into this old he wrote this part about the only in your novel

01:09:22

that i get up i don't know i didn't know anything about that i heard of that

01:09:25

so i did what on the wall other people unmarked that are doing is today so i can do without is sort of different things

01:09:31

so now we are interested in building up reform with different people from different parts of the work and uh

01:09:38

uh connect they are uh the research uh uh to this project

01:09:43

so in conclusion without typical sore wipers prime these kind of diverse

01:09:49

experiment often upon one of the followings ends all day while i'm gone

01:09:54

oh uh all all the solution assimilation into generic mainstream

01:09:59

integration or termination due to you know we're all political constraints

01:10:03

many could predicate but that would you place on our which is typical of the

01:10:07

among our leading from practicality to come internally the front to back down to institutionally facing

01:10:13

and yet much of the base out there of the d. c. princess

01:10:16

train came from this experiment effected the institution but for all of them up

01:10:22

and they they live they are kind of dormant like a kind of a a a dorm i'm biased

01:10:27

a kind of waiting to be awake grew yeah we can buy the next

01:10:32

uh generation which i think uh use uh ease you i just it'll happen

01:10:37

architecture banality in maybe you have become is stay in school just

01:10:41

being or we have to be something happening but really not something

01:10:45

much is is going on student when wait for sense so far

01:10:49

active disengagement without rapidly a boarding war but rather wait before you hopkins

01:10:55

teachers likewise worry too much about their place in the good enough

01:10:58

parakeet whether they're getting paid your remote thing and if it didn't

01:11:01

particular structure have partly chains indeed can pick a despite the mute reformation topic in place

01:11:08

with a lot of nobody takes your new technologies and information uh carter

01:11:13

i just would appear to be yeah increasingly if a bring a professional efficiently seem to

01:11:19

uh drawn in surfing pores were critique oversize

01:11:22

appropriating any possibility for the marketing of experimental practically

01:11:27

like this is a not so for for us it's figure is always under under rated

01:11:31

failure is very important everybody in science uh not a failure is important if you don't

01:11:37

there's something to fade or you don't know where you stand so it's very important to to explain

01:11:43

so in response to the need be all the school this probably the article but that would be a project

01:11:49

returns a tutor it'll get your experiments of the sixties and

01:11:52

seventies but not the blockbuster you've gotta study but also to remind

01:11:57

ours what ground campaign when put out with the takes read this in that sense uh probably too but also

01:12:04

a call to arms to think about what are the real issues of our time

01:12:09

what are the new technologies that are affecting what light on to start with thinking

01:12:14

would use architectural it up will be able to do now right okay thank you

01:12:30

the

01:12:32

you can lay in my case probably yeah yeah but in my keys it

01:12:38

the case of office opens the channels in the people also want me travel

01:12:45

it through our thing and make sure you

01:12:52

but why did he should you work in the uh uh a good yeah it takes years

01:13:11

yeah yeah

01:13:20

yeah

01:13:25

uh_huh uh_huh

01:13:30

oh yes

01:13:34

yes

01:13:43

yes absolutely well yeah i mean you know uh maybe in spring when but of course

01:13:50

you know nothing would have happened in the in paris for example the the i. d. m.

01:13:55

uh going to the u. p. seeks an uh all the

01:14:00

settings isn't looking somebody was that the board of the tunes

01:14:03

in in in part is that led to the transformation in the

01:14:07

beginning the inability because of the board of the students in mexico

01:14:12

the the late to the uh to the uh to the new system

01:14:17

of it agrees and the what the troublesome button on my water ball scene in in all these places

01:14:22

and even in places like they is very interesting to see that even when they have made

01:14:27

your fingers as i say before have huge because of the pointedly them was was very hot

01:14:33

you would think that the students if you want to they they will buttons claw monk uh make it too

01:14:36

so i'd know they'll proceed they were already pushed in there was nobody you nine don't be your nobody was um

01:14:43

it was a a celebrity he was very interesting we were doing that either minus things to

01:14:47

see how many emeritus precisely in the context of the you know how many would somebody still

01:14:54

so he was the remove him from from from below or in most

01:14:58

uh okay sees even when you think about more institutional thing stacked whom

01:15:04

of course cannot think about one without thinking about the uh there's two is just

01:15:08

too there's been the uh uh the built in the students made i made this goodman

01:15:14

is very curious to see how in some cases this school is more of a

01:15:20

i kind of know to university and then you know that right from for example many times i think

01:15:25

to myself what probably not the e. for some integrated market is to turn out of the way you know

01:15:31

because it's not is somebody with the same thing exactly the

01:15:34

same amount of uh say celebrities in architecture didn't come out of

01:15:38

places like all of our local um you know a princeton university which are considered very good this good so what's happening but

01:15:45

crazy place industries easier with that's got cooper was a

01:15:48

new puppies open so frightened vocal oh for theses like

01:15:53

yeah i'm a and there was this the complete the uh

01:15:58

you know wait how also of different people be doing a different uh things

01:16:03

but he he was conducive one on the other hand as we were discussing those night will campaign

01:16:08

with the greatest pull of a well stocked would be in being how come these now i

01:16:13

mean from they in a moment i'm without thinking about it and i can give you ten

01:16:19

top names of people that went to the in a in a very prone to have the program what governor

01:16:24

to that a lot of it you know all you know you can see all these these meet weekly right

01:16:28

member trouble uh kind of it up or you can say all these people might

01:16:32

but you can use a stingy with a full you know you can't and you see

01:16:36

one i can you not right so easy even when you

01:16:41

have minor anonymously maybe that was a girl program you have

01:16:45

in colour so one maybe mister this upstairs for for school

01:16:49

so i entirely agree with you asked us close to this unit

01:16:54

that means that the school is not the faculties colour the student we have yet to you know

01:16:59

i define easy and you're already like on on our part time and and

01:17:03

it would i think i could do to one another body to to see what

01:17:07

just visiting another one talking to being already knew how to do everything down and

01:17:15

so i am and complete agreement in agreement with you it's true that that that maybe when i when

01:17:21

i presented because you go like okay the school of mark speed about max me like after yeah the net

01:17:28

because you couldn't expanding anymore by then you will see wasn't all

01:17:31

the programs with for problems with mother nah i'll just do it

01:17:36

mister you have happy were my car language asking which you don't know what it is yeah

01:17:41

they uh i mean it's not like you know not familiar architect or anything but maybe post

01:17:47

for all these people to to axes

01:17:52

i think something interesting

01:18:04

is that

01:18:07

about cost yeah we did i i know the boss is a very important um reference particularly

01:18:13

yeah and when you look at a at a at a let

01:18:17

the american book for example and see the the steeple brain fine wine

01:18:22

who came from the bow our son yeah and kind of brought about how to t. v. but is a company we've rambo what

01:18:27

is very interesting but we were focusing the size and the board

01:18:31

will uh the uh we there's depiction of like modern colours that stars

01:18:36

before uh the work they are there's there are are poured workplaces and the

01:18:41

reason is that a lot more spies have time on the yeah we are um

01:18:46

a school so there have been exhibitions of more montana like to get some more

01:18:50

more not yesterday someone on the ball park with one house all the time of file

01:18:54

philip johnson no uh on the ball hardly have been booting up being but nobody

01:18:59

seems to have ah it study or these

01:19:02

yeah ah yeah these experiments in great detail

01:19:07

i mean there is the bulk of cooper doing on that page look inside the the and it was an exhibition of more more in the

01:19:14

seventies but that's more like the school it's uh not using a kind

01:19:18

of an exhibition of what they are doing not critical beauty it on what

01:19:22

i'm happy and give me nobody could view on the global phenomena

01:19:27

how can benefit from more men in the study endpoints had imprecise v.

01:19:32

with a few untroubled lose or these kind of probably pretty easy on

01:19:36

of our office payment in different parts of the two

01:20:10

it is not now or what do you mean

01:20:14

now for me seems i've never history but history not only you know i

01:20:19

always say that you look up on the price with the eyes of the

01:20:22

of the press and so the only reason i'm interested nine looking and uh uh

01:20:27

yeah with the it's the same reason i had when i start looking at the the the magazines of the sixties and seventies

01:20:33

were how the interesting modesty long was i'm

01:20:37

starting to wonder about how i have time

01:20:41

it that in the in the face so funny all kind of fun um

01:20:45

when we were there for missing in the means of communication within that need them

01:20:50

the beauty of doing things much quicker and cheaper there was not a and something else

01:20:56

and martin so against the story companies operable case you know what are you doing now

01:21:16

yes

01:21:22

yes

01:21:34

uh_huh uh_huh

01:21:37

right

01:21:43

uh_huh

01:21:45

uh_huh

01:21:49

yeah

01:21:51

uh_huh

01:21:58

01:22:08

uh it's very interesting question that's easy p. there's a delay energy

01:22:13

you know you may be interested to know that in i just using

01:22:17

these late phenomenon any was preceded by a lot of the base about why

01:22:21

the when you people and some of the market it it was not

01:22:23

on this to you that b. is the worst myth sorry narcotics weren't euro

01:22:28

basically was uh that's what is it true i mean in buffalo no ice i saw it first

01:22:35

the is these i mean the first the is the problem is that in the seventies as what

01:22:40

i mean i yeah yeah

01:22:44

no on or a is that the other sane so they same lake they said no no i'm not

01:22:52

there are seventy definitely because i i late seventies

01:22:55

i remember can't yes if any is this interface united

01:22:59

when i have the united states i have already done the course work for my p. l. team but i don't know

01:23:04

but people like my own profile morning or a message um well it's work

01:23:08

teaching the course it when i have a problem that the uh university as a visiting scholar at allies that

01:23:13

not only did i have a lot of the beauty that people what eating for time and then you're right

01:23:19

and the have appears the in fact i was orifice i find myself still working on my p. h. d. and how far higher

01:23:25

by columbia first them by putting some after before i finish the p. s. p. and all but you know he's young

01:23:32

with the need to be is yes we were to see people like may macleod people like michael hayes people like myself like

01:23:38

but we we we were all ah we worked eighteen so is that you know isn't that was brought in a median but

01:23:44

going back to the base about why would that be is the next sorry in a distant there was a lot of uh

01:23:50

discuss the on about why is the ends of architecture uh do you have any use for history theory class

01:23:57

they were boring they thought they were trying to avoid them if it that it

01:24:02

in the world of simple stupid people x. even holiness and a number of people work participating

01:24:08

they they talk about the eating of uh the architects of these thirty and this to the architect

01:24:15

and you was precisely to have the tears of architecture morning gauge

01:24:19

ah in history and theory and debussy parents waste families because he was

01:24:24

taught at the art historians work where a waste of time into it or

01:24:28

and that uh are simply putting no matter what the

01:24:32

error with intense years are they will go back to the

01:24:35

two panels keyword at the first this nice i think the top top

01:24:41

top someone just only insofar as i do that as the money at all

01:24:45

yeah we will back to morphine employed ascii and uh at the says

01:24:49

this nice at the faces need of a historic uh uh the usually what

01:24:54

topic you couldn't you couldn't go there you couldn't hire any of these people

01:24:57

interact so it really brought squares families to it would be that organisational architects

01:25:04

that we're also interested in us policy the with its architects of these things so that they will

01:25:10

i did anything it is and that the that was your yeah idea so you know it's like a sort of face

01:25:18

um but of course the have changed a vatican reasons

01:25:21

than uh and and and the teaching of history and theory

01:25:25

in fact this is very popular in the united states now on it and the number of

01:25:31

same yeah so the lack of same as always the kind of the one of content and clean

01:25:36

uh uh beams an an a student with the student demanding more and better classes

01:25:42

or the time so and more popular schools are the ones that are longer and some of them

01:25:50

right beside it it would be nice to you this it's it's e. e. c.

01:26:00

question

01:26:01

now do we use e. that says i just uh

01:26:09

ah e. room wall

01:26:14

yes yes i agree and i think in in spain just sane i mean not i mean i just days nobody in their

01:26:20

right mind things that architectural have obviously in spain if you

01:26:24

are a speech in the school of architecture and you're an architect

01:26:27

you have to have a p. h. d. which is called using the sender something doesn't make any sense

01:26:31

at all right but it's part of i mean i think it's the d. c. stands a and isaac

01:26:38

following a workable but someone that is how many p. is these you ah that's it

01:26:44

but at the same time one thing that uh that uh

01:26:47

that i that you get the same but i think that's important

01:26:51

in the production of knowledge the production of money that's what i mean you have the eating with these

01:26:56

not to read would be paid what we already know how did the university's supposed to be made of people

01:27:01

but are constantly right thinking that i personally producing new no it it's as though what is on this earth

01:27:08

the things enough i can certainly there's these are these and investigating daisies

01:27:13

the stuff that's not worth the eighteen in in physics in in in in science is that are you know but isn't full of

01:27:20

modern prices but people have been up for that's what they're supposed to be doing what they do on the side is that it's it

01:27:27

these are more than it is that that that that county and innocent

01:27:31

these these are asking the same towns you are supposed to be um

01:27:36

i i think that in it so or or you know or or some by these thirteen i haven't product

01:27:43

uh involved with you as well in the same way that you that

01:27:47

people in the sciences or or students in a class i think it's definitely

01:27:52

appropriate that you being the p. h. d. students and lot of oratory also or

01:27:59

it's just for the uh uh the past tense didn't so the or the u. s.

01:28:05

so what i don't like is not will contact him you have to copy is the two piece design wise that is yeah

01:28:29

love was to it

01:28:32

uh_huh

01:28:37

yes

01:28:40

yeah

01:28:45

uh_huh yes

01:28:52

yeah

01:29:03

yes yes yes in which each each individual uh these the we do we analysis i see

01:29:10

uh eh what does camping what are the tools the forty to include

01:29:15

in the building the building itself is on this to the supreme court beating

01:29:19

they are these cases in which the building is is invalid

01:29:23

lists of the philosophy of the school and they are all the

01:29:27

cases like the global through also the body on with precisely

01:29:31

one one in the building or why isn't going to the beach

01:29:34

to do some words over a performer is part

01:29:38

of being a or the availability and i intended

01:29:49

yeah

01:29:58

yes

01:30:05

uh_huh

01:30:07

yes

01:30:12

yes

01:30:15

yeah right right

01:30:18

yes that's payments

01:30:22

yeah yeah that's definitely part of uh uh what uh

01:30:28

the east to a market it's another gonna study this uh

01:30:32

so this is part of what to put in an ounce or uh so this point though with you what now

01:30:37

uh uh in florence happen that in in in the case of friends i'm not sure how they got to

01:30:45

to the point but even to fully within the autonomy of ah architects and you know right

01:30:51

so these or this line which we also included in

01:30:55

the vatican uh um put up with these uh project right

01:31:00

mm underlies the mean in in different time so not not all of them can be on a licensing

01:31:06

the same way so this is our kind of up in the face

01:31:09

of for these lot affirmation singer we have met leading to be the steeply

01:31:14

which you could possibly design because they would actually this

01:31:18

is a very conservative move many people will win and

01:31:26

you know what

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Conference Program

01:09:02

Vernissage de l'exposition Las Vegas Studio
Sept. 21, 2011 · 6:09 p.m.

01:18:36

Quand l'architecture et le cinéma transforment les territoires délaissés
Sept. 22, 2011 · 6:36 p.m.

49:22

Suburbia does not exist. Strategies for dense city growth
March 14, 2012 · 6:38 p.m.

01:18:44

CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi
March 27, 2012 · 6:32 p.m.

01:03:21

Les coulisses de Malley
March 28, 2012 · 6:38 p.m.

59:33

Débat critique - Projets de première année
April 3, 2012 · 5:15 p.m.

01:28:31

Ensamble studio
April 16, 2012 · 6:36 p.m.

01:17:40

Le travail d'ingénieur et le projet de modernité
April 18, 2012 · 6:35 p.m.

01:27:50

RUR: PROJECTS
April 24, 2012 · 6:20 p.m.

02:12:27

Conférence du cycle 'Pièces à conviction
May 8, 2012 · 6:34 p.m.

255 views

01:07:50

Paysages intérieurs
May 15, 2012 · 6:35 p.m.

01:32:29

Yona Friedman, Genesis of a vision
Sept. 19, 2012 · 6:13 p.m.

01:29:51

Working in Mumbai
Oct. 4, 2012 · 6:40 p.m.

01:10:23

Yona Friedman and the Gost of Utopia
Oct. 10, 2012 · 6:13 p.m.

44:35

Global Holcim Awards 2012 Gold
Oct. 12, 2012 · 6:06 p.m.

01:53:35

Just what is it that makes Friedman so appealing ? hier et aujourd'hui
Oct. 17, 2012 · 6:07 p.m.

01:11:39

Pour une histoire culturelle de la construction
Nov. 12, 2012 · 6:35 p.m.

01:26:29

Partage d'expérience
Nov. 21, 2012 · 2:17 p.m.

01:02:27

Hall Of Mirrors
Feb. 20, 2013 · 6:09 p.m.

01:05:11

Happy Street
March 13, 2013 · 6:29 p.m.

01:19:27

Pier Luigi Nervi : l'architecture comme défi
April 17, 2013 · 6:09 p.m.

47:47

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1
April 24, 2013 · 6:34 p.m.

109 views

35:06

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2
April 24, 2013 · 7:22 p.m.

01:35:11

Présentation de Riccardo Morandi
May 1, 2013 · 6:30 p.m.

02:15

Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino
May 8, 2013 · 6:31 p.m.

01:48:35

Présentation de Robert Maillart
May 8, 2013 · 6:33 p.m.

128 views

59:55

A dispute of the ephemeral and permanent in architecture
May 21, 2013 · 12:04 p.m.

01:35:30

Peter Cook
May 27, 2013 · 6:12 p.m.

01:31:50

Radical Pedagogy: a collaborative projec
Oct. 29, 2013 · 6:32 p.m.

01:24:39

L'exploration du possible
Nov. 26, 2013 · 6:39 p.m.

01:36:37

Power of Place
Dec. 6, 2013 · 6:06 p.m.

Recommended talks

05:07

Radical Pedagogy: a collaborative projec

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Transcriptions

Conference Program

Vernissage de l'exposition Las Vegas Studio Sept. 21, 2011 · 6:09 p.m.

Quand l'architecture et le cinéma transforment les territoires délaissés Sept. 22, 2011 · 6:36 p.m.

PechaKucha 'Lumière Sept. 24, 2011 · 8:22 p.m.

Las Vegas, Film, and the Mobilized Gaze Oct. 19, 2011 · 6:33 p.m.

Metaphors We Live In Oct. 26, 2011 · 6:33 p.m.

Craftsmanship Nov. 8, 2011 · 6:34 p.m.

L'épaisseur des lignes Nov. 9, 2011 · 6:32 p.m.

La controverse Learning from Las Vegas Nov. 16, 2011 · 6:46 p.m.

Dans le paysage urbain Nov. 22, 2011 · 6:38 p.m.

An Aggregate Body Nov. 23, 2011 · 6:46 p.m.

Curating Postmodernism Nov. 30, 2011 · 6:41 p.m.

Pièces à conviction – Une périphérie prend forme Feb. 22, 2012 · 6:05 p.m.

Pechakucha 20x20 Feb. 23, 2012 · 7:03 p.m.

Espace, Lumière, Structure. 7 Concepts Feb. 28, 2012 · 6:32 p.m.

Suburbia does not exist. Strategies for dense city growth March 14, 2012 · 6:38 p.m.

CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi March 27, 2012 · 6:32 p.m.

Les coulisses de Malley March 28, 2012 · 6:38 p.m.

Débat critique - Projets de première année April 3, 2012 · 5:15 p.m.

Ensamble studio April 16, 2012 · 6:36 p.m.

Le travail d'ingénieur et le projet de modernité April 18, 2012 · 6:35 p.m.

RUR: PROJECTS April 24, 2012 · 6:20 p.m.

Conférence du cycle 'Pièces à conviction May 8, 2012 · 6:34 p.m.

Paysages intérieurs May 15, 2012 · 6:35 p.m.

Yona Friedman, Genesis of a vision Sept. 19, 2012 · 6:13 p.m.

Working in Mumbai Oct. 4, 2012 · 6:40 p.m.

Yona Friedman and the Gost of Utopia Oct. 10, 2012 · 6:13 p.m.

Global Holcim Awards 2012 Gold Oct. 12, 2012 · 6:06 p.m.

Just what is it that makes Friedman so appealing ? hier et aujourd'hui Oct. 17, 2012 · 6:07 p.m.

Pour une histoire culturelle de la construction Nov. 12, 2012 · 6:35 p.m.

Partage d'expérience Nov. 21, 2012 · 2:17 p.m.

Hall Of Mirrors Feb. 20, 2013 · 6:09 p.m.

Happy Street March 13, 2013 · 6:29 p.m.

Pier Luigi Nervi : l'architecture comme défi April 17, 2013 · 6:09 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1 April 24, 2013 · 6:34 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2 April 24, 2013 · 7:22 p.m.

Présentation de Riccardo Morandi May 1, 2013 · 6:30 p.m.

Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino May 8, 2013 · 6:31 p.m.

Présentation de Robert Maillart May 8, 2013 · 6:33 p.m.

A dispute of the ephemeral and permanent in architecture May 21, 2013 · 12:04 p.m.

Peter Cook May 27, 2013 · 6:12 p.m.

Radical Pedagogy: a collaborative projec Oct. 29, 2013 · 6:32 p.m.

L'exploration du possible Nov. 26, 2013 · 6:39 p.m.

Power of Place Dec. 6, 2013 · 6:06 p.m.

Recommended talks

Présentation du Laboratoire en humanités digitales Frédéric Kaplan Sept. 15, 2019 · 11:24 a.m.

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Vernissage de l'exposition Las Vegas Studio
Sept. 21, 2011 · 6:09 p.m.

Quand l'architecture et le cinéma transforment les territoires délaissés
Sept. 22, 2011 · 6:36 p.m.

PechaKucha 'Lumière
Sept. 24, 2011 · 8:22 p.m.

Las Vegas, Film, and the Mobilized Gaze
Oct. 19, 2011 · 6:33 p.m.

Metaphors We Live In
Oct. 26, 2011 · 6:33 p.m.

Craftsmanship
Nov. 8, 2011 · 6:34 p.m.

L'épaisseur des lignes
Nov. 9, 2011 · 6:32 p.m.

La controverse Learning from Las Vegas
Nov. 16, 2011 · 6:46 p.m.

Dans le paysage urbain
Nov. 22, 2011 · 6:38 p.m.

An Aggregate Body
Nov. 23, 2011 · 6:46 p.m.

Curating Postmodernism
Nov. 30, 2011 · 6:41 p.m.

Pièces à conviction – Une périphérie prend forme
Feb. 22, 2012 · 6:05 p.m.

Pechakucha 20x20
Feb. 23, 2012 · 7:03 p.m.

Espace, Lumière, Structure. 7 Concepts
Feb. 28, 2012 · 6:32 p.m.

Suburbia does not exist. Strategies for dense city growth
March 14, 2012 · 6:38 p.m.

CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi
March 27, 2012 · 6:32 p.m.

Les coulisses de Malley
March 28, 2012 · 6:38 p.m.

Débat critique - Projets de première année
April 3, 2012 · 5:15 p.m.

Ensamble studio
April 16, 2012 · 6:36 p.m.

Le travail d'ingénieur et le projet de modernité
April 18, 2012 · 6:35 p.m.

RUR: PROJECTS
April 24, 2012 · 6:20 p.m.

Conférence du cycle 'Pièces à conviction
May 8, 2012 · 6:34 p.m.

Paysages intérieurs
May 15, 2012 · 6:35 p.m.

Yona Friedman, Genesis of a vision
Sept. 19, 2012 · 6:13 p.m.

Working in Mumbai
Oct. 4, 2012 · 6:40 p.m.

Yona Friedman and the Gost of Utopia
Oct. 10, 2012 · 6:13 p.m.

Global Holcim Awards 2012 Gold
Oct. 12, 2012 · 6:06 p.m.

Just what is it that makes Friedman so appealing ? hier et aujourd'hui
Oct. 17, 2012 · 6:07 p.m.

Pour une histoire culturelle de la construction
Nov. 12, 2012 · 6:35 p.m.

Partage d'expérience
Nov. 21, 2012 · 2:17 p.m.

Hall Of Mirrors
Feb. 20, 2013 · 6:09 p.m.

Happy Street
March 13, 2013 · 6:29 p.m.

Pier Luigi Nervi : l'architecture comme défi
April 17, 2013 · 6:09 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1
April 24, 2013 · 6:34 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2
April 24, 2013 · 7:22 p.m.

Présentation de Riccardo Morandi
May 1, 2013 · 6:30 p.m.

Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino
May 8, 2013 · 6:31 p.m.

Présentation de Robert Maillart
May 8, 2013 · 6:33 p.m.

A dispute of the ephemeral and permanent in architecture
May 21, 2013 · 12:04 p.m.

Peter Cook
May 27, 2013 · 6:12 p.m.

Radical Pedagogy: a collaborative projec
Oct. 29, 2013 · 6:32 p.m.

L'exploration du possible
Nov. 26, 2013 · 6:39 p.m.

Power of Place
Dec. 6, 2013 · 6:06 p.m.

Présentation du Laboratoire en humanités digitales
Frédéric Kaplan
Sept. 15, 2019 · 11:24 a.m.