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A dispute of the ephemeral and permanent in architecture
Tuesday, May 21, 2013 · 12:04 p.m. · 59m 55s
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uh
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let's see
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a job are they on on billy bass 'cause you fancy one week
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i think it's still it but of course
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recently that maybe
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yeah he
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i'm going to talk about a dispute armand if we minerals and permanent architect
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oh
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we we came from valparaiso chile in front of the pacific ocean
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having a small school of architecture and design a i'm
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going to to anything i may say must be understood in
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the sense that we are a group of architects on
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this i know it's it's a it's a school woods who's
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one of the main characteristics is that we are and we work in a group
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is not just a the joining of individuals we
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have a great time and sense of working together
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a this starting point is that we study a
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with a way of contemplation ah our school is in
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front of the of the c. in the middle of the two seat is seen what but i so
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and it it's a it's a house that's been transform into a school of architecture
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i'm going to show you a beat a our starting point on
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the way we study that is has to do with the contemplation
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it's a kind of contemplation we call it of celibacy on
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this is properties by the students and as well as by the teachers a
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it is a simple but radical way of giving and origin to architect to
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if i starting d. c. t. the city life as cities
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in the press and by drawing a sketch and a small text
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what orb got to hunt the machine is alright
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this is the way the arcade takes obtains its base seek of for each
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yeah
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we also have found a place in order to do
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world in america you open c. t. that develops
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a vision about the continent in relation with poetry
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started by the point i made a that
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in the nineteen sixties works of architecture start
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we a politic act in order to give
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place to the rhine of war and action
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yeah
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proceeding with these politic vision in nineteen
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eighty four for poetry propose that are
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a c. s. in the american continent
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architects and decide there's proceeded to their invention
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travelling with our students to some point in south america we stop
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and we'll uh work that is given to the land and its inhabitants
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here appears the dimensions of the ephemeral a gift
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to be a real one must have the possibility to be rejected
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by those that receive eight
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so we have started conceiving works that have in itself
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the condition of being ephemeral that is to say if
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no one month paints it's it will slowly disappear
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uh_huh
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what is important is the issue
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architecture is the art that builds what is fixed for the human condition
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you may experience the difference i model fixed base
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and and determine one going into natural wilder nice
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ones
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and somehow that they try to be in the same point
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the thing is that the fix condition
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of architecture has been since the old times being collate it to permanent buildings
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in that that i see as we have developed this possibility to build what is fixed
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in an iffy morose away for some time but the point is that architecture as an art
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is not raise that as a recipe it develops as a dispute
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of the present in its double meaning here and
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now and in the possibility of being a beefed
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as americans we present this possible issue of the dispute amount
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if we morale and permanent in and get you know detection
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base ones are try c. s. the last ones where we built
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something that is permanent because we agreed with the
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people that we see them that they could receive that
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in the places we haven't had any agreement we just built
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like the images social before something bad
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will disappear if they don't wanting it anyway in basic cases
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for instance in a in a in a towel that was
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this was a new town that was built because the original
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down what i i stayed under the water of these artificial lake
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so all they had to build a new one but they happen all public places for them
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not a public place under our try see i went there and all for them to
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be somebody mention that would start this probably
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place and it did with this kind of settings
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well here are some of that i see as done by
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one of our studio since nineteen eighty and nineteen eighty four
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so the idea is to have a brit brief presentation
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all this kind of want to you know to have
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some talking it's all ask some questions with you that's it
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okay
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crack
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ah yes that's it sets it sitting near well just you know sick is basque they don't a i made
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a that really boring he yeah you need to see
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a note for note apart do you boy seek ye
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the only pulling him easy act get key guilt came up to
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you know see back you reacted get back to the fall off
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the the people him m. e. so but ah i mean uh
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that fees and we'll just last year he though or don't want to
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don't lyman see all this it blame the diva eh the
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wow the apple c. b. v. did you mean the dune
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money out the way he sue ah or more on that yet
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a use all the cool the allowable c. b. the the the one million map pool
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made a lot at least source he's song palsy
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don't i mean i i the energy alumni like
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so make lisa a lot a
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beep we could could tell opens another like me
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only young girl and all that are listed
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sister
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i see all the way
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mm way we we
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sick they got monopoly yeah you see says all they
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a great deal to laurie last jog a night at the opera lap we see it
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actually take to secure a lap we cease
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are suppose say the biggest deal but seek ye
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on the the uh the tape he knew liz emily yeah oh o. v. secure
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new new novel by the meat they meet a open
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more on that i can see no will keep in you
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new don't me use of that
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this there is now this yes you're on this now
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cohn hello they see on the op a a little sea
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sick the yeah the the outcome consequence see on emma eek
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lap you practitioners gonna use all copy is all pop will see that
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a two simply more softly dean i always mine yeah
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kong sulfate dollars does author sample the dole
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do i not get beat dallas not the ago
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it but it will be nice yeah the the the the law not like like the the
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above all are not the but the mall t. solemn aim for on there
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male great the the sample start but you mull bottle mall
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how will he not we'll call him the idea for the the officer sample
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sap hope or see the
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the side he did call p. and all the stickers or remote play are likely to the santa is it
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money out the the the elegy nail actually to do
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that with a couple plus your c. t. mine yeah
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the double ah they're made that while the construct actually take
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the ah the self to do this icky see all this icky
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don't like it you feel is unit low or to live off that i buy
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ah come on c. ah let copy the shelves fate the also not on or
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set sail
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see
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a visit to the right key do we in all ask you
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a city's bass sit down for domain peculiar basket ye
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new song on on a lake news from the t. v. a. the lab could do oak seal died
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a well but by the uh the the news remote controls basket when
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i the that do work seal that about it all guy school bob
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a these yet man yeah a on that beat on that be
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amiable dosing long me one up i. e. t. a. let me
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get will be on the the walk to school on all these all the a you are all up as you go or place to
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so the more people quietly census pass back a little a sick
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is passed away due to the u. a. gives all our whole
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lap you bought the come on up ah let alone you use on you don't up you've got the cat
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only probably more this silly you see the act them all a bike sampler a
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yeah but good shows he will eat less the call miami stare
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all while to libya me by example makes each year now or or listed below the
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on on up ah one up our lack did you did on the
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a little known is owned by the t. a. d. man yeah see sample it directors are
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call me i'm on on i read the it the only long gash the sip hourly bushels
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a fine example additional seesaw preview heck that a d. v. d. o. v.
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a use all unless y'all by example awake let me see
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the source commotion yeah bushels could only on like the of property yeah
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me don't little mental actually dictates a simple who the c. v. c. by
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example it easy either but the mall at me harder fate on uh on yeah
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eight q. lemon yeah the cost we say about the mall yeah less than the step
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all sit back for more fair use retail makes male easy at e. l. c. the but the mall
00:16:06
a enough only hogwash go buy some are also back on so so quickly
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the the p. i. i. r. s. they come on is that
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that basket you now all county and she said affair men now
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come i'm sure you are all make seek a the but the more i feet i wake up yeah
00:16:28
could be the so crappy t. me
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it's us they
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on the mutual id seen a a a wow he is you pop you
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he
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failing the dukes young become all is long fee
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basket sit data that i feel are they they did keep yeah we still
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see what they do all season didn't sound he'll be easy tastes
00:17:00
olympians used it is an ivy ah sell wacko mostly local c.
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porky softly so neil so idiots all seem to lead and see what he says some star levels
00:17:16
the nine yeah just a little a lot not today
00:17:23
on actually take do easy eyed batty is tested on on the staff
00:17:28
good to school would be on all purple to blue
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love wow come on yeah on piano and jews who posses writable
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really
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uh_huh
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we
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we we it's stupid idiot get console ski i'd only domain point t. v. they're made a that
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d. c. to shop persecute you don't want the series you
00:18:21
want a lyric label you e. d. a. c. the people say
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yin invalidate them yeah eek the body you void teak t. a.
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and to see if i will lee lee produce and receive posse to proceed
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ask you yeah you a lucy uh they'll need to this u. r. make
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make use some
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do you recall sees
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c. t. is the the the usual
00:19:03
does somebody know by example of it ah key exclude well example to
00:19:12
be a really active guess actually sample secure lemon like save a more
00:19:17
i'm eighteen yeah so i see so the l. c. lemming like the law parking else on the yeah
00:19:24
it is gets passed call controllers i'm eagle
00:19:28
how low you yeah the so called key points ski
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let me make c. a.
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this final i maybe to me you lace leap off to get a a in this so called keep
00:19:45
out the the long delay products some played on some part of the joke about that make dale hollow a
00:19:54
and maybe that will pose he unknown key
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does i've ceased a d. d. t. new barman
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t. let me i see lapping me if that person more but only zones
00:20:10
you can t. v. c. detailed map you let beamed only souls to
00:20:16
operator you see who would domestically the sail to
00:20:21
to it a lot better let the local will come up
00:20:25
for for caloric see knock you silly sounds silly someone's a the
00:20:35
below below the homer
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so maybe a la la yeah ass slapping yeah the only kill
00:20:46
they have sort of a
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nee lap beam me tool mall eight they even let him
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he says sitting chi chi's correctly speak dilemma i
00:21:02
he it all for it i don't want to
00:21:05
yeah leave lap only lap possibility betrayed i'm like yeah
00:21:11
ask you he is sitting in near l. e. d.
00:21:16
c. park someplace he see san existed but come so fast
00:21:21
is usually yeah i'm d. c. on on the hope that that were there so it i mean it up yeah
00:21:29
ascii we see pacify seen every they say the
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which is about the more deeply miss it the valley they the the
00:21:39
i'll have to school and always on view on a soft sigh yeah
00:21:46
sets it back sources to pass for patsy forseeable alone ahmed
00:21:52
excess basket to mall they do any uh and i can't
00:21:57
allison fit that levy he does a down certain men yeah you
00:22:03
sound on e. seat on emily do you do to last name on
00:22:10
so it's a posse
00:22:13
the one the value
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three
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well partly ah
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uh oh
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uh we we we say sit home yeah though
00:22:43
that other mon may sick is bestsellers you will sit back by mail most impacted connection aussie
00:22:49
see now okay on italian v. and ah ah
00:22:54
well i love the city he leapt well see that
00:22:59
key on ashore c. laughs you did to affirm yeah come come in possibility
00:23:07
keep you prefer sat elsa see noted the problem see how why ah come
00:23:13
come come seasick data in english is issue and it comes she
00:23:20
lap led the speed on call life a man really detrimental
00:23:25
basket c. c. over while actually to do that we'll address
00:23:31
i play the animal will ensure sampler may already kyle
00:23:35
a lack she did you know don't are like on the
00:23:39
ceiling main c. t. v. freak see city of freaks say suffix
00:23:47
hello would sit sit sit this pass it to the whole set this bass
00:23:52
or prefer an x. t. v. show shows recess acme us that doe all
00:23:59
own abby they'll uh oh don't actually tactile don't seek ye
00:24:03
fix fix e. r. l. a. law actually take u. i. d.
00:24:10
violent usually the pillow talk
00:24:14
or city a permanent live freaks eventually uh city uh pacman
00:24:21
me see pastel possibility ask your professor
00:24:26
i'll read up the tab for me to get back that no no device they ingenue the usual i know there's all these all
00:24:36
mainly so we'll go missy elliott that you load asia
00:24:42
all keep a basket is a sick you over a point by example it yet did get on the seals all
00:24:50
mm c'est ca u. i. e. deeply you lay the twenty if they are not a dial will be for
00:24:56
all those sure what if i got a low sick himself a c. sixty four now only to hear me
00:25:05
us a possibility they'll actually take us from yeah ascii the only
00:25:10
price e. s. t. paper f. f. to jewel good good shows
00:25:17
the loudly
00:25:19
huh i keep l. do ascii seen also surrounding impose show
00:25:25
hello led led sick you know we're not a possibility
00:25:30
or not even also nonwhite you gonna back twenty polish now
00:25:33
the only it's the perfect if there's also a disk you really for plano all with with uh on on the uh
00:25:40
who've way it a a way to uh exterior
00:25:46
the d. b. yeah me i. e. c. limit ah
00:25:51
we'll leave it is the ah stereo buss get go to fake it can show ski in a nearby
00:25:57
ah it you probably did you have problematic look what do you know about problem our regular laptop yet they
00:26:06
it come in our regular shows 'cause some operative office this is usually impact
00:26:12
i will own noose on kuwait and makes it possible
00:26:15
the technology to do we'll see at what if i met
00:26:19
easy platt you like sci tech monty invest set baskin actually did
00:26:25
to or not but i sit sit usual in dispute shack uh
00:26:29
was sitting dispute they can't keep one that actually take to it
00:26:34
not want to see also the matter was sure laptop under law
00:26:41
he'll was this cup affair on actually take you
00:26:47
that man no sleep ascii yeah just keep that biter from
00:26:50
yeah me he keep it away from their c. cell zones
00:26:59
uh_huh
00:27:00
i see
00:27:08
oh yeah
00:27:19
see
00:27:30
uh we
00:27:34
yes
00:27:38
yeah
00:27:40
the city's pass he don't actually take pills to turn out the way sick e. e. yeah well
00:27:48
one of those you know what a few big deal really are on one do it you will still
00:27:54
yeah plenty of c. c. is so can appeal low easy
00:27:59
for example it is it low vision basic there was say our noble
00:28:04
apple was a more she will say well we need a new a all
00:28:13
doh i look stereo called a little epitome
00:28:19
a low sixties pass sick you a sense is so noisy
00:28:24
mail see lower that sickle play aptly we sat set feed you
00:28:32
he about the near a lemon yeah this a bit
00:28:37
for z. near a a low all the gene a
00:28:42
all the gene asian industrial so so but i mean
00:28:45
shows no memo sticky sticky tool more paola the p.
00:28:53
b. e. oval on a minimum paul i know many
00:28:57
more say there's a nasty on the cell chili savvy view
00:29:02
will be our regular lisa d. digital
00:29:06
separated by skill assertions g. so back on
00:29:10
a setback usable also mobiles okay this with the
00:29:14
t. v. does somebody i subscribe yeah me you fall
00:29:18
fellow difference on quite large in us your really low dishing
00:29:22
out all sick and i feel like all i wake me to
00:29:28
the lemon you know the quantum plus your keep ah finally decide
00:29:34
see
00:29:35
sick on that
00:29:38
see the while i'm paul see the doctor we see the shack actually take it
00:29:46
o. l. s. u. r. l. e. g. the lower what scene buffet
00:29:52
hello a
00:29:55
still we give our poll say five sampler
00:29:58
to ah don't are payable ah in in power
00:30:06
c. a. l. s. u. on me awake lack the the power example or the lap yeah i play uh
00:30:15
i know a large analysis you'll pay of wow produce yeah fig you
00:30:24
all he said they pull the c. f. two stalls don't like yellow what iffy
00:30:32
maybe she she see the material piece on the phone you live say say lap yeah subway
00:30:40
atrophy a you'll out a few q. t. a. that caught up a lap be a lap yeah
00:30:47
many c. c. via the blasts around one side you get a
00:30:53
sickle forms secure on actually take the beer well when
00:30:58
you surf down v. c. all the the lack to
00:31:02
that b. p. d. sass it's a sell our last don't know what
00:31:10
just say
00:31:12
sticky on appeal eulogy election i still the people or
00:31:18
the sequence towels the blue ga the material this one
00:31:22
either except there is separation or she is securely actually
00:31:26
takes up you see bill effie daily they won't work
00:31:32
did the security she'll sensible wow on on kauai i we
00:31:42
don't sit money are usually gina the only the silent on topless
00:31:46
your data the levee bill every dollar we would only stress you know
00:31:51
hello c. cheaper me o. i. e. on playing ball
00:31:56
would this actually take to maim the software media city
00:32:02
the sick your course seasick come back a sickle
00:32:07
park bashed ceiling from normal see some filing fee you
00:32:13
if the jury and if else even though it would more of the ministry
00:32:17
six sit boggle previously baskin normal mall lily so also says you take to
00:32:23
say pass get use only main fee q. e. same
00:32:28
use f. down by some people s. d. c. p.
00:32:31
we all put our idea on on clear vocal does actually
00:32:35
take double double good with the system or pass go potash
00:32:41
affordable so it via sip ah visual someone i've seen all
00:32:46
sick it can show ski a doughnut probably deal with those
00:32:51
so it is a highly are lower the lee along the
00:32:58
law told me they never you know by a pass gauges she
00:33:03
i believe you will present the visual c. no
00:33:06
socks say so yeah the key signal bartlett see
00:33:11
see fig co op opal opal here don't formal seem also prove pneumonia for paul i
00:33:24
uh so we
00:33:35
yeah
00:33:41
uh_huh
00:33:43
i we may really
00:33:50
a serious ill lit well yeah she paid for you in the
00:33:56
cement lately blue little bit play on one me later that provide maim
00:34:02
i sit down up open you don't ask a youthful youthful conclude the you
00:34:09
level would you forgot concluded to sick or more g.
00:34:14
i know male mall only say the be it quite auto norm so idea on
00:34:19
a fable good price yes cool cool on up off to to school are mostly
00:34:26
soft little although he or are we on pricey up it it was certain kauai
00:34:33
come on come quite cute if it it shows a own why are all bar all
00:34:39
yeah you don't condone i come on say here lately so toby
00:34:44
said the vocal beagle usually allow opal ample they maim the material
00:34:50
will be seasonal vocal pretty tallow before the idea like
00:34:54
the motel you're divorced they all on the well we're naive
00:35:00
me a lot that i lowered the fallacy uh save amount of it okay but if
00:35:08
compare like uh like you you know whether actually take to normal keep the
00:35:13
that love pickles or ah no me i. e.
00:35:19
he he he activity shall we should leave a easy activity a
00:35:25
we'll see see sickly topic to not be there
00:35:29
with the
00:35:31
eve yeah yeah take a shows convey pa for example normal more love i see
00:35:37
a fey in in consul show the a a premium on their back to guys
00:35:44
the the the most you always some tile on only what it how i back
00:35:49
basket piece on volume in the us older
00:35:54
shop will will could tell how will we know but no but are
00:35:59
a full national caesar for that you know you in opened us you are lost you see visually the
00:36:07
so then yeah i see if only for that's yeah i'll normal more all tall i let emails your
00:36:13
vertical q. c. sixty a lot lot beeper sound
00:36:17
exactly like to show should go cool a long while
00:36:22
when i show some stuff may really local source developer i.
00:36:27
c. s. a. k. a. com calmly point my maybe their knee
00:36:33
nay pretty relation all can want them unique see no to
00:36:37
list this young people do not ah mm via the divine now
00:36:42
all cities leash on don't sound the x. young missy oh no you are they
00:36:47
well i'm not a big this moose on some puffs on a long blasted property it
00:36:52
but but i know was so what about those who not does you know point well hello
00:36:57
he if city inform less young he don't sit money doles sunset than men yeah man yeah
00:37:05
some action to rule say to rule possibly the fair zipper
00:37:09
zipper act going out opal see full le the for at eight
00:37:17
the a. c. c. satan i fix a don't sit down the c. four possible but if
00:37:24
there are losses sit alone for a sit down capo quiche actually ooh source impossible to the fair
00:37:38
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00:37:51
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00:37:54
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00:38:00
we say sit down sit down communists all basket you yeah yeah ah
00:38:08
yeah the flat go on by example i knew
00:38:13
on a v. c. p. of all along the y. one apparently of like lose all
00:38:17
on of the simple c. without the way how they can stuff down on where the
00:38:22
the c. d. you know a or c. yeah this sort
00:38:25
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00:38:29
all media the market would also the lab but partly i'll see the second phase c.
00:38:37
say oh they lack a why only matter your cheek
00:38:42
ceased to leave this one sees on lose all just invader
00:38:47
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00:38:58
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00:39:03
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00:39:06
e. e. yeah the flat going i did you own a fable could they both put money
00:39:12
up by sampling one f. a. u. but i see yeah i laugh at that one yeah
00:39:18
don't uh to the to the word bastille more this in naming five probably
00:39:23
you're not ample they even on s. f. can make i'm
00:39:29
well good this bull whip or basket over the early on on the wacky city dole about that when
00:39:36
you press key and and they say yeah a little sick you know file if they're say mark shea
00:39:44
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00:39:48
to get on play or any i don't well who will some
00:39:53
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00:40:02
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00:40:08
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00:40:16
on uh the the mean out on the well comp yeah that is gives all this nasty me on official sponsor
00:40:31
i uh
00:40:44
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00:40:47
we ask you see it ballots someplace
00:40:53
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00:40:55
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00:41:01
task to a mm lemon yeah they're constantly um he may
00:41:06
come to the local the poodle out on essential forfeited bushels a
00:41:12
whole power like i'm achy a i've i need to go see something
00:41:18
muscle is the way you don't get shorter or fey functional construe also part of the
00:41:27
q. s. c. task you know maybe more less leery but you mow a a it
00:41:33
clearly a master key a detrimental basically about um i know i will do what little hollow
00:41:40
see levy seen on a on a tidy a we give give
00:41:46
well i'll make the visual key fader shows the may deeply long tall
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it it was a dark sampling over a c. e. yeah it can
00:41:57
and when you have to take yet valuable who are they could bumble
00:42:02
me me sit sit down and saying you know all a. c. c. d. for all sit see
00:42:08
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00:42:13
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00:42:17
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00:42:21
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00:42:26
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00:42:29
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00:42:31
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00:42:37
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00:42:43
we we we we pass clear a cities last donned
00:42:51
a dollar domain did actually take do sick you on
00:42:57
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00:43:02
even yep ah you not what you have faculties hippies yeah yeah
00:43:07
reason i yeah the silicon topless you may all men don't comment on me are
00:43:15
we are like new operating okay until she yeah until she passed
00:43:21
a lot on topless your diaper a going topless your act beef
00:43:28
pass casino see all may annex all in automate don't
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00:43:39
the comment dice
00:43:43
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00:43:46
on g. basket come collagen topless john apparently meat
00:43:51
or pay or play some study at the scene a yeah why ah yeah i coffee
00:43:56
he sent the the the the main now ah on the meat on me sell idea
00:44:04
on dos if off c. ah well policy discussions pascal actually dictates to
00:44:11
sit down sit down at the a. t. cell beat out all a
00:44:16
all over yeah well acid is this extra like want unless you ask you on c.
00:44:22
d. back obvious it if this is the sort of april may in fact the shows
00:44:28
i always get the fat the shells a
00:44:33
you lisa say six at a he secured prove
00:44:37
a sick it don't sit this extreme in the like compel plus your in maine in data consortium
00:44:45
a only to rule dolls ass certain sounds only to do new
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00:44:59
it calmly common for ask users uh back home or the is units are 'cause or what
00:45:05
you don't not cookie cannot come most about the satin shores
00:45:10
you for for our up each sixty sixty sixty eight d. b. yeah
00:45:19
sick you call all called to tell why are they
00:45:22
they still play a only oh fey kilter shows the
00:45:29
a later colleague thief moves news it after
00:45:34
guilty shows the produce task is users user is only
00:45:40
interface sick you just f. f. a. this set men yeah
00:45:45
as c. and all
00:45:48
it don't only don't bowl on the office i always have a is accessible see on the show
00:45:57
to report will party on a path a knee
00:46:01
deep midway you may well enough of faculty shops
00:46:06
uh_huh a your this sadistic them recorded last show it
00:46:10
a lot also so
00:46:14
what
00:46:18
yeah
00:46:19
ah
00:46:23
and you
00:46:28
really the one that on a fey who are in a shores key
00:46:37
see bad only songs they do t. v. sci major quirky it's
00:46:43
this site be possibly the lowest sudan yeah don't little basically
00:46:49
he can love you after no fat not park camp i don't you have c.
00:46:54
t. c. no okay say ten no boss cannot recall value to rule in it
00:46:59
when stuff done domain yep acting upon only the c. t. s. k. a. which is about comes
00:47:05
easy way and we'll see there's really no nipple yeah blah to lead emails young he laughs obvious one
00:47:14
a low a not a phone that all is not due to rule on on what the city i
00:47:21
yeah but the up out of your seat we all will come a small city honestly do
00:47:27
it that should take do we facade of it it may not sell a lot to do with
00:47:33
yeah lois loudly last you know of course keep awake this it you'd your
00:47:40
a a lot of u. f. c. b. realised your does speak entity
00:47:46
he let out a less your bessie gonna open
00:47:50
onto the limo moral everywhere the ill or put a usual t. v. yeah
00:47:56
a this it man yeah it's all due to the
00:48:01
medically people for this well is always you barely point
00:48:05
you saw on on the way back to the only mark their award if a baseball
00:48:12
resource available it it does it man yeah get a low i last you know
00:48:19
on a on clearly is the city do your let us see
00:48:23
pass sampling mall and the war see discussions before axes c. c. c.
00:48:32
actually we did foxy
00:48:35
shasta that alice your the best seek a it of seasick it's basque you own out that
00:48:43
keep the show scale is that you don't fill out for that the delicious piece on a
00:48:51
nasty to see an l. d. c. come if on the spot on uh in plastic pretty deep willis ball
00:48:58
may do pretty easy yeah they don't so don't put the suburb on the live within their own
00:49:03
ass taken up a lot there you uh this oh well don't don't like it is back to see
00:49:09
i love constitution don't know what you can fit me excessive by yeah fix but that's beside
00:49:15
the point the canal are out of uh on a wiki celibacy on the photo with say
00:49:22
to come save necessitated the love that would ah yeah
00:49:32
you know
00:49:37
four
00:49:40
we uh
00:49:46
yeah
00:49:49
how we we lay i lay lay me the whole ca
00:49:54
ca say cases extolling yeah ascii see cyclical sifting barge see
00:50:01
who appeared by lot or maybe you could hear what a
00:50:06
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00:50:12
he he i mean a a tribal fee diesel
00:50:15
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00:50:20
was to clash of what he said was see love wow loud for hello is
00:50:26
a transform but also our goal and so on and all money man real casually it
00:50:35
e. a. c.
00:50:38
for c. c. c. i mean guy he said he
00:50:43
yeah mm daily or weekly comes out i don't silence
00:50:49
no use instead of sumo sumo please don't little it
00:50:54
don't sit on stock in la la that causes a laptop
00:51:00
that happened to me even though i don't last a all their local copy diversity or excessive me
00:51:09
and each his excuse ah well i like to yeah i like a lot we not played you know so the ball
00:51:16
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00:51:20
c. form of back to semi easy come also sat ascii
00:51:28
to lose your banana is on tool in money out that what key that it's a tool really long
00:51:37
ooh la j. composer properly awake he get visited you
00:51:41
don't he usually did you see that gives all stop
00:51:45
the usual be de op and on now is you
00:51:48
know up the only spiny for he just three floppy basket
00:51:55
two leases on this you know
00:52:00
you show off last is so delusional she'll use on those do they see you not mine yeah
00:52:09
to the past ah
00:52:12
me too good cop or source meadows i got four bar
00:52:18
it's as boss who was heavy data set men yeah hello on the way it did twenty
00:52:24
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00:52:31
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00:52:36
a lady they call home all really samples your volume on that
00:52:41
great it were paid little or not yeah you saw face you know
00:52:45
it was a testimonial was up on lisa fall would what enormous it analysts your pen
00:52:53
if you don't realise this in your ass on the c. i. issues about on the other shows a lot
00:52:59
what are the stance isa e. e. label it
00:53:03
as usual yeah that maybe that city no pop was
00:53:07
teeny platt need out on c. all needed did go for more see
00:53:13
that i see what you know some i get cash also number like c. say possibly can also opted good shows
00:53:23
they
00:53:25
the deep into before
00:53:29
only the aunts don't say trimmer
00:53:34
you know since you didn't just a classy with valuable d.
00:53:41
things
00:53:45
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00:53:48
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00:53:51
so only yeah cities basking yeah the yeah the domain keys on the for all
00:54:00
ask you the
00:54:03
the more dough or a young unit called actually did you want to for me
00:54:10
these are all boarded any uh and actually take the the yeah i
00:54:14
use f. and domain don't like ill lit ally english just get if a
00:54:20
delight l. d. v. do it ascii before cliche i i shack at
00:54:25
eighty four the rash jackass a. k. a. the kill mine yeah you play
00:54:32
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00:54:41
dole don't sound domain cat if you are now they've loopy
00:54:47
sass if we don't subdomain collective park some could count also
00:54:52
at the c. i. a. only price only on all the scene
00:54:57
just resold as you read the phase on on this yeah me j. c. keel main dole easy apt
00:55:04
won't make it easy for lemon dolls so not party than all but the uh mace about local set
00:55:11
see double cool my sick ready for all the trust said he sold it only moaned phase of discussions
00:55:17
call me i'm control now evaluate call all of why leather sack people want f. a. a. all or not
00:55:26
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00:55:31
a little the onset time on that a cat beef tea a collective
00:55:38
a a young cut down there with well yes you a little bit company but ah control but only by busily
00:55:47
of male powder done at the v. a. this actually take to allow us to all appeal letter on the cell idiot
00:55:54
to the service of buffy
00:55:56
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00:56:04
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00:56:10
fair back to may it to truly get it can't see
00:56:14
a a lap it lasted for the v. a. the material this to be a says connelly yeah
00:56:20
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00:56:27
see simple say the speedy on quite well
00:56:34
you get could get on the on a on a accept they will call the testing on the new c. d.
00:56:42
by example to the melody or say it was one open c. disk
00:56:46
often i see a lot of you don't want to back the the
00:56:51
'cause 'cause 'cause it gets coffee yeah yeah love fat involved affected
00:56:55
'cause that part too but we want what bothers me is even sent
00:56:59
actually take the no so more filters that it may the
00:57:03
set money uh is on bush all veggie also go off there
00:57:09
a little a cunt don't try this at men yeah but example a. c. c. opens on top of it
00:57:16
on it don't count that will save don't play it is gonna be common but toggles let the they'll
00:57:20
get 'cause overkill up on say a sticky sick if also could be a dose on top asylum yeah
00:57:27
yellow pages just recently don't get on the ah how our budget work discussions um yeah
00:57:34
report was labelled was given yeah don't know others the top lip
00:57:38
saw the talent detail non yeah illicit place or that go along
00:57:43
sick on al gore more c. landing yeah it come all the way out wow
00:57:49
asset tandem yeah just walk in to the the the mail come on c. c.
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this it man yes it dolomite yeah the pa pa so they can
00:57:59
lip lip f.'s on main basil likely fee you may see these all easy
00:58:07
basket while while itself donna mm yeah a lot though yeah see
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00:58:44
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00:58:46
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00:58:58
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00:59:05
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00:59:11
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00:59:25
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00:59:31
ah i see
Conference Program
Vernissage de l'exposition Las Vegas Studio
Sept. 21, 2011 · 6:09 p.m.
Quand l'architecture et le cinéma transforment les territoires délaissés
Sept. 22, 2011 · 6:36 p.m.
PechaKucha 'Lumière
Sept. 24, 2011 · 8:22 p.m.
Las Vegas, Film, and the Mobilized Gaze
Oct. 19, 2011 · 6:33 p.m.
Metaphors We Live In
Oct. 26, 2011 · 6:33 p.m.
Craftsmanship
Nov. 8, 2011 · 6:34 p.m.
L'épaisseur des lignes
Nov. 9, 2011 · 6:32 p.m.
La controverse Learning from Las Vegas
Nov. 16, 2011 · 6:46 p.m.
Dans le paysage urbain
Nov. 22, 2011 · 6:38 p.m.
An Aggregate Body
Nov. 23, 2011 · 6:46 p.m.
Curating Postmodernism
Nov. 30, 2011 · 6:41 p.m.
Pièces à conviction – Une périphérie prend forme
Feb. 22, 2012 · 6:05 p.m.
Pechakucha 20x20
Feb. 23, 2012 · 7:03 p.m.
Espace, Lumière, Structure. 7 Concepts
Feb. 28, 2012 · 6:32 p.m.
Suburbia does not exist. Strategies for dense city growth
March 14, 2012 · 6:38 p.m.
CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi
March 27, 2012 · 6:32 p.m.
Les coulisses de Malley
March 28, 2012 · 6:38 p.m.
Débat critique - Projets de première année
April 3, 2012 · 5:15 p.m.
Ensamble studio
April 16, 2012 · 6:36 p.m.
Le travail d'ingénieur et le projet de modernité
April 18, 2012 · 6:35 p.m.
RUR: PROJECTS
April 24, 2012 · 6:20 p.m.
Conférence du cycle 'Pièces à conviction
May 8, 2012 · 6:34 p.m.
260 views
Paysages intérieurs
May 15, 2012 · 6:35 p.m.
Yona Friedman, Genesis of a vision
Sept. 19, 2012 · 6:13 p.m.
Working in Mumbai
Oct. 4, 2012 · 6:40 p.m.
Yona Friedman and the Gost of Utopia
Oct. 10, 2012 · 6:13 p.m.
Global Holcim Awards 2012 Gold
Oct. 12, 2012 · 6:06 p.m.
Just what is it that makes Friedman so appealing ? hier et aujourd'hui
Oct. 17, 2012 · 6:07 p.m.
Pour une histoire culturelle de la construction
Nov. 12, 2012 · 6:35 p.m.
Partage d'expérience
Nov. 21, 2012 · 2:17 p.m.
Hall Of Mirrors
Feb. 20, 2013 · 6:09 p.m.
Happy Street
March 13, 2013 · 6:29 p.m.
Pier Luigi Nervi : l'architecture comme défi
April 17, 2013 · 6:09 p.m.
Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1
April 24, 2013 · 6:34 p.m.
110 views
Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2
April 24, 2013 · 7:22 p.m.
Présentation de Riccardo Morandi
May 1, 2013 · 6:30 p.m.
Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino
May 8, 2013 · 6:31 p.m.
Présentation de Robert Maillart
May 8, 2013 · 6:33 p.m.
131 views
A dispute of the ephemeral and permanent in architecture
May 21, 2013 · 12:04 p.m.
Peter Cook
May 27, 2013 · 6:12 p.m.
Radical Pedagogy: a collaborative projec
Oct. 29, 2013 · 6:32 p.m.
L'exploration du possible
Nov. 26, 2013 · 6:39 p.m.
Power of Place
Dec. 6, 2013 · 6:06 p.m.
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Pierre Vandergheynst, EPFL VP for Education
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