Yona Friedman, Genesis of a vision

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ah yeah when you i'm giving up through her look after

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the subject with your your knife it ma'am genesis or for vision

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a long moment the allow hopefully needed to definitely is you heard over our

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the compuserve unclear okay her into view hers used for

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a similar uh no text with this your giving your

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to move in between a cue un difference the telly

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despairing your quickly we and exposes your yep yep that's use

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they are hers require mechanisms 'cause if they don't communicate with this humanitarian of criminal series

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with a question of definite boom a city next to the circular frequency so closely that plenty

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of easy to denote conference human or the or the us use doctor do plenty of truth

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we're probably uh was just really trashy or how a super

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something was joker crucial fit exposes your your personal pronoun there for

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her is or looks at their printer yahoos more uh in the

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present tense supporter and is okay you will access fairly rapid more

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i'm not programming traditional fare don't kerr on a on a concept somebody

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input it exposes your company where plus we all could do the work

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they can also specific everywhere you go next with this one of your but i don't know you

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score one for got talked about um may for

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up to you go corporate wrecker could manner uh for

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no two zero from a a half acre fit when you can i

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mean uh you want to build a exposes yeah for very to tell or

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um it was what was called a parameter is the the the the feed my

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mother has to draw do an informal questions actually packed to you'd you'd be cool

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or suppose scribble who did you join c. or it might be cool a one or

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a lower lower the friedman a a prophet excuses all stopped car are reviewed constructed through

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a oh i'm me or you know a fictional

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is undergoing agreed to with the deployment really beautiful

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a movie or right to a speedy perfect man proportional to mess they're using the term meaning

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oh if it meant it deftly sticky venom actually checked engine you

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know see find out there and people criticising unfair such close off

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let's set actually zoom our news if you had a i live on her own channel manage

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are really short cafe uh no they're so how's don't exposes you know

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men you know how the uh move forward to colour was you know two

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of the views on your graphic redeploy you people starting to set of the movie

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um control the loan to use up about fundamental

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supposed tomb uh maybe it's a separate it too so

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friedman it'll go next time nor active duty measure video curve

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where they uh don't expose resorted to any more than you

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i am a senior where you're just relying on open

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certainly uh your thumb recorded for sure it only moderately

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anyway uh use our grandma who views here from uh sorry capacity per year so

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lucidity on on or credible on for remote is it exposes you're sure very uh uh

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who present day with an l. c. really compare how often it

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you can use the point don't or won't don't know logan inexplicable

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double when miguel hernandez lay on a a

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year for an architect um was yanked our our

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portal to instruct you know the matter he needed to director under let some i might pay that

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a a dominique we are anything but are a key young properly uh uh uh

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my time on the electron to finance your are considered to love you ladies infrastructure

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uh you were more peace cruiser with there's numbers some their warehouse with and also if

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you don't if we don't know liftoff it you know that come with many different really matter

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so here are the masses server or for you or for um

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you know give it exposes you want to get somebody to you know

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allstate uh some via a super cheap airline even easier making a paycheck which are

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okay only one pop up i don't don't go along from power making fun enormity uh for you

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a a a just you're deserving more to lose even more key formula needy needy

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a nickel for a whole slew portion conferences sample component pay fifteen go home

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what part of your dick applicable and you don't want to don't set file

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a a nato functions directly grandpa deductible oh uh well look strong sample

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well i was requested not nor up a whole lot to double

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hundred thousand okay okay it uh i've go uh it should move well

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look we don't we're gonna so uh there's our particular also annually peripherally

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related human behaviour uh it's cool 'cause of course sure prior contest they

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hey uh if you knew she supplement exposition which alone affable group a so with a pretty small and that's it

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we'll start with a a two that was you have no state uh

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x. whistling edits the uh you don't often man uh the p. f. l.

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it's what is your uh possible morgan is a a has troubles no problem it in

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a sort of stuff you can as opposed the unified manpower so lashes on a repulsive exposition

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hirsch why does this one is of course not it's not as

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pretty the most it should your church um it was unseemly ownership true

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uh don't yell sunscreen profit mode on a pedagogy the

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constituent act now says otherwise not rebuke a vocal production

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the criterion of criminals an article correctly a puppet allergic

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yes you develop it along garage a graphic was 'cause you've got problems

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physically something of this in the in the uh in the party was you

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a a in particular about a pop uh i'd be

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a so long gosh is almost ah that's that's not true

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uh sure or not is a somewhat enough could mountains or a poster this

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was just draw the talking about the news yeah like a hundred which are

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uh for new uh open the prospects as well uh was

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so car you see the uh stick week's show a critic

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so c. r. a. o. c. presupposes you know uh open to actually picked up

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you love him on it while it's possible or good job let's

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get out of a marketing we're a good journalist your or my car

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and actually back here happily run or a a a a a computer

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the definitive more busier now a positive

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a a a should consider also provides it exposes joke on a universal

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a couple image of a problem um the uh

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like those seats the stakes positional matters rather

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of them on patsy on hope article uh

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should have a a awesome up on the uh on l. c. e. o.'s as well

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open your more a couple new uh marianne of it is given to the

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u. s. s. r. don't show my elephant only recyclable to build a parser

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maybe all the pleasure just it's it's international stomach just artistic you so don't for these are the values it

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because of tuesday's or should act the project from alabama the latest post rebuke your shoulder or invalid

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i don't know them or participate to uh uh at least you won't be a relief

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do you know friedman doctor drawing in models that we have some commands like um the mail

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probably one of the most of this was your you see a problem or the dish or act out

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uh i don't is it would expose your your thumb onto this was old enough to run

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uh in supple i've in the above you future for

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us it is a load it up yesterday's others utopia

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that is it and uh it come out as a power or very special area of stuff is a big trip

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uh come out as good as architects well technique to sell uh uh you about

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relevance it was almost as well as a remote control um stop that there's some awesome actually digital uh o. compliant

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uh those real honest to pause the critics only if guns or expose it so this but maybe to physical

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stereo uh the over your control on the top of our last on the uh the uh the exposes for

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remote of certain key uh he uh okay proposals as far mickey um will participate

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was you second artist or buttons your posture is up and the remote is the cable

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what is the cover the car your uh remote remove more innovative off you

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actually down we off for them is also colour you could organism record enough good man they uh could look for

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actors 'cause you don't have your top the fifties was it not a participant let's talk use a dog or a public

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seeing as department was accused though a million of human

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interface with this remote you're uh you're you're just overtook october

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'cause open architecture without building i'll uh of you shall on the lawns

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you have found a cure not the bulk is i don't see to kneel in

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typography measure now can manage to the materials we're gonna fit manager but is the covered

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uh we already have the power to couple it was devoured

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also this was your supple except are a bulk is i don't

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you know see uh from the other kind of criminal do with the somebody a

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bulk is productions city not she for

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open source couple of hours or you know

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uh did this summer and you may it basically the again

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of human on remote users have to open or eighty to a

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okay may present tape or is it exposes your because of

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the prophet mode or or or donate them grow uh will propose

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the minorities also most you do the work that the uh the soak up

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the charge a focal mobile or the density a disability closed as constantly yes

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it was c. or the fumes recalls enough minutes uh on on a brawl a

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big enough in management of or to basel

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onto these uh last pitch in addition oh

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because windows at the uh the service was your no see uh okay uh

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uh what is it like a a man when they a mark vincent calico

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easy uh talking or behaviour of no problem last year

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because of some or marketing think i think about it

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people of uh of those are probably the the strong the director

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marketing can get a video of distortion covers up rubber cover your musical without

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you know if it's generally dislike area or product used on the phone or doing something to expose a

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lot you know don't even is an imperial garden of

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russia festival subtitles board yellow barbarian are together either zurich

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on uploaded or defer our uh the tumult of israel open

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is it um if you don't have you the your nah feet

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long with equal pay it so per fifteen all of our luggage

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another stick to a little cedar rapids channels show a lot actually

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uh what order should direct deposit look up if you guess wrong a

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a a a a disservice director malls that your um on the structure

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it doesn't become more to know of your status strong piece of it being you don't often on on on the weekends or

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the control signals so awesome on the your novel so not it is to do our body

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a a a missile us your call a light on projects you know the

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cabinet with enough good manners on this bus it's also a or not video the

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the process to the result ergonomic interviews that covers only

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the into the face of almost over the over the whatever

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the person that you're more it's it's exciting thirty for the men originally to

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so what about your week uh that some of call out because of your market where the mother it

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were murdered which are a factor longer or that you

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can also strong uh all pro a hundred each it

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recently with that is covered or wanna get on the sleigh on air force imogen that rather put

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so the chemo the uh the the coven can a lot of what you are

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one of the cabinet with a little more of a

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problem both of them going for profit more often though

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overall multiples are some uh almost directly perches on something like the l. c. on

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video for up or possible signals for of probably the taking of the nails you

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uh the pascal job of oh

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a company the options one

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a little bit more trash can for normal cardiac about our up a cab your thumb

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up of corpus christi to your comments you can program also corporate was a directive or bar

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java with a team from because sexed your own custom the

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hopefully yep oh journalist and also encouraged by opal because younger on us to stop to pour

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the there's only the proportional periodic rios from some of our core supporters of the top it's

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jim assistance sum up or posted isn't it it was u. h. m.

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o.'s user someone else it will also use it the cities that if possible

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yeah see anything out there

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oh i won't pursue pursue his name i just the uh next tuesday

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april uh luckily tape the risk to wear yellow car yep olympic need clear

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no pressure to reduce the tableau oh comparable 'cause not really well going to work in a call

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uh i don't wanna have sex open to to to for it is national group to target you know and there's a loophole that

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or a manual music uh in a learner friedman weaker look technically a gifted

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put a book it well but because you're faithful to look at the doctor through third twenty

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i'm not much of a personal paola at emmanuel the low due to to

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a cute are telling you i make my marketing car um we

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uh so i have to speak english and become manual uh with

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mm manual doesn't uh is uh understand french mentally

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then is an artist you studied architecture in venice

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um and the everybody told me that he he's

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a very good uh you do very beautiful drawings

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uh uh but i'm i'm a bit frustrated because in

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the division you don't figure drawing he's you you you

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was uh you you worked with enough friedman to do the um street museum a sore

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i was hoping it being the street museum you can flip during but uh no the project is totally different

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oh he will explain uh he's colouration and use uh the relationship is that

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which we've uh you enough with no but it's important that you grew up okay

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oh okay

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but i think we pretty much of a stay here sorry for my english because i know that is not so good for a in a

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meat to younger friedman in the nineteen century aim and shoot it two

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years ago and then we started to to working uh about the museum

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to to the many contemporary architecture have adopted the push to do of fashion

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it changes back to pick shoe into system over construction for you are you been

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diseases of a sound two of us i come the portions of that

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began in nineteen is in today is uh seem to me to be

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to be ending because the system is is the way to

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exclusively but is self it is a sin for reflection in consumerism

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even more this operation can be so we might as a as a fact

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where new technology can probably do something unexpected but their protection is

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that whole was something else when they friedman say that to me

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it's nice to channel the shapes of the buildings but it is secondary you can make the shape of an

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elephant for instance you specify most analysts there was another

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from coffee wasn't the shape of an elephant kind of foreclosure

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it's nice say it's less important that the fashion where

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i'm not against deep budgeting is not the central

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problem of contemporary architectural question but only a secondary issue

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but but then what is the main issue if not to fall

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because sure uh the the form is not the men the problem

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friedman tell us that uh if we think about to do we assume we can think of that

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apologists archaeologists built up here is about past

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stabilisation stick to the facts find escalation sides

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a half band one had the shuttle them only

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think compliment pay guest place about nearly take life style

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objects found in town to other made that pleasure oblige museum collections

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but as for the real value with these fines for the society that produce then we can only gash

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i just think about the treasures of assimilation trenches that might be found by generations as you can hours

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could we ourselves p. paddy stations for example to have

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the collectively sticks object accompanied by indication about the contemporary value

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bunch factions on how they were supposed to be used but

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documents and handsome happier to a contemporary oblique best we could

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well this information is contained in shop window displays

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crash technical information advertisement shop window displays on engine rainy

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there is also another advantage for the present you don't have to pay you take it to look at such a

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display no well and look during visiting hours which is

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open for everybody day and night only days of the week

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for that kind of museum there is manchester to to build a specialist building

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but don't need heating all weather protection for visitors you can

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look at window display uh using your own umbrella to protect you

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that that one point i have to add to

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this project shop windows channel any haven't exclusively compression motivation

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could we also starship windows fought for ideas of our culture

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associated with the match chance display for example comedy which shop owners to

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also present as a partner they display but so bought cultural manifestation et cetera

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so so i'm assuming that the building

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but it is those object to the to make him used to

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so diligently sumo are the cities at the shop windows

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if you look at the shop windows and industry to reconsider we'll resume over

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i was with the decision we must change the way we see the city

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i want to remind everybody deprivation that that they still made the only

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the a pull over nine to twenty one in paris at two p. m.

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was doing that city is with the body made operational better as

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a company to change the way we see the one hour yes

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and we showed the c. t. and the elaborate a different perspective this so this is an important operation

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because it does corporate does intervene on the landscape

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a living get an object of local get a simple

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of the others but broke their artists and the rather the group about this directory on the side

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without performing in the material operation and without the in kind of a purchasing

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that yeah up to under my feet is nothing more but uh in our june newspaper or explained

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on the bottom just give him the right to with with the most so the to use only

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uh_huh

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so here is which are the core

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wasn't it to go

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her reopening did so yeah

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which is

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so what are you

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huh

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00:22:19

huh

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who who are clear or clear okay or lower

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it with little talk a lot of care where a a logo

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the most suited to the usefully a bill to look like oh chip

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to that could be possible like animals informal in this is why am

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well the shop windows are we all the she pulls up the form of what art installation which

00:22:50

was is a real installation the locksmith assume is the same to the telly but is that does it

00:22:57

i feel come back to this special proper proportion and temperaments you should be considered to get them

00:23:05

it will probably show this type of which tables that for the moment in the uh uh two years ago

00:23:11

i'm italian friedman then nine it when a new eh

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twenty one a nine or by member outside the room i was circuit on the contemporary sitting in beginner

00:23:24

over your no and the i started to to uh to work

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together in a particular we're going to to to them what the museum

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at the beginning of the project was uh for venice with video over just to using the yellow sign

00:23:41

then uh from a range of difficult to we have a

00:23:44

boat to the project for the paper which are we ever final

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we said in the two thousand and even doing the first talking to you

00:23:58

we have also included for two or some person object to

00:24:02

that the people of upper would sure every close and careful

00:24:05

and then we have the extra beta then only shop

00:24:09

windows so does most remote web as well probably car

00:24:19

right

00:24:21

uh_huh

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or so much remembers more to canada rude

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notebook and i had big losses there the clock

00:24:38

the mining will result with everyone in history

00:24:43

the band to two terms over at eleven a good problem archer merchandise so

00:24:48

abandons extent about the project of upper which i wanted to build one the state

00:24:53

there's approach to venice camper sometimes they from about so ghastly they also format and the

00:24:59

association ever guaranteed minute but to the lack of this problem so and if we could

00:25:06

and ever can also the project remind him finish no or anything anymore

00:25:15

this project to dispose you can see the minimal the about to do some

00:25:20

start this from carmel two thousand four and to the to the wood joe

00:25:25

two thousand eleven them come to the prince's through might make us feel good that means you my husband silicon

00:25:33

social program before the building project the concrete many visitors

00:25:37

to overthrow go in secret assistance over the human began

00:25:42

is it that um fall a few that's the kind of operation as possible and

00:25:49

okay advice story from english now i live in my

00:25:57

oh i'm sorry

00:26:05

i think you're a little bit difficult with features so i well

00:26:12

okay so now i'm i press a week or two men you don't

00:26:18

see many low it's you know maybe ah a soprano for for your minority

00:26:24

copenhagen for say the six premier on outlets killer controller between different recover also not right

00:26:30

many l. o. f. a. um s. impairs your unit friedman

00:26:35

um is it impairs key say purposely a lap terrier lemme couldn't you do friedman

00:26:40

or on korea i'm only file on court for a male you're them

00:26:47

all this on the when you're probably a different confronts the amount your

00:26:50

graphics to load the freemen pontifical continental sounder uh there's a car right

00:26:55

to keep our jackson or from alright accepted if you feel no friends compare

00:27:00

uh murphy the the marketing repress your uh s. or you're

00:27:04

gonna friedman key uh as usual area and i don't know

00:27:07

maybe three uh the the very people uh boxes up of the controls

00:27:14

per se of all of them but the lobby to defer the conference

00:27:19

an italian and but along the two languages i decided i spoke to

00:27:25

less worse in english so sorry and would speak english yes it's not easy

00:27:32

to summarise to present also the as you can see next to the show on

00:27:38

the big but i love the of the work all the young and feed them and

00:27:41

as he has done a very different kind

00:27:45

of activities in them is long life and carrier

00:27:50

not so has he has lead the in uh so the

00:27:53

front such a different placing the content because they used to the

00:27:58

in the middle east thing in europe and also for for

00:28:02

ten years uh it was much present in the us i decided

00:28:08

yes the the the other often do a way to to to to introduce him

00:28:13

should be the best also because uh for what i know

00:28:15

and them not many students a new gonna friedman yeah uh

00:28:23

and for what they had been told in a hearing was an a in

00:28:30

able to be for another reason an italian food also for once say that every work is a collective work

00:28:37

and to me it's very annoying to to see that all the

00:28:41

time uh you wanna friedman is put together with a radical architecture

00:28:46

or a experimenter architecture without conceding ease

00:28:50

uh experiences and the people and architects the s.

00:28:56

collaborated in is for me p. years so uh i

00:29:00

want to show you all very critically important the uh

00:29:04

some of his most relevant that that's uh not experiences

00:29:08

and more than that all that then these theories

00:29:14

because i i think also that theory and park these is a a

00:29:19

battery all the uh dialectical couple of that should be over count from uh

00:29:25

uh the uh another couple which is a reflection and experience which for me is more productive

00:29:32

uh yeah freedom was born a in budapest in nineteen twenty three in a jewish family

00:29:38

uh i'm mm

00:29:43

in the the at the time the where laws against the jews uh was uh

00:29:50

with one so forty me was impossible to

00:29:53

attend the university that he got the special permission

00:29:58

from a teacher you bankruptcies was about a traditional teacher about the polytechnic of the the best

00:30:06

um so cool that attend the lectures

00:30:10

without the without the uh without having a a

00:30:14

not so the from c. c. was very yeah

00:30:17

and the the experience the the discrimination also uh

00:30:22

and that it was a very special county because

00:30:25

as he was uh feel a german and feel yes in the good relation with jen

00:30:31

was a kinder regina called fake fascism uh of the eh at me out part b.

00:30:38

do the the second war war patched the hand very very late just in nineteen forty four

00:30:45

so until nineteen forty four and that it was that kind

00:30:48

of a happy island like switzerland uh so that uh in uh

00:30:56

friedman could attend where many uh on a

00:30:59

conference ease of uh important intellect about that

00:31:04

only could be do these lectures doing the work only now that he and his wits

00:31:09

and probably they where for example then that highs in that the the nobel prize for physics

00:31:15

who had that eh who had that shoe important lecturing budapest which the

00:31:20

the yeah and your feet map and it was very important for use um

00:31:26

for ease formative years uh r. s. and book by

00:31:28

team a lot of the company k. uh is completely uh

00:31:34

i uh consequences the the complete consequence of those true lectures

00:31:40

and then he attended also a course by carry carry any will to was that the

00:31:45

like you used to spend the rest of his life in us corner so here in switzerland was very important because uh

00:31:51

uh that was uh of course uh attended by and the the people and peter jean all disney

00:31:58

about me taller g. and this idea of the meteorology as a a cease them

00:32:03

uh something that gives you a complete image of the war that is something that we can i mean

00:32:10

if you read the the books that to me are the most pressures that works by you on a

00:32:15

moment the pressure especially books where you uh you you could seize even in the better relate to uh

00:32:22

even the even if the books i've been published

00:32:25

the relate you can feel uh you can see

00:32:29

uh the the presence of get any innocent that according to me anyway fate man

00:32:35

you live nineteen forty four uh uh they we arrived in as a

00:32:38

corporation you know that would address that had been uh the most the week

00:32:43

and be guessed the deportation of european jews like half

00:32:48

a million jews of reported in a less than two months

00:32:52

to the camps uh i come on and when to do

00:32:56

you personally to budapest to organise the last the big the presentation

00:33:00

a yawn that uh what a duty that's c. d. was

00:33:03

uh the noun set by by one on his friends students

00:33:09

was uh uh taking present not as a due but as that and then

00:33:15

um i resistance uh i i'm not to say as an anti nancy resistant

00:33:21

so it was a imprisoned as a political prisoner that say these life

00:33:27

because uh otherwise he has means sent immediately to the camps then

00:33:32

uh in january uh all of 'em for nineteen forty five

00:33:37

uh_huh while emerges the ration the red army came to free budapest there

00:33:42

that we there was a bit careless in so he had saved his life

00:33:46

but what was it apart the the the the experience of the world that obviously is important

00:33:51

for everybody the is that the in movies a little group of resistance

00:33:56

uh uh friedman experience that i'm a very special a technique of communication

00:34:03

uh that meets is something that has been a done it the same way in uh

00:34:08

in l. j. i. in e. g. idea originally during the occupation or that in doing that

00:34:15

freedom of algae that needs to every single member of this group

00:34:20

could not only chew other man that's so that if

00:34:24

if you you should was if he was a capture

00:34:28

you can review yeah you could say the truth but it

00:34:32

was impossible to to whether completely these are not the group

00:34:37

so these also as was very relevant to these um you said i i'm gonna say a

00:34:42

better easy the realistic very concrete the experience of

00:34:47

communication which also another big theme of these work

00:34:52

anyway after the freedom highly you decided to go on in to go away from i'm getting

00:34:59

was very it was from disk the experience of

00:35:02

discrimination also the collapse of up would sort society

00:35:07

also he was very uh of course a beep that out by now the denunciation of a friend

00:35:13

uh in the way to one year in bucharest rumania

00:35:18

because from uh i'm from bogus that was a more easy to to get to palestine

00:35:25

the the zionist international latin c. was based in in bogus you had to

00:35:31

to to wait twenty any experience the what it means to be a a

00:35:37

a refugee when you are you now destroyed c. d. after the war you you understand

00:35:44

what you need the most the for the first time in what you need the most

00:35:49

when you are if we gina destroyed c. is what the and

00:35:52

then your experience in life it without the people inside the same room

00:35:57

without the family many families and he he we

00:36:00

had the is first ideas of more by fallen natures

00:36:04

uh to to to for keeping alley to privacy between and more by a

00:36:09

little funny choose it also too because every day work i mean other people

00:36:13

in these kind of context so that was the button i mean was very young

00:36:18

file in nineteen forty six c. d. the mm you could get to haifa

00:36:23

in in palestine at the time it was with was the the the the british uh no

00:36:29

patient offer that was the reduce a mandate a off

00:36:33

bother thank back in haifa is a very special c. d.

00:36:38

in that use an l. now at the time five because is the more mixed

00:36:43

c. is also the mostly better was call at the time i for the dead if you

00:36:48

see the last there must be piety him feeling about this far that event moon you'll band

00:36:55

guide was an ex about houses dude and he's just was just

00:36:58

present that the now at the venice film festival a dismal on

00:37:03

uh you would see that so maybe that how special was the c.

00:37:06

um and of course that there was with contacts that you make because uh

00:37:13

every single day where arriving dues from you up

00:37:18

we've uh we'd the destroyed both the all the boats and by the way where

00:37:24

we're leaving from me daddy from jan or or from the s. the the the where

00:37:29

passing from europe to do but i find that was forbidden from uh the

00:37:34

from england because the the was already problems with adam population it's well known

00:37:40

uh do you think the final of a very well known uh both the x. would lose

00:37:44

which was they can they were also by but from the

00:37:48

from ah it's the way the the the what was taken back

00:37:52

to to read that it too cheap rooms and then to we study uh it's very far as but anyway

00:37:58

this was the landscape of uh the periphery advice for every single day where can i mean

00:38:04

immigrants and he's a l. in the very first e. s. was

00:38:09

really unique because he's the only count three bayes it that on immigration

00:38:14

uh you can to switzerland to protect me for the first time a shame for this but it does today i had

00:38:22

i mean there was a black man in a side of me was taken away from the train

00:38:26

notes i had problems because i couldn't find my a. p. that so okay double check i mean

00:38:32

there is no county founded on immigration these is the point in these

00:38:36

of course it gives you a very special in you only get context because

00:38:43

well i think that's a it was that

00:38:47

they have a very close to our class last last so

00:38:50

side the the very first year of palestine you nodding patterson was

00:38:56

the the the jews when to to palestine from the very the the first dion is that the inactive back sure

00:39:03

in the twenties and the thirties uh it was prevailing the idea of the garden c. d.

00:39:08

courts uh this is the same as the first mission beamer

00:39:11

00:39:16

nah nah let wigs already these the uh the n. thing then add the

00:39:23

in i had also uh this uh um a quick

00:39:26

experience of living in a in a kibbutz which was

00:39:30

something very close to ah a a form of a relies

00:39:35

companies and you know that it's some keyboards with many difference

00:39:39

in some keyboards this on the children of the people in the keyboards

00:39:44

there was no property personal property by the in some keyboards the cheater

00:39:49

where in common i mean you you are cheap they they actually there where

00:39:55

the with canada and kept from everybody but there was no real asher with eh

00:40:01

dad and the and the and mom so i mean very different so ah the radical experience

00:40:08

uh these they take me on the product back another polytechnic in haifa where feed man

00:40:15

finish this that is inactive actually got his degree but he got his

00:40:21

degree in yeah you had to stop another time studies after budapest though because

00:40:27

well um because in nineteen forty eight uh there is the war of

00:40:31

independence of these uh this is the declaration of independence in nineteen forty eight

00:40:36

we've about it then we on the centre these though but as of this you know the the

00:40:42

the duration of uh of siamese and which is another big ideology of twenty seven

00:40:49

member for she's in that we italian then that common isn't a but there is also this zionism

00:40:57

uh so i wouldn't think no has these experience to design trenches he

00:41:02

has to that he had to design trenches in the in the engineer cops

00:41:07

in designing trenches is a very special again experience because trenches moves

00:41:15

uh it it's it's some it's not like architecture and if you have to design something that move

00:41:22

you mean other instruments to design that you can not designing as of building has

00:41:28

a house as ah museum you have to design with new instruments for example diagrams

00:41:35

the the the this this so celebrated diagrams now the until a few years ago

00:41:41

uh from uh from that jackie backs that of course is everybody knows diagrams is

00:41:46

a former presentation was coming from a war for the war experience for the work technique

00:41:54

and after these other work um yeah but then the war was very

00:41:58

quick uh freemen ninety forty nine i got these degree finally and then

00:42:03

i start to collaborate in in with the architecture faculty in i found

00:42:07

what they were very interesting architect peachy for example alexander line was rationed

00:42:13

what a lot in germany what important books a head count as we did for see i'm

00:42:19

uh if you got brought to the to the bottom books

00:42:23

i mean the thought of a way when on a um a

00:42:30

mm representational moments inside uh

00:42:36

spirit insides special specific people urges of building movement

00:42:41

inside the the room based pasting ten of spades

00:42:46

uh and also you don't diagrams of uh always of

00:42:50

moments of possible movements so this was a climbing at

00:42:55

a certain point the in the first is the the king the dean also of the of the architecture for

00:43:04

these are very that we had

00:43:07

well almost nothing of friedman it from those ideas from the door you you lost or or

00:43:13

almost everything we have just a few uh drawing but i think we can he hasn't really

00:43:18

done a a job after you arrive being uh in there in in in bed is e. e.

00:43:25

it does a lot to re design is doing

00:43:28

um these are prefabricated uh and and seen a concrete

00:43:35

um you with the friend uh these these are caning from the get

00:43:40

your guy who'll recently about a big part of the um freelance a guy

00:43:46

uh mm in these up each of the model uh as you

00:43:50

can see the the development is always the same it's just one

00:43:56

and but for the creation of course was the the the big steam the most important theme

00:44:02

in the p. chaining like not because it was all views you had the the the necessity

00:44:09

of a beep prefabricated building for him against a riding every single day

00:44:15

and also then then after moving from the other c. d.'s or the music is the user

00:44:21

that was building at the time for you to go with what we're pretty new i got three

00:44:27

uh and they yeah but preferably to get

00:44:30

the um shed uh our right to free man

00:44:34

now when they seen up by an abundant at the pipeline along a out of five five

00:44:40

a very big in concrete is it let's let's cook

00:44:43

this pipeline let's go prefabricated building temporary housing let's recycling

00:44:50

uh let's invent let's do it for temporary be

00:44:54

this is a page from the very first edition allah should get to moby which is is manifested body

00:45:00

this we had to him before levies pasta which is is most known project

00:45:06

uh the eyes there is this eh interesting preferred occasionally in the recycle old solve a

00:45:12

come example company payments which was something that in for with the z. us

00:45:19

think about in russia that big count trees about about the fact that the publication has always been

00:45:25

the constant temptation and dream of modern architecture but man that now that

00:45:32

uh really uh i realised that i believe a picture

00:45:37

of a variant on our uh our out of a social

00:45:40

housing he had the chance to do that as a knife that we do a lot of them a what the time

00:45:47

means that all of 'em of poppy public working

00:45:52

i mean of uh uh you know for the yes

00:45:56

yes these uh oh better the the the these these um the story that uh she

00:46:01

went not reading this with this social housing and say okay let's open a window there

00:46:07

which and why i i i know we have to open a window of that

00:46:11

chip and feel they should be they not be done some decide where the

00:46:16

crinkle open not you with their uh mean is that just another thirty minutes ago

00:46:20

you remember at the time there was no formal the relationship between people

00:46:25

they everybody needs that was calling by name because they where very few

00:46:29

so well that they were all saying in the army you know

00:46:32

it wasn't really a classless or something like a class the stuff

00:46:37

um maybe the other projects see even was doing those years ago

00:46:42

all done after it and when you about these are always uh

00:46:47

concrete that i meant uh these are the these images as adjust declination simple the location

00:46:53

of the fuss out i'm sure it is because it's already this is late it was

00:46:59

is that in a for the drawing now has nothing of technique

00:47:02

it's really it just the battery there in a fair presentation pension

00:47:05

and you may if uh uh but yeah concrete boxes one uh

00:47:12

uh one over another simply the also quite simple really deep technology

00:47:19

um okay this problem and he's got back some um

00:47:27

in ninety fifth three in the tech me on is a

00:47:31

visiting professor crone coloured box man who as you know very well

00:47:37

was a very uh yes uh like um by your meeting publication in the train

00:47:43

a box man at the time when the forty when the

00:47:45

late thirties uh when uh jointed dropping see now about being a

00:47:49

medical they started together a company called a a part that

00:47:54

panic company they were were working on the the product of a

00:47:59

a finance the could be joint thing see idea and and so we are very

00:48:05

they're very nice i'm using a pages of in a bind them about these a big failure but

00:48:12

what was important in at the time fifty three that just two years before

00:48:17

a box one had the chance to design his big

00:48:21

hand gas for the new as a uh army aviation

00:48:26

when you had to do that and asked for b. fifty

00:48:29

choose the biggest the planes uh at the be it a unique

00:48:34

a lot of space and also you need to close it so you have to forego you use that the panel technology but

00:48:42

wesley prefabricated the uh structures we does seem

00:48:47

got ellen meant all with this saying repeated so

00:48:52

what he was showing what different kind of projects these are coming from

00:48:56

the box mumble about i mean uh and it's it's interesting because um

00:49:02

it was shocking for feedback because see like okay these this is actually the two moby

00:49:07

what if we put the uh boxes houses on top of

00:49:11

the structures former by and temporary housing in in a in a

00:49:17

so he he had these uh a very important meeting with the uh with blacks

00:49:23

not well by the way was who was really in the fifteen the first fifties

00:49:29

one of the uh going on around the world with these ideas heading at a beep

00:49:34

get a a big a very big uh

00:49:36

attention in any kind of contact your a marksman

00:49:42

a base the all of these technology now had to be the the the centre core of these uh

00:49:48

mm worked was the joint joints was that a big

00:49:53

guy affect the web very complicated bad it you have

00:49:56

to be very very extremely precise in the moment they shuffle what what i know so it's it's also why

00:50:02

sometimes he he didn't off then they didn't watch the

00:50:06

uh but they were by the friend many kinds of joints

00:50:11

in jaw in its uh also the stack what the fifties that there was this

00:50:16

in huge i thought he can't technology which was it something like cafe

00:50:22

also something to believe in it from as it is possible we can do at any uh mm

00:50:29

did the yeah after he was visiting professor in uh

00:50:34

in thinking in a hyphen box a man was invited but the yeah the

00:50:40

actually that working the can spam this to doing me

00:50:43

talking to make a a course opposed to was attended by

00:50:49

a good look at one and began guided that a young database of the fact that meets the the capitalist

00:50:57

you know they nineteen sixty can supplant the famous a plan for the talk to bait by

00:51:03

by candles the kinds of than the studio with where inside

00:51:06

there where all the the younger and make doubly started that

00:51:10

and a young woman doubly stacked the deck that is exactly weekly split the group but if

00:51:16

you see the first product overlapping that that we see in their uh at that but i

00:51:24

which are also different but they're very very close the print

00:51:29

the first projects by your feet now we don't care we

00:51:33

flew in if they know each other with the implants it

00:51:36

it is a fact that after having these contact with blacks man

00:51:41

everybody in many many academics try to apply

00:51:46

the the the principle of blacks mine be for way which in the end where it quite seem to that

00:51:51

uh and also we had just the for the

00:51:54

separation off from the skeleton structure solid structure and cats

00:52:00

um oh by lead only to alert units you can side with a a

00:52:07

okay of course is exactly at the ready these uh like a lot more than emerge

00:52:13

a of a routine of them i guess structure for the first and i guess structure

00:52:18

and there are other project by you of course now that my problem with the thing uh

00:52:23

anything about it okay i don't want to to do with any work our showing it off that we would

00:52:31

there are a previews experience annoying you mean small uh

00:52:36

houses prefabricated they they could work as single elements

00:52:41

repeated the input inside the these big structure uh

00:52:46

i want to be we go and want to wish to last friday i there are you need

00:52:51

long of what uh eh in in us uh but all yet was handbag and by the way

00:52:59

there are also in fright less no no uh can

00:53:03

be not really a ninety fifty thick valiant and shane uh

00:53:07

um maybe was romanian this but this is in plastic

00:53:12

uh like the opposite before but he's another one with breathtaking i. p. d. c.

00:53:17

so which is that back a year for architecture counter by

00:53:21

surely for feed not because the the yeah o. k. that believe

00:53:25

the fungal made about um as long as you really love a

00:53:28

p. m. by example the fundamental because uh there you get these

00:53:34

spam sent his bodyguard was yeah fundamental because the first uh

00:53:39

personality the feed them at the in in paris is jump away

00:53:43

jump away a bit time in fifty six he has these uh like

00:53:47

a box my name drop you says he's own person that company producing

00:53:53

just trying to come merits a prefabricated houses and elements for a a building

00:54:00

so it was like thingy interested not in the

00:54:02

mega structure but in the prefabricated elements this illegal shelters

00:54:07

that kind of dismal you only see was inca that's why the the the connection with the two big town

00:54:14

buffy nineteen fifty six see also the year of dubrovnik a is the they're

00:54:18

here when it fit man uh these these and which it was no more uh

00:54:23

yet not the possibility to to keep these uh start these inside

00:54:28

the the county on a because then you would be in a

00:54:32

on to him was outfit no i'm i was uh uh formally use the these that these is

00:54:38

not that that sure what you're talking about them about okay this is not to get back to you

00:54:44

forget well he when he went to the see i'm not doesn't invited by has

00:54:50

many actually that yeah and actually that's went to see the last the c. m.

00:54:55

let's see i'm in dubrovnik is the one with the think

00:54:57

tank came out of a job don't need thought um uh and

00:55:04

i notice a little feet not that they will show it was a but if

00:55:08

you the by not for what he found but oh but from what the then

00:55:12

found that we can hints that the role of the not be that's what the

00:55:15

the first the problems with this meets on and they didn't and the where the front

00:55:22

but yeah that that it would the mm

00:55:24

acceptance for especially from german architects and the

00:55:28

very first article published in europe by your feet now was partition by wasting ninety fifty seven

00:55:34

yeah uh danny went in germany to be into but how we met to fly all tall

00:55:39

yeah it in decided to collect the these theories in these uh special publication is the issue that

00:55:46

actually the tool will be like which was not a buck what's it really ah collection no back to go less easy the

00:55:52

has than like six and each on all the time and it

00:55:56

was uh in reached without the text without the the uh that

00:56:01

techniques uh the the last part the was always techniques to demonstrate that it it was possible

00:56:09

and so it was like uh some needs at the publications something that was stipulating among architects

00:56:14

or just the body could be a a a for the mean photocopying name or copy saying or

00:56:20

in in almost a it simply like base it's uh like and lost the book about a

00:56:24

bank but everybody knew about the is probably dished me a it is not that the only way

00:56:30

the mere thought police the the the the exactly the same maybe

00:56:34

not double they did a big issue like these make nobody's ninety sixty

00:56:39

anyway this was that in live first edition at the end uh in the nineteen fifty eight

00:56:44

and then other editions one on this earth product for the the c. market

00:56:48

the in that is where the plan to destroy the completely you say let's see

00:56:54

the the string bean let's look over it and if you see

00:56:58

the first project but it it's not see the discuss alison you

00:57:02

very closely in a way to does meet some project for billy you thinking sort with but

00:57:07

in a very simple the the products like

00:57:10

just a draft it's not a a complete below

00:57:15

he's a page from uh uh these uh these uh

00:57:18

probably just always a p. d. has never been partitioned maybe

00:57:22

it's an idea it's not the long plays meets an idea to to make a printed is in french it's way

00:57:28

idea i would like to provoke uh the

00:57:31

activism gallery why not the reprinted a um

00:57:36

but you you find well in these principles that very simple you find also the the the eh

00:57:43

they think they stood in line with the modern uh with the more than meets

00:57:47

the thinking because uh you propose to the last c. d. like a big he's

00:57:52

like an modern then is whether the the the eh the the the optimal by

00:57:58

that it will be the and the the that from their pure don't come come

00:58:05

people that the these like what was it now uh will many isn't a set at

00:58:10

the led the finance an arm and a leg the movie it's in the manner uh yeah

00:58:18

but you can of course you you can read about these it it's

00:58:22

very pretty uh you know very simple that you need for a again uh

00:58:28

uh we believe idea of uh or is on putting back to got

00:58:32

a a elevators and yeah and you be left all the the cost

00:58:39

for these are the first product for a nineteen fifty eight in nineteen fifty eight by the way

00:58:46

starts also in paddy c. decide to this to to stop in a in a in paris

00:58:52

and the little baby it's all the the theory and and we also the evaluation

00:58:58

from last year to to moby to love moby you and

00:59:03

then it to abuse plus channel into bunnies and speciality these ah

00:59:08

try dimensional uh we've been isn't with the idea of um i guessed

00:59:14

all completely deeply of the omega stock sure we which at the

00:59:18

time was already uh international even if you don't ah three now

00:59:23

is really among really among the first the first uh uh example in in a

00:59:28

few years in a couple of years came out the the the the it's very quick

00:59:33

the map to asian of the of these uh yuri and uh um

00:59:39

okay we are the yeah yeah lemon for valuable

00:59:43

on the elements uh to put inside the the beings

00:59:50

in diseases barry simple schema now one to a three four

00:59:58

oh five from and from allows you to do more use was the the pretty modern architecture

01:00:04

modern architecture work on the code was a very good with yeah last year to will be you

01:00:13

let me pass yeah so this is the theme of these uh okay i

01:00:18

have to be very weak and sorry that drawing from the uh the moment your

01:00:27

again if they very very in a thing the representation disease one of his first

01:00:33

mckay the disease of the frog can allow done with very simple piece of wood it's

01:00:39

i think in a in a in a regular unit at c. d. you

01:00:43

will be very not approve the to do a might get like these three now

01:00:49

uh these one very simple that no i um yes the block collision be the the ad

01:00:56

uh in the beginning was called like this this is the idea now locker one on on the seating

01:01:02

with a project for two movies where a again we

01:01:06

do is they all the project didn't propose to destroy

01:01:09

more or less the the maybe you know to make that bonanza any strange to see how all these uh

01:01:16

you know wait at the gala architects will also match the

01:01:20

sixteen architecture um on the quantity of the more the more

01:01:25

the additional figures of wacky that's why i'm always

01:01:29

more the stock do then the value galactic backed uh

01:01:36

fifty nine by the way he is um i'll eat anticipation of the docking bay even if it's

01:01:40

quite the uh you was the sense that they made he's got it for me for long ago michael

01:01:47

we propose that they where we're not why this problem of congestion into

01:01:51

uh the kind where many competitions to to find solutions to go

01:01:56

on the c. to expanding because of the way the space

01:02:00

one value proposal to be be things on the on the

01:02:05

part and uh it's basically they the of the docking bay always we don't care

01:02:11

about influence at that connection which should be gone action these are the original um

01:02:19

final so uh the machine room will be in the

01:02:23

now are the people who do that online you can

01:02:26

see the on the internet and the some people people

01:02:29

website you can see there really seems to like uh i

01:02:34

a cheat sheet and sketches shouldn't because since those years the

01:02:40

ideas of the g. on a group or that you did

01:02:43

that actually did to moby you we the either a architects

01:02:47

uh not to be well known uh eh where around the in

01:02:52

but not the you that and also from friends from germany from nooks and move from other places

01:02:59

feel that we should these a principle should be adopted from

01:03:03

other architects in other people and then realised that this was the

01:03:09

they are so that we very much projects where developing we the until you know uh mm

01:03:17

yes uh_huh up each all uh one of the many meetings by

01:03:21

uh john wayne all under these constant will at the time was working on these on

01:03:28

a utopian c. d. as you know uh mm but the n. b. c. of the ah

01:03:36

i should to feed its gemini actually that was in connection with the jam it's uh interesting to meet the

01:03:44

the clash between friedman a constant because the you you told him

01:03:49

because he usually i don't agree with the your you propensity because

01:03:55

because uh you can not really for a it's not should been notably

01:04:02

get ready to play every day because you know the game that was

01:04:06

their only in maine uh a map of the constancy gimp colour now

01:04:12

if i'm sorry i have an hour for forgetting your name of these um

01:04:21

new battery no new but billions you know was a c. t. going around the uh the

01:04:28

the landscape this see the the uh said that where

01:04:33

you you the only thing you could be inside it was

01:04:38

gain playing playing games female yes okay

01:04:42

but you can play the only if you want you should not be obligatory liking your t. v. show

01:04:49

uh okay they

01:04:52

the idea of mega structure and so also the weeds

01:04:55

posse i'll to a stop the the working around working around

01:05:00

and in a way you know the the kong possible

01:05:03

context unnatural you've been to contact the thought of all the

01:05:09

the name yeah the main um either mega structures project uh this one

01:05:16

ah read on our uh you know about this stuff out over the thing

01:05:22

a reader uh which is something in this case but there is

01:05:28

no good really no connection would room with two beds to them

01:05:33

of course about it uh do that other shocking product to mean negative poverty

01:05:38

uh on the sham cities in the um which is one of my family

01:05:43

back to see it uh these are also the the beep the empty space

01:05:48

at all the the they'd be good ride we stations when perry that many

01:05:53

and that is the anti the first sixty said

01:05:56

huge problems of a of a lack of uh

01:06:02

of buildings of houses for people because they was uh people coming into a

01:06:06

lot beep yet was working on these uh imagines and the different things so

01:06:13

i want to say that it was a general feeling of uh of necessity also there was these

01:06:18

it new here all of a or b. eh

01:06:21

um prediction suburb approved in the side of the um

01:06:27

the mother fixed the we're thinking that the word that was

01:06:30

about to a exploding and very few dictates and he did so

01:06:36

there was no space uh for all the people so there were also this kind of the of recuperation and

01:06:43

um they then they disperse shall as they get now specific form present looks indexing

01:06:50

mission which is the the the the button beep on the the the eh and

01:06:56

yes the c. d. breach uh and remember that the the microstructure the brokered by

01:07:02

an ad banner amount mega structure starts with a picture of pointed vector in florence

01:07:08

which is i mean not be that structure no uh there was one of the same in paris

01:07:14

the striding in this century about the the idea of

01:07:17

a big thing uh we want the over the um

01:07:22

b. e. was unit train uh friends and the ending

01:07:28

uh okay point but that will be that the the others i think a lot of a project like bees

01:07:34

which in the end they work the same will idea of the the the docking bay plan

01:07:41

where where are the project for example we jeep illegally in an italian and not very no on ah people

01:07:48

and also about the capsule of course as you know well there where um

01:07:53

also the in those in the sixties is that this is the the the cage to of the uh

01:08:00

of um the run to the mona to

01:08:03

the uh space uh uh and missions and

01:08:09

of course that they are the the ideal mega structure is what's going on that very quickly why at

01:08:14

which are the defeat the the the for the characteristics

01:08:18

of meg structure um the model or a cease then

01:08:24

the possibility of a an unlimited growth

01:08:28

a a structural skeleton we the mm hum only talk capsule inside

01:08:35

and the the last one is the this can be done last longer than the cops install

01:08:43

that are the capitalistic that can put together many

01:08:46

of the the the mega structure project but nobody well

01:08:51

also you have to remember that much just have the was body knife uh huh uh and the first any

01:08:56

has of course like audio should to moby and by

01:08:59

the way he's a concrete boxes one on over another um

01:09:05

that he's mean with something ideas uh you know i also thanks to magazines of derek we get

01:09:13

to to expand and the things these uh well like these also in uh in

01:09:17

after the noon friedman closer the jamming ninth sixty two because we found it in

01:09:23

the other members has no personality as they were all more or less the dewey

01:09:29

is on uh in nineteen sixty five a

01:09:33

bar not very different group of very began

01:09:38

so the only that by michelle along was that kind of two or within the story on of the group

01:09:44

uh there was a lady's ownership to uh uh whatever one okay thank

01:09:49

you for one and a thought and the the uh other apartments we

01:09:54

crazy but they don't as was wits was we say i think that was

01:09:58

a pain to these are the projects of a painter will contact and engineer

01:10:03

the present the there is a funny book say okay uses possible let's do a simple uh this kind of uh

01:10:11

uh uh yeah one of the uh of the movies problem i'm on

01:10:18

which was a french are key that to the the uh for many years in japan

01:10:23

so in contact with the metabolism this is just the contrary with that project

01:10:28

what are they move uh uh interesting project for a financial

01:10:33

not the city downstairs the ground yet under the same river

01:10:39

we the public meeting five public space if uh shops et cetera

01:10:47

we got shift that was a sculptor so something differently

01:10:51

from the jam a sculpture uh on overnight in origins

01:10:56

with this kind of project with a powerful obliged

01:10:59

to music uh think about the the impact the honesty

01:11:05

uh and with our where the bank dynamic sculptures moving sculpture uh um

01:11:14

and these idea believing in caps with of course the was in a explore the many way think about this is that

01:11:20

uh i don't know if the a the the cost of the

01:11:24

uh you know i would think you know the initially where um

01:11:29

very some very small you think that the it just in the same

01:11:33

year there realised in japan uh on the only famous building by krakow wow

01:11:39

01:11:41

you know i think said in t. i. in and the expo in osaka

01:11:47

um except kind of done in here in the

01:11:51

sense that the the japanese uh demonstrates that they

01:11:54

need and i guess the action for the exhibition so temporary make the structure is is the funny

01:12:00

thing because it was a very tall with these big old side of sculpture inside and

01:12:06

in a in a roof of the make these mega structure the well well the product by

01:12:11

the act gets invited in the speech i couldn't find it i'm sorry the big it's been that

01:12:16

published in that book by the corps last uh on the project up on

01:12:21

where there are invited all the european uh architects uh and

01:12:26

so lying actually gonna i'm gonna feed man uh uh the catalogue

01:12:31

yeah i invited it in and then there are all the japanese you see with

01:12:36

the the you are thinking with the the it's quite shocking to me because uh

01:12:43

it's something like it in mm yes e. it's it it's still the

01:12:48

first um maybe give us some it's away when i'm european theory european ideas

01:12:55

they had been realised the very far from europe it's the would be just one of

01:13:00

the first cases now there are many other cases uh uh you name and it happened again

01:13:06

uh many ways uh in nineteen seventy friedman collect is writing for the first time

01:13:13

the sheet to move you uh the this is the french edition by an issue um

01:13:20

n. it's a kind of band of these uh i. p. or the frame from from the seventies on he has that i

01:13:27

kind of change it from one side has been that they of

01:13:31

course the first that big a economical creases from one side eh

01:13:37

because of the eh all the war the key to water it now you know the the the years where

01:13:43

there where no already in in europe everybody has to

01:13:46

go buy a minute by fee on three or four

01:13:51

eh in also the first big economical crises was very

01:13:55

shocking all these dreams on infinite expansion on c. d.'s

01:14:00

a in a in a in an extraction from the other side also

01:14:03

the cultural landscape it changed a lot this you know ninety sixty seats

01:14:08

two fundamental books uh where publish the by at the time were not very much uh

01:14:15

not this it from a especially the audio c. like the architecture of the c. d.

01:14:20

are also complexity contradiction acted actual better built into the where where

01:14:26

job should boats completely move the the attention for was that

01:14:32

pension another aspect so architecture and that they were more um okay

01:14:37

um so for me this is a turning point because it's as it happens all of them when

01:14:44

you all relies something you also the the end

01:14:47

of the of something a also we have to say

01:14:51

uh it's in the same e. okay now who are a valuable but it will go about that

01:14:58

in fact i think that that i guess that we can move across any

01:15:02

kind of during which is this accent it's quite according to the very very clear

01:15:10

and a book by dallas eighteen band i mean act in a

01:15:13

meeting in naples in nineteen seventy two we saved my structure is dead

01:15:17

the you decide a was that in ninety seven seventy two even if the book was published a couple of years late

01:15:24

uh the the panels project by pulled off by the way i think about to be in

01:15:28

the meetings uh over the or to to him and i don't think about needing it side

01:15:34

what could be now i think uh and and

01:15:38

change that um change completely also is gonna happen

01:15:43

many different mm new activities in always ask that

01:15:48

addition architecture issue left at the next structure work um

01:15:53

no baseball uh uh feasible you top it has

01:15:57

to be alexander was publishing french in nineteen seventy four

01:16:01

uh mm is a complete different book at a day i could show

01:16:06

is a very lateral subject of the book is a book about society

01:16:12

isabel could uh and about communication uh yeah this

01:16:17

to the all the the failings of these uh

01:16:20

visa meg structured peer the was based on the facing of communication of explaining

01:16:25

oh making explain clearly how was that possible the

01:16:30

necessity to do that kind of projects so i in

01:16:34

he knew the uh not not immediately bought the nephew yes him all the from

01:16:39

technology from um a sophisticated at

01:16:43

the time that technologies to poor techniques

01:16:48

you start to work it with united nation in miss go for many programs

01:16:54

uh of uh how to construction of do it yourself be the the the the

01:17:00

a series of my animals that i'm very glad that is this beauty

01:17:03

for the uh exposition of all of feedback boxes sewing just with one side

01:17:09

you can see also the evolution of uh of free mandated by

01:17:13

how they add the friend to say and he's a very but

01:17:17

this is one to me um the feasible i invite you to

01:17:21

to to discover this book at the me remains the most important um

01:17:27

because it it's a and it's um it's a little too creepy

01:17:33

and yeah it as as a now to get it get a there are no

01:17:37

more no more cooperation of all tools i mean it's very long as we can

01:17:42

a way even starts and new production of concepts

01:17:47

is i mean it is actually that should become more more concept while

01:17:51

you know way a concert like the critical group which eh which means that

01:17:57

well there are certain they mention of a group but communication

01:18:00

is impossible becoming possible so it's a a company that um um

01:18:08

je saying the contrary up for everybody see things about the ball but communication it

01:18:14

which also is on me for the that was born in the sixties the the uh so

01:18:19

michael one but also the the elves weather was

01:18:22

starting going very weak from the sixties so um

01:18:27

it's very difficult for me to to stop the the and the the the lecture here because uh

01:18:34

but at what so it's it right in this way because they know wait my lexus

01:18:38

stop the where the exact be shown begins and also way but also when easy walks

01:18:45

with uh the beginning because the is real books or more are what

01:18:50

i mean how to as a box not the collection no right things

01:18:55

stuff from the seventies when in mm mm essentially

01:19:00

a and abandon adapted actual study thinking about sociology uh

01:19:04

i'm in other topics that what what to me is most important is

01:19:09

is um the benefit nineties ah i'm up with user of concept

01:19:14

concepts that bit map might be used by and if not on the part in these uh i have

01:19:22

that you re nowadays which phillies flight of on the net by actually that's it

01:19:28

i'd prefer to do other things of communication uh uh jenna

01:19:33

uh_huh because concepts a case might prove using

01:19:38

concepts should be uh the aim of it also

01:19:42

n. s. nowadays even feed also for a stop to to do theories to

01:19:47

produce concept but the or commenting he's the least open main thing other than

01:19:54

the best that concepts of like a state museum

01:19:58

on i have in many other works uh it

01:20:01

often comes from a strange figure intellect strange interact with the features like a cool

01:20:08

it's very also difficult to catch any in one

01:20:11

just one okay we're architects we're interesting architecture about

01:20:15

you know there is a lot of the company get which is apple cup of easy

01:20:19

to say the image of the war the which is a company that is still uses

01:20:24

have you in everything they're invited to discover and that i mean

01:20:30

what but the last thing i would like to say is this one that that

01:20:34

big then mention a b. s. in which you know they didn't deaconess like what

01:20:40

s. the on the on the that core that it could decide easy on a

01:20:43

free design is very finely that sentencing like to to to to find it uh

01:20:49

you say i realise plus shall never came down now that's actually down

01:20:54

that's that was something working yeah going now but uh in in the in the sky but

01:21:00

yeah that came down but if you think tool to the um project by you see it's cute

01:21:06

or all these uh rate project by a last that he decca

01:21:10

that action activities uh probably and and he's twenty seven which she which is we

01:21:17

actually the two maybe this is not this past fifty years before

01:21:22

um oh you think also brought to some project edges of been the one

01:21:27

on to blow out the the dutch the sculpture all the dash they'll uh

01:21:32

you think that this kind of project had been present since

01:21:36

the roots of more than meets with was not completely new

01:21:40

s. been reading or reading the roots of more than a if you get these kind of for the

01:21:46

what was it will as always being do we and model for the on off that uh this is what

01:21:52

i always say and also you have to save all he's generation always been you know

01:21:57

with the model for the teen band was not paradoxical it was it was along the masters

01:22:03

the the team think he decides that he was this model for the thing to notice

01:22:07

what it but also for free and then i guess actually ah yes so we see they

01:22:14

there is a connection to the very roots of them and uh um

01:22:22

and i thank you very much for that sort of

01:22:36

uh it was really interesting now uh um i think we can we will uh uh well i have so

01:22:42

exhibition ready so i really really really into a lot of easy to

01:22:48

so by concept as activists on civil court

01:22:50

it addresses just good a statistical um a full

01:22:57

it's it's a one or a separate apple complex 'cause i just quickly pass judgement

01:23:04

on a video objective project specimen for exposes some not fit man uh expediency concept

01:23:11

oh cool it actually separate actually say see typical uh uh pause you to

01:23:16

kill kind opposing just still use of crystal city yeah so this is your

01:23:23

right

01:23:27

uh_huh yeah hundred and ah spanish a doctor and that is an also traces on unit friedman

01:23:37

especially on a bit special and uh it's uh well you know

01:23:43

there's a very young architects and i would like just to the um

01:23:49

i i just to tell them how because we see let let is but

01:23:53

yeah like uh all the work of early works of enough in like something

01:23:57

eh you topic or like works of metal structures what we're

01:24:02

doing these people that were doing things in there but uh

01:24:07

uh i think the that there there there is like a as you uh some yeah some i know it's a

01:24:14

like the three or in fact is that you in fact of a lot of the use of

01:24:20

exploration it for the future so it's like uh at the moment it was all very confused it was

01:24:27

you topic control topic but for example you not written on

01:24:31

the um spoke of participation so in his response yeah it was

01:24:37

it was very important that is what was already made by the people

01:24:41

and i just want want to screen you just be that um for

01:24:48

example just to to give some seem uh for young people that know

01:24:53

maybe uh how how far gone out on the lines of unit friedman

01:24:59

for example there was another active at the time a little after what uh don't have an action and just he

01:25:07

started with these eh there is of support that was at the

01:25:12

very start though it was very related to friedman but he continued

01:25:16

in a way of uh researching unknowing tonight is that there have been produced

01:25:21

buildings for example of a living in which uh um there could get a does on

01:25:30

that's only um this uh this about the structure and it was it is another architect would take

01:25:37

um the responsibility of of making it a part of that i just want to

01:25:42

put an example and and i'm doomed to do given him we let people know that

01:25:52

uh it is things that seem so you topic now are being um

01:25:57

some some oh let's right kelly but hopping influence it on

01:26:01

the base of and is very great uh architects opened enough in

01:26:07

oh well i suppose to be the question so uh if uh

01:26:12

we met on on uh if not that we have that problem

01:26:16

uh but the problem that i guess structure now had i not so

01:26:24

we have a big another big a problem with participation we to the

01:26:30

which is the definition of participation from one side from the other side

01:26:35

participation is you're right these are really ah within my reach of all the work by

01:26:40

your feet now crossing the mega structure and to be an example for example and everything bass

01:26:50

what is participation a difficult i mean there are many to finish and not the you have to

01:26:56

uh okay the definition is one and not so there is another aspect but not all the people

01:27:03

once really to the tell me to to the find the house

01:27:09

play houses there badly they they spaces the spiegel does not interest but the c. b.

01:27:17

in the u. on the b. is something you have to consider also we can speak about

01:27:22

john callow the cattle and it than experiment which is a book that that is an important

01:27:27

essay the only intelligent clever essay on participation to me is

01:27:33

one by the cover the gala published in australian ninety seventy two

01:27:37

uh and eh so these eating fish is the architecture participation in

01:27:43

the same the camel try to do but visitation a on down

01:27:48

a mid town planning and inactive actually in the medium that any

01:27:54

we're both failures uh you relaxed immediately that any that the work us from

01:28:00

the intent you want to like what make the the meetings with the people

01:28:06

you you and i think me the fee was asking them how do you want

01:28:10

your apartment they want the apartment that this same apartment of the of the doctor

01:28:17

of the clock to so a bag by another oddball uh

01:28:21

apartment all the doctor uh in the province so

01:28:26

you uh ease very clear in this you have the midi actually that the surely

01:28:34

is not the televisions uh has to be a an active role

01:28:38

in setting in a but surely met it should be and accepting all

01:28:46

the question on eh the all the the how can i say sorry that fit

01:28:52

they are given we would never accept the all

01:28:55

the the the eggs each ends of the inhabitants

01:29:00

because the mom many cases the the using from las they don't

01:29:06

the results ups ecological out aspect inside the uh and um

01:29:12

actually they had it must be a coding a dog actually thinks uh of for a new role is more

01:29:18

radical easily is like a fundamentalist of but it's a

01:29:22

patient and that's why waltzes to me could be quickly size

01:29:27

in eh so participation is a big problem so would lack for your thesis is it

01:29:40

please uh well but not the does it just never to analyse you so so

01:29:48

yeah so you just just a sentence about the just commentary

01:29:55

it was very important to me also the sentence out from their structural um works features genetic man

01:30:03

to the put it like an example of uh_huh

01:30:07

something uh how much like they're gonna structure that doesn't

01:30:12

oh i'm not float some that doesn't contradict of that doesn't uh no it's uh and

01:30:19

that doesn't lend the story that doesn't want the conflict oh let's see

01:30:25

i think there's some kind of sensibility on jennifer inman when he just does

01:30:30

when they'll do this but as you why why not uh

01:30:35

such a vertical projects that were so radical

01:30:39

um they have this just light or or these uh um so say um

01:30:47

if they could do whatever they want to raise all the city because it's something

01:30:54

but you topic so you could say okay let's do another city but they conserve

01:30:59

it has since eating and the super impose an internship elijah because maybe you know what i i give you the

01:31:08

the well why topic me

01:31:13

oh so numb careful carefully so we're with the history

01:31:17

i made a beginning of a new sensibility but you have

01:31:21

the because it was not the final solution what solely if

01:31:24

you see if you read the the printed three simple principle

01:31:28

actually to moby one is a bit c. d. v. d. it's current me that's that should be well thought out to be

01:31:38

with the best of it was possible as i think about

01:31:42

it if they not against can change that how's that movie it

01:31:46

you you could do the same with the with the next action that's it in large

01:31:52

but what so big away lack a it depends on the on the context

01:31:58

so that was the one of the the principal and so it's uh quite simple think bills

01:32:09

thank you if

01:32:13

life is there is no the question is getting late oh you need to drink

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Conference Program

01:09:02

Vernissage de l'exposition Las Vegas Studio
Sept. 21, 2011 · 6:09 p.m.

01:18:36

Quand l'architecture et le cinéma transforment les territoires délaissés
Sept. 22, 2011 · 6:36 p.m.

49:22

Suburbia does not exist. Strategies for dense city growth
March 14, 2012 · 6:38 p.m.

01:18:44

CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi
March 27, 2012 · 6:32 p.m.

01:03:21

Les coulisses de Malley
March 28, 2012 · 6:38 p.m.

59:33

Débat critique - Projets de première année
April 3, 2012 · 5:15 p.m.

01:28:31

Ensamble studio
April 16, 2012 · 6:36 p.m.

01:17:40

Le travail d'ingénieur et le projet de modernité
April 18, 2012 · 6:35 p.m.

01:27:50

RUR: PROJECTS
April 24, 2012 · 6:20 p.m.

02:12:27

Conférence du cycle 'Pièces à conviction
May 8, 2012 · 6:34 p.m.

261 views

01:07:50

Paysages intérieurs
May 15, 2012 · 6:35 p.m.

01:32:29

Yona Friedman, Genesis of a vision
Sept. 19, 2012 · 6:13 p.m.

01:29:51

Working in Mumbai
Oct. 4, 2012 · 6:40 p.m.

01:10:23

Yona Friedman and the Gost of Utopia
Oct. 10, 2012 · 6:13 p.m.

44:35

Global Holcim Awards 2012 Gold
Oct. 12, 2012 · 6:06 p.m.

01:53:35

Just what is it that makes Friedman so appealing ? hier et aujourd'hui
Oct. 17, 2012 · 6:07 p.m.

01:11:39

Pour une histoire culturelle de la construction
Nov. 12, 2012 · 6:35 p.m.

01:26:29

Partage d'expérience
Nov. 21, 2012 · 2:17 p.m.

01:02:27

Hall Of Mirrors
Feb. 20, 2013 · 6:09 p.m.

01:05:11

Happy Street
March 13, 2013 · 6:29 p.m.

01:19:27

Pier Luigi Nervi : l'architecture comme défi
April 17, 2013 · 6:09 p.m.

47:47

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1
April 24, 2013 · 6:34 p.m.

110 views

35:06

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2
April 24, 2013 · 7:22 p.m.

01:35:11

Présentation de Riccardo Morandi
May 1, 2013 · 6:30 p.m.

02:15

Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino
May 8, 2013 · 6:31 p.m.

01:48:35

Présentation de Robert Maillart
May 8, 2013 · 6:33 p.m.

131 views

59:55

A dispute of the ephemeral and permanent in architecture
May 21, 2013 · 12:04 p.m.

01:35:30

Peter Cook
May 27, 2013 · 6:12 p.m.

01:31:50

Radical Pedagogy: a collaborative projec
Oct. 29, 2013 · 6:32 p.m.

01:24:39

L'exploration du possible
Nov. 26, 2013 · 6:39 p.m.

01:36:37

Power of Place
Dec. 6, 2013 · 6:06 p.m.

Recommended talks

12:17

Présentation du projet THE Port
Sylvain Kaufmann, président du projet THE Port à Genève
Aug. 25, 2016 · 3:59 p.m.

03:00

Yona Friedman, Genesis of a vision

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Transcriptions

Conference Program

Vernissage de l'exposition Las Vegas Studio Sept. 21, 2011 · 6:09 p.m.

Quand l'architecture et le cinéma transforment les territoires délaissés Sept. 22, 2011 · 6:36 p.m.

PechaKucha 'Lumière Sept. 24, 2011 · 8:22 p.m.

Las Vegas, Film, and the Mobilized Gaze Oct. 19, 2011 · 6:33 p.m.

Metaphors We Live In Oct. 26, 2011 · 6:33 p.m.

Craftsmanship Nov. 8, 2011 · 6:34 p.m.

L'épaisseur des lignes Nov. 9, 2011 · 6:32 p.m.

La controverse Learning from Las Vegas Nov. 16, 2011 · 6:46 p.m.

Dans le paysage urbain Nov. 22, 2011 · 6:38 p.m.

An Aggregate Body Nov. 23, 2011 · 6:46 p.m.

Curating Postmodernism Nov. 30, 2011 · 6:41 p.m.

Pièces à conviction – Une périphérie prend forme Feb. 22, 2012 · 6:05 p.m.

Pechakucha 20x20 Feb. 23, 2012 · 7:03 p.m.

Espace, Lumière, Structure. 7 Concepts Feb. 28, 2012 · 6:32 p.m.

Suburbia does not exist. Strategies for dense city growth March 14, 2012 · 6:38 p.m.

CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi March 27, 2012 · 6:32 p.m.

Les coulisses de Malley March 28, 2012 · 6:38 p.m.

Débat critique - Projets de première année April 3, 2012 · 5:15 p.m.

Ensamble studio April 16, 2012 · 6:36 p.m.

Le travail d'ingénieur et le projet de modernité April 18, 2012 · 6:35 p.m.

RUR: PROJECTS April 24, 2012 · 6:20 p.m.

Conférence du cycle 'Pièces à conviction May 8, 2012 · 6:34 p.m.

Paysages intérieurs May 15, 2012 · 6:35 p.m.

Yona Friedman, Genesis of a vision Sept. 19, 2012 · 6:13 p.m.

Working in Mumbai Oct. 4, 2012 · 6:40 p.m.

Yona Friedman and the Gost of Utopia Oct. 10, 2012 · 6:13 p.m.

Global Holcim Awards 2012 Gold Oct. 12, 2012 · 6:06 p.m.

Just what is it that makes Friedman so appealing ? hier et aujourd'hui Oct. 17, 2012 · 6:07 p.m.

Pour une histoire culturelle de la construction Nov. 12, 2012 · 6:35 p.m.

Partage d'expérience Nov. 21, 2012 · 2:17 p.m.

Hall Of Mirrors Feb. 20, 2013 · 6:09 p.m.

Happy Street March 13, 2013 · 6:29 p.m.

Pier Luigi Nervi : l'architecture comme défi April 17, 2013 · 6:09 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1 April 24, 2013 · 6:34 p.m.

Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2 April 24, 2013 · 7:22 p.m.

Présentation de Riccardo Morandi May 1, 2013 · 6:30 p.m.

Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino May 8, 2013 · 6:31 p.m.

Présentation de Robert Maillart May 8, 2013 · 6:33 p.m.

A dispute of the ephemeral and permanent in architecture May 21, 2013 · 12:04 p.m.

Peter Cook May 27, 2013 · 6:12 p.m.

Radical Pedagogy: a collaborative projec Oct. 29, 2013 · 6:32 p.m.

L'exploration du possible Nov. 26, 2013 · 6:39 p.m.

Power of Place Dec. 6, 2013 · 6:06 p.m.

Recommended talks

Présentation du projet THE Port Sylvain Kaufmann, président du projet THE Port à Genève Aug. 25, 2016 · 3:59 p.m.

Présentation de Snukr - Partie 2 Aug. 25, 2016 · 3:50 p.m.

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