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Power of Place
Friday, Dec. 6, 2013 · 6:06 p.m. · 01h 36m 37s
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i know
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good evening and welcome to all of you thank you very much for joining us tonight
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yeah we are very looking forward to hear the architects
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can local now uh who had just arrived from japan
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and we are uh it's a big one or two have you need to come up for a lecture
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and also on this continues to welcome you as a
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the architect who designed uh the project on the one roofs
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to be needs just two meters beyond us those thank you very much for being with us tonight
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just uh
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how about conversations in which i guess is not apply like all
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channels so high on okay the yank and it seems to me twenty
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yes you exactly it's reported it's it's handy to whip phone number
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um i guess you know couple 'cause i'm just when you see a roommate silicon alley
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example to prove when you see that's the dixie snow then uh that too except that's that's all this stuff that's
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so this is the annual conference of our partner the
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u. p. m. um and the seventies also part of
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the one hundred and fifty yes any necessary off the establishment of diplomatic
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relationship between switzerland and japan so the japanese
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uh on the japanese embassy in their own
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took the opportunity of for this uh election to
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celebrate is very important anniversary that uh we happen all
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uh two thousand fourteen this is one of the first haven't and we're very proud to be part of it
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as you can see we ah sweet to deliver a
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welcome address so really pogo president of the u. p. l.
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make me yes who is leading the project on the one ruth and nice l.
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c. you know i am director of autism yeah could take to museum on campus
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so first i will get the four to feed forego will address you on
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the health of the architects and city ingenious from e. p. f. thank you how
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hi again to miss you're sitting around fifty the
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rocks it's our plan for a coffee or sticking glaucoma
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just because contention adding plastics created crazy doe key
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i would concur problem not eclectic divide them in
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uh just get remote will play so deeply i've given your paternal dissension europe
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actually checked would like yahoo p. principle be would actually directed engineer for the couple
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it is so creepy social mood income was so quick to you did not she could be a problem don't know where
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it to you don't i think six so
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uh the mets slip through the coffeehouse user databases
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he's actually take decision yeah okay to prepare so not that i see a for that but still
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the asian profits bonuses you left would use callable hassle than that will make sure he
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uh i think uh actually zoom like you get the uh that was basically fables
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what a few words english for our guest g. mistaking go tomorrow
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it's a great one or to receive you this evening and
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to be able to be sent to listen to a great architects
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and an architect was going to build a
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something new just sneered something up under one roof
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uh i'm sure we have a very nice evening or together listening
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to you and maybe a few questions at the end of the conference
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and now i give a lot that were to receive
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individual present you thank you very much with a high
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hi sickly you are so i really quickly introduce a hour
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lecture so after graduating uh in architecture from the university of tokyo
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can or cannot move to new york to continue his studies uh
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at a column yeah you need a city as a visiting scholar
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after his return in tokyo in eighty seven you sounded
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first the spatial design studio and then in nineteen ninety
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can go coleman and associates attract is that uh is based no in tokyo and paris and
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and go is over one hundred entities architects
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uh and they did intensively in japan and rubber
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so commas work is really not easy to categorise we usually say is that uh his
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goal is to to to recover the tradition
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of japanese buildings in in the twenty first century
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and uh and this architecture yes relates to the asian tradition about using
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light and uh a natural materials to produce a kind of new transparency
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it was what she knew level of for like nice in construction
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likeness is the key word of his work and in in
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that respect mythical now you have said that the research of
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like yes and king yes yeah uh is the common goal
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between you and so now the japanese architects of peace bean
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with a with a different that are gonna use glass metal only uses a local material as much as you can
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so in my sense there is a also another keyword uh to describe can come as architecture
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which would be a provocative or let's say critical
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indeed in the contemporary economy of construction and uh uh property development
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drinking new construction systems and uh using looking
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material can sound like a real active resistance
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i know so can go comma is a pretty
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right seven critique already as the young plus graduate students
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when he was writing on the engine sees a room of japanese contemporary architecture
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he and more recently he wrote numerous books along them this seminal text
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code and see object dissolution and disintegration of architecture
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this book codes for an architecture off relations
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respecting it surrounding instead of the meeting you it's
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so
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because we are in a university i also would like to mention single commas significant contribution
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to education and research since two thousand i
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mean he's a professor at a doctor university
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you too could channel previously occupied by tango tango a consultant gay sorry and that other one though
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uh they're very active cool and there is a
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real research on architecture of any t. and a design
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and uh getting opportunity to the students to to participate to take part
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in the research and also building project at a one to one skate
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so can go comment pays a lot of attention to the origin of materials
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the joe since the reason from the intelligence of the the crafts and uh the vernacular
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he looks carefully at traditional construction system
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that these leads for ways to experimentation
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you know waking look nice not a traditionalist user really nicer in innovation
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he doesn't hesitate to experiment in small projects small buildings and as he says
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extend this experiment into big buildings is always very
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difficult but for us the double track is very important
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so for us is a perfect example of
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connected emission can encourage to be a great either
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oh dear mister common your carry the reintegration for us uh
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are we in which data architects out cool would have chosen
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to be the there to to their future pavilion dedicated to art and science
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we're really looking forward to see the building with our own eyes
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yeah but in the meantime i will get default to become
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a year we'll talk about the structure project thank you very much
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hi and thanks thanks a lot for this intro up and i'm glad to be
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able to join you and mister fog roll him welcoming a mystical non backed were campers
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respond to make quite a mark with this upcoming under one roof project see you into that one
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well after distinguishing features in common sons architecture to focus on the
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raising distinctions between the outside and inside of buildings and of building
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these integrated pixel honest walls that into signified interaction rather than
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separation and indeed there could be no architectural approach that's more suited
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the program's really pure feeling to carry out in this future under one roof building
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it's been dried fruit of the school for a number of years now
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to do our part in removing the mostly imagine rewards between the cultures of
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the arts on one side and those of science and technology and
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engineering on the order both sometimes tend to keep each other right
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with the arts often appearing uh something that scientists can only have
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a relationship with made years the whole time as consumers but have no active cork team
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and however does not nine that are um in fact
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technology has had a profound impact on contemporary art purposes
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uh from the desserts that are being turned into electronic
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music were more tactile experiments into digital printing and so forth
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and the technology plays a role in also helping us for the harness understand
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and tell the story of our common more classical cultural heritage to for generations
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you must produce fertile ground between culture and technology meets research and educational capabilities
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most notably perhaps with your point of its digital humanities love or from last june two thousand twelve
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and it's not it's current your work bringing back to life a thousand
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years worth of history of that fit your parameters would mine of it's awkward
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it's only one project will be put technology at the service of culture and operates for the continuation
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some of our other research and it's really preferred structures are meant for media centre
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and our referral plus account allow conference or have wandered into the
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intersection between music and technology would work on your current remote regions first
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with this critical mass and with all these projects going on it was now time for us to move on to the next step
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and to provide our campus community and the larger outside audience
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with a large scale lao tutors design room and this is what under one roof will provide us with
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starring in probably twenty sixteen blossoms design will provide us with a lively space to bring two lines
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use more who draws festival archives and to test for intersections of market performance in music and technology
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it will also provide us with a pavilion that will display the best of our schools history of innovation
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uh presenting such ground protrude groundbreaking projects as the blue room human brain project
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and others through innovators an overview and finally it will also provide us with an
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exhibition gallery that would be an experiment for museum of sorts for the visual arts
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we're contemporary forms of our technology production or
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and things would be presented along more placid control
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every third room to leverage differently by finding new ways of presenting it and interacting with it
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and these things to the commitment of a number of partners or cumin which is the folder struggle you lot reasons in
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europe uh when we're glad to have with us on this project on your own or have represented in your in tonight
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a new comer sums architecture project provides us with a perfect space for
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these adventures it is thirty but they're open inviting and permeable to outside influences
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and are still put it earlier it's innovative with a smart respect for
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tradition does exactly what we're looking for some of the fourth years few ha
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thank you very much just works with it okay
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and today as a as a i want those as well think this you about
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what is the power works and what is the uh after was the the disasters you know
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is right you pass we have uh because of serbia catastrophic three years ago the much eleven
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the i have been thinking about what is the strongest about place because
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the i want to start from as of this image as or
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uh as that serve as i this is serve as a major we should mark city is
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so so this it was most the best rated place as a by the or the tsunami
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and uh i uh i took the pictures by myself those two weeks after
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this uh so i went to the c. d. a. as a those and
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uh and i was so shocked to see is uh that that
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was you know i sure as a what what i found there is
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the concrete though and in twentieth century was not strong enough info on pubs up
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it's the supplies in the power make sure
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and uh but but that's ten times i found
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some small them buildings as or or not destroyed
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there's a because the people that the regions that las isn't so no was
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what is a strong s. of nature's as i did this big image from this more yep
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and they know just the hill is is very safe in for tonight me and a trial just like
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i they didn't build the building in four out in front of the ocean they only built a building
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is uh on the small here is is that this is their visit and that they know without
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about what is uh we have a strong s. info on both the the amazing power of nature
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and uh i thought they said why i then there is i designed that building
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in that place in that's a deep as expect i mean can only use yeah
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and uh i think we had better as a as a job like that make it there are
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but ah okay very good
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is there a as a a as the uh it is difficult to find appalling thank you because i want to the
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as that they beat the building in that and
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landscape this is my museum i design nineteen ninety nine
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as a this is a museum my design here the one thought of the building is
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on the about that on the month or two third of the bowling is and about
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as a for that building so i i thought what should be the relationship resemble
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and the uh as a a bus also strong less abide
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pictures as a most critical issue is relationship is them bar
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so if i if as a as a one the the
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all but come and bomb and it is really impossible but if we want to
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create the harmony resemble and so we can put eight the real strong us about building
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and for that project is of of fortune entry this building was not destroyed by tonight
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as a because well as but the main is is not our this and maybe this
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is a location this is that i'm river this is that i'm channel that's my building
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is i got to know
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as the in the back
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it is a plough the this is a as a space for this edition and this is a space for machine
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as the uh actually is a uh this is uh as
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the watergate was uh that this machine is controlling this watergate
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and that this is essential this building this is expected river this is
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issue mike c. d. uh building the is between c. d. r. weaver
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and this is entrance of the building and the and the the actually it's it's difficult to find
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then glanced up as the sometimes i that that that's a taxi driver as i can find them
00:18:08
and uh and there's a uh so that me as herb tea as who was leaking apt
00:18:15
to this place and that because of the one we take yep the this building was speed
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but there's uh but as though when i saw the uh the the news isn't t. v.
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as uh i was so shop because uh the t. v.s it was reporting
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'cause i'm also the thing he was this short but as a as a a but luckily this building was not distort
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because of the one reject yep as a the made for this billing is no
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they should be the gate the flame informal nature if nature is beautiful the building
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is the the the can be the the simple flame the minimal flames which pick
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up the beauty of nature that isn't me at the main idea of this building
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this is the bottom of the building and the the the
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the the the this shows the baby misspell idea it's a frame
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and they use c. is a big as a grasses which is
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as a separate exterior and interior and there's also this finding jurors
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is is in between exterior and interior while as i this
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copies interior and this half is up exterior of the war
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uh but this is uh uh the uh the beautiful imprinting of that building
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the when i visited there is a two weeks after us great
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the landscape was very different from that side was a
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destroyed by tonight as if the lever is like has that
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curve one side was this board and alice had was
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that it does what we are just as a pretty fortunate
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and also the rubber although the the water was raised
00:20:14
well me tip and it with you know at the the the no the reason why the what
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the ways one meters because i thought that and it's all busted it dropped wanting to own was away
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i believe it the so all was that that was the
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the as the the one meters and it's flight for five meters
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as the as the other problem nature's is very weary i mean see
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as of because of comparing was that the purpose of the popular friends
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it is billy billy week that is oh so finding from from tonight
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and this is a view from river
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and uh uh next project is also we built into where we have a
00:21:07
panther as uh as i gain this building was not just draw it to miami
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the but is is that i was at the line is very similar to
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e. p. f. l. filling her design for that one and the one big loop
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but that is very important for us because as aloof as a as a
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the can help us to make so how many between as a lounge on the building
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and there's a and also for that buildings as well to usable have the material is very important
00:21:45
and the to use a lot of material is also
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helping us to make how many between place on the building
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and in that case we use the wood as a as a for this case it's either the full of the mountain behind
00:22:02
and that as of japanese cap and those are saying to usable
00:22:07
copy though we out is that the best decision for the building
00:22:12
uh because she immediately and temperature so a constant
00:22:18
and uh and so all's or for that building i want to talk about avoid unbutton who
00:22:27
this is a boy intended but who
00:22:30
this is a void
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and that this was a way out of the building
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is this is a is a to because but sure up japanese bitch
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in the countryside
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this is the centre of the village and that this is the main street
00:22:51
and this is a mountain
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and that and there's always a city centres
00:22:59
is is is sitting tests as a this size
00:23:05
amount to h. and that other relationship is very important
00:23:10
and that because the life of the people was is was taught today
00:23:16
uh as a a a twelve today the
00:23:21
right on the natural resources of the mountain
00:23:26
as a as a freeze the the members of i've said before nineteen century
00:23:33
the in the market yeah that came from the mountain
00:23:37
the root of the papers as anything that came from the mountain
00:23:43
and that is the n. i. g. also came from the work i'm coming from them up mountain
00:23:49
and the dancer in before nineteen century we didn't have electric company they
00:23:53
didn't have gas company is uh or the energy came from the mountain
00:23:57
and also so i i culture amount they must they became necessary
00:24:02
because for the riser them for the mountain the can from for the evil rich
00:24:08
and this house amount them they couldn't do farming they couldn't idly coach or
00:24:14
and so the
00:24:17
and then they built july here
00:24:21
this is a typical petition the chalet you play a jobs amount because it's a strong message
00:24:30
yeah if so we lose the mount him we lose everything this is a message of the shoreline from the shoreline
00:24:39
and then as a as a people as a ah
00:24:44
so we're keeping the natural resources of the want
00:24:47
embedded in a carefully as a um and then
00:24:53
the visit as of force all the mountains are what kept in the billy as a as a
00:24:59
as a and the big as a
00:25:02
perfect situation perfect condition but however intent essentially
00:25:09
so they forget amount before was a mountain
00:25:12
intent essentially most important resources for the people
00:25:18
it was talking because and as you can from pop goes the material came from the flow of information came
00:25:25
from poker advertising can pump up and therefore but mountain
00:25:29
the advanced among them and that they're ins at that age
00:25:34
the should line was also opened up it is i think
00:25:39
it is a bit a bit a sad situation for us so
00:25:45
because the the the mount pays a base is all wall live
00:25:51
the the bases all other cultures but we abandoned that is
00:25:55
most importance as a as a as issue or well i've
00:26:01
and uh so i'll meet sam is is sitting here
00:26:06
and
00:26:08
and mine is a message from this museum is
00:26:12
agrees respects a mountain okay please respect nature again
00:26:18
that is very important and then as the this museum is faced scenes us mountain
00:26:25
as much as that is the name of that mounting is as the big call it
00:26:30
that mountain supple am ah at the meaning of the supplements abilities mountain
00:26:36
ah and um but that the that the spell a it was the mayors
00:26:41
of that is a bit h. t. for the heap he is that of the
00:26:47
he was i guess my idea he said hacking is here to present to enter was
00:26:53
informed of the parking and i said no no no no this is a american lives there
00:27:00
the defence device that the end was should be the mountain and and uh uh finally i uh we could persuade
00:27:06
him to have the entrance here and that also finally we
00:27:09
could have avoided the two separate as the to the connect
00:27:14
see it as a bit age as amount a connection is very very important for our life
00:27:21
and the one about one move so we can have a
00:27:24
void that we can have the connection between nature and live
00:27:30
and this is a connection this is avoid so we propose for this bill
00:27:35
and and klaus is facing mountain and this as as that thought process as a
00:27:40
silhouette of the building is very simple as a one simple aloof is a local materials
00:27:48
the materials so came from the mountain
00:27:53
and this is a space between mount down and the building
00:27:57
as the that that was a indices are are controlling natural light
00:28:03
and the those e. this is a can gives or other
00:28:07
as a kind of harmony between the nature and the space
00:28:14
and uh also that is uh uh so the buttons that there's a
00:28:20
as a chance save energy of the building as of each as a control
00:28:26
natural light stuff for the building and uh as i actually we could as a
00:28:32
the draw play as an isaac wants some some by the use
00:28:36
of the was the just so with them so that on the the
00:28:43
and the more also some material for this interior came from
00:28:47
the mountain the ice papers and that this will cause stalls
00:28:53
and the the those of lewd although came from the mountain and also so we worked with no car class some
00:29:02
the historical a is a in at a bit ages as
00:29:07
we have the local pressman rice paper pressman as the carpenters
00:29:12
and the press over hers and us as as
00:29:15
long as we're as our cousins so bad intent essentially
00:29:20
as a beer or a disappearing
00:29:24
because of talk because uh and behind tacos will uh
00:29:28
there's a big industry from america as absurd as a
00:29:32
the japanese will go out these and ship the as the was
00:29:37
destroyed by talk you into into essentially is is a big problem
00:29:42
stuff i probably replace the came from the population was across m. m.
00:29:48
well that place came from them usable automatically up and
00:29:52
if we can work this then so we can make local
00:29:56
economy straw as a stronger so we can make local culture much longer
00:30:02
as of but if we as a import everything from the c. d. uh with is a blessing
00:30:11
uh as uh and also side executable automatically as allies papers lotus on so
00:30:18
that was good
00:30:22
and there's a for the design i thought so but we use for this building is that
00:30:28
so projects supposition up so they s. layers here so they as as i suppose just suppose
00:30:36
is it i think it's not so simple transparency the the the
00:30:41
laws transparent element or just supports the by the use of screen technique
00:30:49
the furniture is up is is a part of that super juxtaposition
00:30:55
the designs ever furniture ad for this building
00:30:59
and the next project is i debate museum
00:31:03
as other base in the name of the software so that the name of the material
00:31:08
this is the other way uh_huh
00:31:11
and that is when i visited this small bit issue is
00:31:15
a waste of japan to the ice i saw this bill
00:31:20
and uh yeah i i checked that the big l. of that building
00:31:24
and they just is very different who from the no more user as a
00:31:30
normal sows sows where how we house because
00:31:36
as the this the lenses uh has has has no with the last lecture
00:31:42
those are just solid block so mail from the
00:31:46
soluble and was up only material what it's about
00:31:52
and also also in that village i found this is this whole war
00:31:58
and the usual in japan just for the whole uh is so well the
00:32:03
war as or visit as a solo clouding up this is a japanese system bad
00:32:10
in this bitch mm they they have a bit of a unique tradition
00:32:16
they they they builds every sin by the use
00:32:20
of the adobe thickening the as other technique is there
00:32:24
as a technique as a as a maid buys us they are so the site
00:32:31
and the back end as also in twentieth century they forgot that method they abandoned that metaphor
00:32:38
as i somehow also as a robot costume they can make as that
00:32:43
began as uh the the the uh the the make this this networked
00:32:50
this is either but what we designed for this per project so materiel is a site itself
00:32:58
and uh i that to me is that this is a bit
00:33:01
in a sustainable never worked because no transportation needed for this project
00:33:07
and also the other bay is different from normal public
00:33:10
normal bunny we need energy we should brands or so
00:33:15
so so it but for idle bad technique is a is
00:33:20
is just as a made by that image of natural light
00:33:24
we just uh draw i saw it as a and those of um is is very very simple and very sustainable method
00:33:34
and uh at this is the content of this small news yeah is a trail of sent to these with the buddha
00:33:42
so the and is that then another challenge for this building
00:33:47
is we didn't have the air conditioning system for this bill
00:33:53
the because the other below the content can control humility and the temperature
00:33:59
and this is this will them but dies from the national treasure
00:34:03
of japan and usually normally so we need the perfect air conditioning system
00:34:10
but for this bill and we didn't have a condition because so that the bear the
00:34:15
material itself camp for the climate of the place that is very important this is up
00:34:22
as a matter how of the material
00:34:26
intend this saturday before about that kind of our
00:34:30
as an as a as an example is is uh not is not my billing discipline the
00:34:36
building it poured depend i say imperial part in a a hotel is the design negative industry
00:34:43
and the uh as i she deserved came to
00:34:46
japan and he is the son asks the construction company
00:34:52
to show what a really stones from japan and he pick up this
00:34:57
this month this still so this is a spare a softball clinic stalls
00:35:01
as a as a client this hotel was billy shock to see
00:35:06
to see this still because the client normal client of those that actually have swapped out that
00:35:13
so wanted to use the idea that you this
00:35:17
gorgeous italian mob or something but what fun would light
00:35:22
that is selected for this building is that the kind of soft normal
00:35:28
the try out the stalls uh and people uh was
00:35:31
the every group people as or or was against his idea
00:35:37
but the the bungalow light nobody's and what if it is that kind of guy
00:35:44
and uh and uh and and he said i like his comment
00:35:49
as uh this kind of soft and this as a as it is fitting the japanese
00:35:57
climate japanese them up and the softness and of course this is betty necessary for japanese flag
00:36:04
and she asked if you pass factory understand what is japanese
00:36:08
but it's definitely about and also so that he designed this whatever
00:36:14
uh this this only to try out what this bill in prison look at the vines scratch
00:36:20
she put on that the subject we also thought that is that is the is the those small lines
00:36:30
this is a beautiful shadows by the lines can feet japanese him bone
00:36:37
and also the stones so this falls at the is it
00:36:41
it it it is is creating beautiful shadows on the material
00:36:46
and so he he knows it's of the importance of the shot of your pet
00:36:52
as a priest is uh uh so the members as of an exactly is famous book the
00:36:58
praise of channels as a as a shell these are also the the importance of japanese cultures
00:37:05
and the other also said that is or can the
00:37:07
created can be created by such as a sexual aloof
00:37:12
this is a building that we'd i designed as a bit across from
00:37:17
the quality of that still want worldwide use that slang for imperial though
00:37:22
as i try to create a as a kind of a 'cause of course and
00:37:28
that's the material as another kind of shadow buys a uh by the same material
00:37:36
as a as a but those are our together is a little bit different from fungal quite big oh
00:37:44
so what idea for this phone is owned by mason least
00:37:49
lectures with steepest lectures is the kind of composite structure system
00:37:55
into essentially so the structure system is as a as a capital as clear
00:38:03
complex structure is still structure of missile the structures that this is a composite
00:38:09
if as i we can come by steals a steel plate is
00:38:12
a stones so we can go to the next step i think
00:38:17
this is a how to make this as or as a as a compensates lectures
00:38:23
the strong and the steel plate on steel plate as a
00:38:29
and a heavy as us as a start as a
00:38:33
a calculation this as a system isn't so easy but the we pick up
00:38:40
as a as a collectible still on capitol this spiel within time
00:38:46
and that this is our engineers that is the check by his foot
00:38:52
and uh
00:38:55
and uh this is a whole so we created for this building
00:39:00
as a as a we as i this is a new part of the building
00:39:06
so they adding up natural material the likeness of the natural material
00:39:11
that theme of the project is is a new part of the bill
00:39:19
as the next materials i want to show use a bamboo
00:39:24
the bible is also also have a sabbatical material you yeah
00:39:30
but to use bamboo for architecture is not easy because bamboo the sub
00:39:37
yeah a number has clipped lacks easy by the by
00:39:42
the the the change of temperatures by the change option nudity
00:39:47
as the and the uh the me and the our engineers as a uh
00:39:54
think togethers what is um the the the new videos a problem who
00:40:01
and our solution is to use bamboo or the former are all concrete
00:40:08
that is is that not just as a bomb was not those that means lectures we could
00:40:15
stay here as a still clams and the complete it to the pump
00:40:22
as a it is not easy constructions the diameter of the one with the fifteen centimetres
00:40:29
and the japanese carpenters as that you raise deserve
00:40:34
as of those so uh as as as a note of bamboo
00:40:39
uh the dance after that we can the insert those materials into bomb
00:40:47
for every projects so we're checking them out but that we have
00:40:52
by making goes more caps comparisons size become piazza peach we compare
00:40:58
the colour to buy the use of those real size woke up
00:41:05
this is our first number how's your yeah
00:41:09
and a place for the neighbours to this is that you because japanese houses and
00:41:15
and uh for that house i use bamboo i try to use bamboo
00:41:20
for every part of the building full including for this is second force
00:41:26
and the dancer as uh does that too slowly building the best uh up when force on the
00:41:32
second force other communication is really easy this is partitioned this is a ceiling does is less paper or
00:41:41
and the next second number project is happens in china
00:41:47
those are this is great wall and the this is a bit across to goodwill
00:41:54
and serve as a fast as a challenge for that building is this section
00:42:01
in twenty essentially so people or the as well
00:42:05
always tried to give us something on the flap play
00:42:12
and if as a a and they want and dan that means they kept everything big cuts that that
00:42:18
that they just wasn't that but for this project i want to preserve the than
00:42:23
as possible a scam and and then the bottom of the building is following silence
00:42:30
and there's we can the preserve so positional base station the place
00:42:35
uh_huh and second challenge is of course the material as in china at a as a
00:42:42
bubble is very easy to uh be available and very cheap material and this is good will
00:42:50
and that this is another example and the one who
00:42:55
uh the one that under one do we designed this void
00:43:01
this is a void and the one who
00:43:05
and the disk voices or it is very important for the our design
00:43:11
the boy is the communication space between nature and acted sure
00:43:17
and is in is in japanese culture as a as a even in music void is very important
00:43:25
so between that note and not so we have a point we have the silence
00:43:30
and in japanese when we also have knows the importance of the
00:43:35
void between words and worse we have the silence we have the board
00:43:40
uh this is a good example of the board and this is entrance is another voice
00:43:47
and uh
00:43:50
yeah so you can see is uh the main point
00:43:56
uh this is the main void of the space and
00:43:59
that people other uh using this space for drinking tea
00:44:04
as it in asian culture drinking tea is also very important experience
00:44:11
and in chinese uh all in beijing olympic the nine
00:44:15
as a it's happened two thousand eight the the the
00:44:21
advertising film for them because or a shape as well so you use that
00:44:27
space and then after that it's it's the space become very popular in china
00:44:35
and uh and next mateo is uh finally so good
00:44:41
so i designed this multibillion mill around it that way
00:44:45
as a a is is a temple a project as a i want
00:44:49
to use so good for this template project because good is easy to transport
00:44:55
and easy to build and be easy to uh the like again
00:45:01
the and the and also so i want the
00:45:06
the actually as of follows the traditional our system
00:45:12
up japanese happened
00:45:15
and the this toy is called should only polling
00:45:21
and that should only means us how sense bart
00:45:25
that's how why why is scored cells and brought because small and then end up as a out
00:45:31
as the other creating the big all the big cultivate that is the meaning of sounds and words
00:45:40
and the joint of those bus is very unique
00:45:45
and this we define joins
00:45:48
as a as it can be as of can be fixed like that
00:45:55
and it is easy to fix
00:45:59
and uh uh as uh we have to have a
00:46:03
lot those material from japan because because the cat capping
00:46:11
and the dimension of this but is just three centimetres
00:46:16
and that means here is that the it's the smallest the part is just one thing to me
00:46:26
the us shouldn't there's a could built by themselves
00:46:33
and the result is it any help from the carpenter
00:46:37
and after that the uh we can bring every material back to your yeah
00:46:46
and i have known as a project so my next step is to
00:46:51
create so the other prominent building by the use of the same system
00:46:56
in what okay impressive the level we tested the strong this of this market
00:47:04
and uh well solution is to meet a building
00:47:08
the can be built by the buys by the system
00:47:15
and this is of the final the the these out
00:47:21
and the the dimension of the those with these very small
00:47:24
it's is a six centimetres by fixed six in features sections
00:47:29
and that means the connection over each unique is just two centimetres
00:47:34
and two centimetre section there supporting but that whole ten meters building
00:47:38
these is is a kind of magical japanese is across much you
00:47:45
uh this is a ceiling
00:47:56
the i have that billions annex as a as a out as well
00:48:00
as i want to go to the state by steps as or a development
00:48:05
as i said with the bleach the made by the similar dungeon system
00:48:12
and that this page is very far from poconos and the they
00:48:17
has a have a baby beautiful for us all to see there
00:48:22
and the idea is to uh makes a as a bleach and
00:48:26
the also so we want to use the this space for the museum
00:48:32
as another example and the one who
00:48:42
this is the interior of the 'cause of those the bleach
00:48:47
as i as of the lazy as so often have that move a base set means sweets i saw some
00:48:53
of the villages ways has a beautiful move because we would as a to have the protection by the live
00:49:02
and this is another space in the village and it is a as
00:49:06
a uh we use this space for the uh at this in its hands
00:49:14
and this is uh the here as we have that space for at least in it's and so this is exhibit some space
00:49:22
and uh for this day she used to have it be age
00:49:25
when we also designs a small what that is called mother shapes ha
00:49:31
as a a share their uh we found people small good for the heart made by touch
00:49:41
as that
00:49:43
and so we want to use the same material catch to that because uh as well also we have the
00:49:51
same problem the craftsman as a as a pro as
00:49:56
a sort of patch is a that is a disappearing
00:50:01
as i want to as well give them the
00:50:04
chance to serve as the use the very special technique
00:50:10
and also the fact is very good for a insulation on that as a as a climate and all souls
00:50:19
so we as a you then use the teleport fact well
00:50:24
the goals set you up channel page interviews not
00:50:30
or we this is a bit of a new data
00:50:35
as well as we try to combine traditional but they are these the contemporary that technique
00:50:44
this is an to interior so you can see that the detail of that that
00:50:51
as the this is or as a is a space for
00:50:56
the market vegetable market and uh the to the buys a
00:51:02
by having those space i want to stimulate that either the culture
00:51:07
of the place and it is also very important for the small bitch
00:51:12
intent essentially is uh the people uh other
00:51:16
uh importing digital or from other countries for
00:51:19
example china and america as and there's a a good local level characters are disappearing you yeah
00:51:27
and uh that's sometimes i'm working for a minute
00:51:32
this is a starbucks is the client for this project
00:51:36
the location is very unique info on all the time and who actually lying
00:51:41
is a built nine one nice very little building this is actually
00:51:46
the infomercial and so we have this approach and that this
00:51:50
is that as the same as a little shaken museum as a
00:51:56
the subway um ah the bill as mount them and the shoreline an approach
00:52:02
as i've also shows the japanese as a as a whole
00:52:06
selection that the take me as a for for the american pie
00:52:13
this is not the information if this is just lectures up the bill
00:52:22
and that this is a joint jen system
00:52:25
in the z. c. museum project i i as or
00:52:30
so we have their happen because system ninety the we don't typically but for this project
00:52:36
so i want those are created some dynamic wasn't or
00:52:39
space but the use of this society degrees agent system
00:52:45
and fall sticks the uh as as a meet here
00:52:53
and there's a have this was a special joint here
00:52:56
and uh and that this is is uh not easy
00:53:01
even for japanese carpenters but that they the completed this building
00:53:06
and the total length syllables six or four thousand meters in that small building
00:53:15
is is is is is amazing is or the crap into shape
00:53:32
and so uh i'm going back to talk shows
00:53:35
us or assets or culture to is information centre
00:53:40
and uh and those were against the location is but it was from the traditional building
00:53:47
this is how sludge temple is it's a very unique as a complex
00:53:52
power is the main building and that they get ideas that is the kind of
00:53:58
shopping street and the gate of the show that temple and our site is here
00:54:05
and so what i pay for that products is as the to make that powers
00:54:12
so the and the but the the element of the power
00:54:18
us is this small with the houses and seven with the houses
00:54:25
as us stacking to create forty meters towels that these are my idea because
00:54:32
the e. if so we can have that kind of section
00:54:36
for each space so people can feel i'm sitting on the ground
00:54:42
i'm actions it without 'cause of that sense of the boundaries believe what unfortunate
00:54:48
and also zap does aloof the section it helps a lot to keep that sense
00:54:56
and uh another with one for the love session is to maximise the height
00:55:02
and utilise those space home as the machines
00:55:07
and as a as another disadvantage of this
00:55:10
who section is controlling natural light by those whoops
00:55:17
and actually yeah we designs a small theatre as a by the use of those social
00:55:25
here is just just the theatres and here is that as a cafe on top of the building
00:55:35
and the door space between the floor and the live is a
00:55:40
is a use for as as the space of machines make an echo
00:55:49
this is a small to it
00:55:53
and this is the top floors of the building
00:55:56
as the as the again the priest look at the move the
00:55:59
move the can get this as a special the sense of of the
00:56:05
uh as as humans humans yeah but and a sense
00:56:10
of shelters are given by this is a little section
00:56:17
the design your powers it put this towering too but i don't like that design
00:56:24
because this is a typical it as a design for industrial era that just as us the steel
00:56:30
hours as a as a this isn't is not that tall buildings it just would be meters building
00:56:36
but as the uh the as we can make the contrast between steel towers and wouldn't tell
00:56:43
and the next x. is a is a c. d. holder one the night august city
00:56:51
is uh that l. s. c. d. and that all the station
00:56:53
is a bit train two hours is the distance from tokyo was also
00:56:57
it's a typical or the me the as a midsize studios or yeah
00:57:03
and does that to me is just send out the cities so so
00:57:08
is facing as a as a some kind of uh uh the other classes
00:57:14
just as of the shops uh not active even in the main street
00:57:20
as i many as a important building the escape from the city centres
00:57:28
and uh this is a kind of inner city program
00:57:32
as i may have the city the did a big decision
00:57:37
you want me to bring back the c. d. holder to the city centre
00:57:43
and they actually believe it as uh the buys i use as a if as uh we can as the
00:57:52
the design the due to public space the city centre is it can be activated again that is his
00:57:59
idea and i'd yeah i like that idea very
00:58:02
much and i propose the him this is a plough
00:58:09
this is a plans uh this is that almost space i suggested for him
00:58:15
and the b. combines some multiple functions that to activate the people's lives
00:58:23
and this is the last place
00:58:26
and the dome ah as a as a is a as a space for the traditional farm as housing to play
00:58:35
as always why i thought spaces said he's been equals to the r. s. and people
00:58:42
can feel the r. s. how people can do anything in that space and that the the
00:58:49
uh this is a kitchen and the people are eating here's a
00:58:53
paper drinking here as is a main public space in the house
00:58:59
and that i had as a user sam the vocabulary for this space
00:59:06
there's a material or but as a as a is our us up the place
00:59:12
the but any of the for the exterior and then this
00:59:16
is the kind of imperious it came from this is a city
00:59:21
as a little we as a set for this project is most of the material
00:59:28
should it come to myself fifteen kilometres from the side
00:59:33
and then that those rude as it came from the fifteen kilometre distance from the place
00:59:39
and i like the those cheap material is is of is now out the
00:59:43
whiskey and the and the the the and um so i like that and collector
00:59:50
even those materials are cut so clean it isn't it is and the net and the natural i think
00:59:57
and that this is the main too much space and that this is a city
01:00:01
of all this is a public building but almost every day's a people are gathering
01:00:06
to that space the keys are coming to that space to the thinner and and and they people are coming to that
01:00:14
space the the the eat something and the chats is uh
01:00:19
friends and this is very different from the normal public building
01:00:24
it is another good example though and the one who
01:00:28
the louvre is controlling natural right and that is very important
01:00:33
and we also designed all small shops those molecules what this space
01:00:39
this is that as a video of that too
01:00:43
affordable big panels with as a not to uh as automatically control or
01:00:51
this is a big doors which connect dumas nadine
01:00:56
and this is spaceport and peel a non profit organisation a two lane
01:01:02
non profit organisation to the public building is very helpful to actually basis it
01:01:11
and this is uh as assembly hall for the provision
01:01:16
it is facing the or the dumbest raise this baby transparent
01:01:22
the um the transparencies believe whatever provisions and yeah we designed or or
01:01:32
and uh so this is that across some other
01:01:37
also produce the last papers by c. for us
01:01:43
as if he left rice paper it is no to make its whiter
01:01:51
and this is the rice papers he produced very white and this is a combination of hers a vise grip
01:02:02
uh the the redesign those funny terms made by paper respite
01:02:14
and that this is our designs he's a farmhouse the producing this beautiful public
01:02:21
this is a beautiful probably he produce
01:02:25
and this is our us
01:02:28
as a these as public is that as a can gives us openness to the place
01:02:35
it is very different from the normal user as a as a a product design opened essentially
01:02:44
and that this was a upload i'll watch as a this increases uh is
01:02:50
has been adapted to the different context with some context so bizarre some project
01:02:57
across from reverse and avoid again the louvre gains and automatically okay
01:03:05
that this is a so so void which connect city and weaver
01:03:13
i fact and nature as a as a collection of avoid
01:03:21
this is a void
01:03:25
this is the interfaces it as aloof the can give that the
01:03:29
some as a as a integration between the building and that's it
01:03:40
as a flight mouse it is a second front french
01:03:43
project last so we found a special material from the place
01:03:50
the and and as a void so we created for this project
01:03:59
the boy this is the it as a i found the people yeah
01:04:03
they want to have the void the which connect and parliamentary and the building
01:04:09
so yes as a building has no void the the no relation happened no integrations happened
01:04:19
i was uh the next projects is a a first project is pain is that is all the house in ghana
01:04:26
so we got the hint from the from this fruits you know
01:04:30
was up grandmother name as it came from this fruits from granite
01:04:35
as those facts and he's been interesting and also the the the
01:04:39
the relationship between small part to answer people is also bailey as interesting
01:04:46
the and then as a hint the from grandmother is this uh at humber pies
01:04:53
as a special uh sir x. seven now uh the geometry
01:04:59
and there's a small small particle and a big hole
01:05:06
this is a tough loose we designed for that city
01:05:10
this thought so they are waking did we got the hint from just the fruits
01:05:16
and the hicks have also watches but they have the the strong to support the building and also is very helpful
01:05:23
and uh the to the uh as the creates a few mascara for this big pools yeah
01:05:32
i think the idea as also people can see that's lectures of the building
01:05:39
as the next project is a is a because they are now
01:05:44
but museum in scotland is that is that she and is this
01:05:51
it's it's or is into as they serve a conversation between natures and as the water and land
01:06:02
the site is here
01:06:05
so again is avoid the small particles gives us as a human scale to the big building
01:06:25
and the the disguise tools bigger project as the
01:06:29
time betty matching just listed in doing small project the
01:06:37
the ceramic out is uh was hers as the
01:06:41
last the allies project in italy in major media
01:06:45
this is a project
01:06:48
matt can yell is so i make kyle
01:06:52
and the the sonic chi is also is supporting the bill
01:06:57
it's just lecture exhibit a as a different from normal were intent essentially
01:07:03
the concrete structures were clouded by ceramic tile
01:07:08
and it's only passable was as a kind of cosmetics on that selects structure but in that project
01:07:18
the ceramic pal itself is is just lecturers of the building
01:07:24
the is another analysis of this lecture engineers
01:07:28
and uh this is that it yeah
01:07:30
the baby anything standards by this is the particle and the ceramic tile
01:07:37
is uh what is on paul adam and so we need those two line
01:07:44
and we want to create life nice by the use of natural uh material
01:07:52
that i think is big as a similar to about the the classes that is that
01:07:57
is that having that particles the can create a before and as a sit as a
01:08:04
uppermost bureaus by the use of a simple if a petition of the material
01:08:11
and the next project i think that a is that i'm bitter that project
01:08:17
uh if you can understand japanese you can understand my joe
01:08:22
as a a the profit name of the project is a class of the total is a is a
01:08:28
half ass i mean is uh how house in italian but in japanese the meaning of the cassette umbrella
01:08:36
where i had the cassette that uh that the people
01:08:40
i immediately thought ah i should use umbrella for the sport
01:08:47
and uh uh as of the fifth an ample
01:08:50
that the jam is a clear eight this small company
01:08:57
as a disaster happened if it's an m. happen if we if
01:09:02
we should we should escape but uh the blinking is a good example
01:09:08
and uh this is a very special and uh the thing that this the triangular pieces is the secret is it but
01:09:16
and if the fifty and samba yeah they're together uh can can together
01:09:23
the we decide to make the probably
01:09:28
this is the the completion but as a probably
01:09:33
this is interior
01:09:36
and that's that's really this is very unique
01:09:39
as the yeah probably knows but me stuff allows flat
01:09:42
on the floor domes of he use the flames lecture
01:09:48
but in this project so we one buys a the
01:09:52
come compression of still aflame and as the tension a member
01:09:58
and it's uh you know the sensibilities lectures this is the kind of
01:10:02
physically structures and they have so we can minimise this this lecture like that
01:10:08
a bigger than normal unless that can support this supply video
01:10:15
and this is a sick with the try and do a piece
01:10:21
and our service our fifties shouldn't the can build that by
01:10:27
the um by themself and biggest in high here as well
01:10:32
after drinking
01:10:41
uh the is is there a another experimenters small project invoke either as an also to yeah
01:10:48
and then also visit yeah so that the s. and make mine only the the court i know
01:10:55
the well we're building that kind of house material is that the use of bamboo
01:11:03
this is a system of the that house even in some are they work sheeting the clown
01:11:12
and those actually doing the go on these even been important for the climate of this house
01:11:18
as uh this is our as a experimental how's the material i use as it
01:11:23
is but a soft might be its main going to put all the h. m. m.
01:11:29
without any situation
01:11:31
is a double scrambling and here between is as is working as a insulation of
01:11:37
the of the of the house and the and also so we're hitting though that
01:11:44
by this is er it by this chimney
01:11:49
and that's uh because of that so is this
01:11:52
the double membranes watchers so we can get natural light
01:11:57
and uh this is a heating system on land
01:12:02
this is interior
01:12:04
this is night time you know
01:12:07
it in in in the winter this have any as
01:12:11
a normal insulation so we can as us the night here
01:12:21
and sir and next projects is the is the will probably project
01:12:27
so she is is just put a pen we're still pack the usual it was used for construction
01:12:36
as as a first prototype is similar to a little bit block
01:12:42
as a as the uniqueness of this system is controlling weight of unit by the use of water
01:12:50
as of those c. d.'s as as early as the c. d. is
01:12:54
the lines are has what they're inside and the upper side has no water
01:13:02
as a second part jones so we design full manual has this section
01:13:10
and that was before this section is the week down
01:13:15
so hard to bought this for each age the ball
01:13:21
as of authors is flowing
01:13:25
and that to me is so we can control the temperatures of the
01:13:30
wall and force and saving the by the use of you you did water
01:13:37
and into essentially them so we have this lectures we have surface we have so
01:13:45
uh as a mechanic well as a but in this
01:13:47
bill in the those silly is the system other integrate it
01:13:53
and the the the thought say self is the can control temperature
01:13:59
and this letter itself as the uh it is uh finish the building
01:14:06
and he'd collector is outside and four quarters
01:14:09
created here as it is circulating in the building
01:14:14
and the as i games our students are working together
01:14:20
and the this is a selection objective
01:14:25
as every nature the connected like that
01:14:37
and the this is in theory this is a bit it's relatively small uh this is or the kitchen
01:14:48
and uh and the the uniqueness of this project is only a bank in
01:14:53
it can make everything is is very different from the twenty centuries production system
01:15:00
the intent essentially is it is getting as a bit is
01:15:03
bad but in for for the body so for human body
01:15:09
the the system is no so complicated one single as
01:15:14
as as as a sell the cam the can become anything
01:15:20
as uh the model of this house is the body of life
01:15:27
the only exception is that the guy i mean
01:15:30
the the time to as a producing electrics the city here
01:15:38
and so the last project of course this is or if you have a project
01:15:43
as uh so we're here as a as a we're designing one we can move with some void
01:15:53
as the so is that i want to show also
01:15:58
um of the importance of the loop the because the live
01:16:03
as or or can the as of fixes the building on the arse
01:16:10
as aloof as i can create connection between lounge on the building
01:16:20
and that this is a void between supported
01:16:24
and uh also that we're thinking about the news lectures system as a that
01:16:29
is a kind of come but it's lectures system was built in the middle
01:16:40
that this is a gestures the of of the age of the the
01:16:46
which create the another as uh the the conversation between ground and the bill
01:16:53
and the uh as we uh waiting for the completion
01:16:58
and it's uh i've as of full of those upright bass
01:17:03
i want to shows up the big potential of traditional book about
01:17:09
and that i am not as a as a as a as a as
01:17:14
a introduction say is i'm is uh did not as the guns also conservative
01:17:21
the i. l. s. and try to find the post a shell of the natural material
01:17:28
buys a combination of contemporary condom political which
01:17:32
as it always i'd want to the pick up something from the place
01:17:38
and there's a trace is that is very very strong i believe
01:17:43
so i i assure us sometimes is also strong enough in front
01:17:48
of nature but it's place is very strong i thank you very much
01:18:13
which is complete in precise lecture but we can take some time for questions
01:18:24
who slept with no yeah no uh_huh uh_huh
01:18:31
oh that's nice because going costume
01:18:41
but maybe maybe i just however we start with one question i have if you started your
01:18:47
conference but talking about the to me if i and you said
01:18:51
in in the abstract of the lecture you you said that uh
01:18:54
this whereas her from a moment later there's this
01:18:59
change your proxies it at this moment that james or parties or your future to feed
01:19:04
these more only then piece that tsunami yeah listen i'm disaster they zero to as a
01:19:11
as a as an i i and i and i was
01:19:16
changing the the before tonight so the is it be as a
01:19:22
and three years of of of war might he is what
01:19:25
my experience is uh the process of public more major yeah
01:19:30
the ninety is anti one as a as a before nineteen ninety one the japanese economy
01:19:36
was very good it is getting a happen
01:19:39
happens about ninety ninety ones we experience personal problem
01:19:44
and this had really is the the most of the products stopped
01:19:49
and the last decade next next next week is need ninety nine is so
01:19:55
as a i had no protection talk canyons nobody think of
01:20:01
and the the as um i travel a lot the countryside
01:20:05
of a yeah as i found the the powerball up so
01:20:12
so each day each village places i i found so beautiful come
01:20:16
up you know so i found the as always someone will come across
01:20:22
as a that they have as the they could be produced beautiful is or the
01:20:28
papers you through roots and that that the the are disappearing and the there's a
01:20:36
i uh so in that the kid as a uh i only as
01:20:40
a good design small as a small boy if that i've as a found
01:20:44
the bit is a big potential or corporate local local materials okay person
01:20:51
as the as it's not me as that bush might push me more but it
01:20:57
is it is the l. but the beginning of the of that is that the the
01:21:02
the finding is that is that it from nineteen ninety one the economy has
01:21:07
is gonna customer is very important for active duty necessary for action yeah that's true
01:21:17
there isn't it
01:21:22
thank you very much for the beauty for talk and do you plan to use local materials are
01:21:27
local craftsmen shape for that part which is going to be guilty or if there's some courses or
01:21:34
as the the bird is one important material for that and the
01:21:38
other and also live designs uh i i was inspired by is uh
01:21:43
uh the so the still move here i had the those on
01:21:48
them roseanne as there is came from the sun in the store
01:21:54
oh yeah uh_huh
01:22:00
no no and other and the other the as as as as the material for the movies be important for the the
01:22:09
as a as a as a weekend is that is that get a sense of how to go from the the loo
01:22:16
the impression that will be it is can be pretty soft bit room that
01:22:21
is age and it's a kind of answer ah as a as a as a
01:22:30
this thing of the like the life is uh my friends also feel as
01:22:35
a feel so far as as a as a whole was thinking of was talking
01:22:41
as up hot the chant he is the sense of place for life
01:22:47
is it me or so so be loses the sensor part of reviews the sense of place
01:22:55
and there's a the details that will for the e. p. f. l. buildings are probably can give us a sense of place
01:23:02
yeah think about this institution comes more from the mounting from there
01:23:08
so it's a bit more than fifty kilometres but it's yeah uh_huh
01:23:18
yeah there is the question of their um yeah yeah tutorial interests you know uh_huh
01:23:45
and ah i think
01:23:50
um
01:23:52
for the companies um i noticed today i must've been eighteen year a car and
01:23:58
a character that automatically you do turn so i study under my father the product design
01:24:05
so i'm usually we get nine for their
01:24:09
like are the highest powering bitch open like that
01:24:13
yeah but they're um maybe i'm not pictures some panties or to choose
01:24:21
for the final chair for example chair or something for
01:24:24
your ah picture in space so um um how how to
01:24:33
i mean how do a choose for a good example cheer for you are ah space
01:24:42
i need to
01:24:44
and ah okay and i keep from project even maybe i try to define exactly right
01:24:52
so now i'm technically defined to be there for their construction
01:24:57
for example it just starts here a nice underscores the
01:25:01
or something at what any that transparent stare at these uh
01:25:05
wrote the but the but the big using you hear a ah picture space i think that the that would that be
01:25:13
so i was ready to try to the uh uh um like construction
01:25:20
ah for the construction find their missile if you if you
01:25:25
use should uh if you ah cup holder final chapel you are
01:25:30
ah space how to pick out what might be very thin to pick up for the points are yeah
01:25:37
the fire fighter designed very important for our products and uh uh_huh
01:25:43
as a if possible so i want to design the font of for each project so because
01:25:50
as a fighter is is the interface between the the body has a space
01:25:58
and uh at the historically that the history of japanese find your designs are very interesting
01:26:04
because in china as they are using find channel morphology you're sitting factor
01:26:10
cheer but the chip yeah so we have being minimising so panicked or
01:26:17
so so and then the finally we only have a trap any and the some match
01:26:24
as a as a reserve uh_huh as a as a consequently is are
01:26:29
we uh the minimising the them the body more pointers it was so
01:26:35
the ability to want to touch the space that's the forward and uh as that acts as possible
01:26:43
as the as well but there's a a and ah was the intended for essentially is the
01:26:50
as our bodies are needs some fine is that though that's as a
01:26:56
as a we need is a new kind of it as a relationship between
01:27:00
the space on the our new board says that and uh as a
01:27:05
as a i was this is the doing this this study for finding to
01:27:11
but that it on the way uh huh
01:27:15
thank you
01:27:17
yeah one question
01:27:24
uh_huh
01:27:30
i think your presentation um in a world where construction really
01:27:36
matters about the cost of materials how hard is it to convince
01:27:41
say a layer to use alternative materials that just would in rice paper mm
01:27:48
it's a good very good question as um as well for any projects as a
01:27:55
the courses is really big and very critical or design uh but the
01:28:04
uh uh most of the projects the uh the i use the or is that
01:28:13
not inexpensive local might be for example would the local wood is not so expensive
01:28:20
in every praise because it is a local and uh and
01:28:26
the it the it is abusing the as a expensive model or expensive
01:28:32
stalls so we're set just things that you use a local might be
01:28:37
and uh and bass that the difference of the cost is but a small it emitted
01:28:44
and uh you supposed is not so different so we can possibly me
01:28:50
because too well there's local people to work as a as a
01:28:54
local company as a as a makes a project is the um the
01:29:02
does it make the word is stronger than the norm up with strong means that some connection is a community
01:29:10
if so we can't because it creates a good evaluation should be the community
01:29:14
the the building as it can be stronger people this is that the deviations from this last
01:29:25
okay
01:29:27
thank you
01:29:37
mm that's all it's it's not thank you are yeah or yeah adjusting and some projects
01:29:46
or how tried to recreate our embrace uh_huh
01:29:51
the major this is the space or sixteen these things now sign tried somehow
01:29:59
its characteristics sign outside our doors it's right right
01:30:05
yeah it's yeah it's right now it's it's yeah
01:30:11
yeah that's right yeah project orientals rule right
01:30:17
oh wow that's right that's right now it's price your project also it's
01:30:26
uh it's really likes yeah mine are and you know our style is protected
01:30:36
mm somehow stamped mm id see this
01:30:41
bill yeah yeah exactly yeah projects or
01:30:46
that's getting yeah it's how thread think it's yeah
01:30:52
that's fine yeah i doubt that as a as a fusion of exterior to the
01:31:00
interior mm ah is is is is very
01:31:06
necessary for human body i think there are
01:31:10
as the uh the if i want to explain as i
01:31:15
want to use those uh as as i say above impression of
01:31:18
that this bill you pay a lot of the bases of accent
01:31:20
to billy the for this in the for for us is important
01:31:26
of the as of allow for the full was as a as a
01:31:32
is as a melting experiencing carry the marching exterior and interior
01:31:39
but it's awful i'll building as a as a full whether the move
01:31:44
the special itself is a is a helps to as a as a as a march is experiencing k.
01:31:53
and uh uh the the the many possibilities
01:31:57
many method how to combine c. d. and d.
01:32:01
uh the and ah mm thing for those
01:32:05
another advantage of the new is the live
01:32:08
is a can of that could be eight as a as a shadow between syria need eh
01:32:16
and the shop and she is very important as of for human body
01:32:21
but intent essentially as the the more as a as a problem when is building
01:32:27
is the there the the the the the uh lose the shot beauty of shadow
01:32:35
those are and there's a there's a i'm all as as a cafe design the shadow
01:32:43
between exterior and uh and also the height of the this is basically it was a
01:32:49
a as a as a high age of the age of that too is too high
01:32:55
as a as a we lose the this as a sense of us as a
01:33:02
sense of without the ground and the lou if than than lovers too
01:33:07
much separated as a ish reviews a sense of shame for the baby
01:33:15
q. maybe one last question yeah
01:33:23
and thank you very much it's been very interesting and so well i guess what
01:33:28
i'm interested in knowing about is so your things you're an showing this and very
01:33:35
don't get censored sensitivity toward and the traditional
01:33:39
japanese construction traditions that have japanese spaces operate
01:33:45
but you also said many times that these these uh and attach
01:33:50
the carpentry the rice paper these are things that are being asked
01:33:54
so how do you see and i mean you're but you're only one architect so how do you see
01:34:02
and these traditions iain there it like it
01:34:07
is architecture not for what else needs to happen
01:34:09
mm yeah as a because the forget yeah is the
01:34:14
it's no also craftsmanship are disappearing but as
01:34:18
a cent time as as it's still still surviving
01:34:24
not the not hundred percent of course but still surviving is
01:34:28
but in in as well but through the experience in china
01:34:33
so before i went to china as a i expected so many good transmitters
01:34:38
or somebody but actually so this is the situation are very different in china
01:34:46
the ages may be difficult to find good craftsman in china
01:34:50
so for mm also some as a as a product design so
01:34:56
we can find you we can find in china but for
01:34:59
building constructions as a as a channels that they become fine
01:35:05
and uh uh as uh and as a i began to think that eve so i can was there
01:35:13
well wait was japanese pressman sir so was a small approach small small projects as a
01:35:20
is that day is uh can get that is a big motivation to continue to work
01:35:25
but if not the data lose immigration these are the motivations billy necessarily important for them
01:35:34
and uh and or other i've also always is that the the do the research
01:35:42
as the i. s. sometimes i'm working with a a as a
01:35:48
as a as an not well not so famous claps fast cars on their
01:35:55
okay the visit me is that they can find their for their job there
01:36:00
but then not famous question um as a as a
01:36:05
this but that not famous but still get it painted graph experienced pressman
01:36:11
is worth to work with this is is a of or source rabbit
Conference Program
Vernissage de l'exposition Las Vegas Studio
Sept. 21, 2011 · 6:09 p.m.
Quand l'architecture et le cinéma transforment les territoires délaissés
Sept. 22, 2011 · 6:36 p.m.
PechaKucha 'Lumière
Sept. 24, 2011 · 8:22 p.m.
Las Vegas, Film, and the Mobilized Gaze
Oct. 19, 2011 · 6:33 p.m.
Metaphors We Live In
Oct. 26, 2011 · 6:33 p.m.
Craftsmanship
Nov. 8, 2011 · 6:34 p.m.
L'épaisseur des lignes
Nov. 9, 2011 · 6:32 p.m.
La controverse Learning from Las Vegas
Nov. 16, 2011 · 6:46 p.m.
Dans le paysage urbain
Nov. 22, 2011 · 6:38 p.m.
An Aggregate Body
Nov. 23, 2011 · 6:46 p.m.
Curating Postmodernism
Nov. 30, 2011 · 6:41 p.m.
Pièces à conviction – Une périphérie prend forme
Feb. 22, 2012 · 6:05 p.m.
Pechakucha 20x20
Feb. 23, 2012 · 7:03 p.m.
Espace, Lumière, Structure. 7 Concepts
Feb. 28, 2012 · 6:32 p.m.
Suburbia does not exist. Strategies for dense city growth
March 14, 2012 · 6:38 p.m.
CONSTRUCTIVE REACTIONS. The Architecture of Kurtogpi
March 27, 2012 · 6:32 p.m.
Les coulisses de Malley
March 28, 2012 · 6:38 p.m.
Débat critique - Projets de première année
April 3, 2012 · 5:15 p.m.
Ensamble studio
April 16, 2012 · 6:36 p.m.
Le travail d'ingénieur et le projet de modernité
April 18, 2012 · 6:35 p.m.
RUR: PROJECTS
April 24, 2012 · 6:20 p.m.
Conférence du cycle 'Pièces à conviction
May 8, 2012 · 6:34 p.m.
255 views
Paysages intérieurs
May 15, 2012 · 6:35 p.m.
Yona Friedman, Genesis of a vision
Sept. 19, 2012 · 6:13 p.m.
Working in Mumbai
Oct. 4, 2012 · 6:40 p.m.
Yona Friedman and the Gost of Utopia
Oct. 10, 2012 · 6:13 p.m.
Global Holcim Awards 2012 Gold
Oct. 12, 2012 · 6:06 p.m.
Just what is it that makes Friedman so appealing ? hier et aujourd'hui
Oct. 17, 2012 · 6:07 p.m.
Pour une histoire culturelle de la construction
Nov. 12, 2012 · 6:35 p.m.
Partage d'expérience
Nov. 21, 2012 · 2:17 p.m.
Hall Of Mirrors
Feb. 20, 2013 · 6:09 p.m.
Happy Street
March 13, 2013 · 6:29 p.m.
Pier Luigi Nervi : l'architecture comme défi
April 17, 2013 · 6:09 p.m.
Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images: Part 1
April 24, 2013 · 6:34 p.m.
109 views
Pier-Luigi Nervi, entre ingénierie et architecture, chantier et images : Part 2
April 24, 2013 · 7:22 p.m.
Présentation de Riccardo Morandi
May 1, 2013 · 6:30 p.m.
Présentation des conférenciers, MM. Aurelio Muttoni & Mario Alberto Chiorino
May 8, 2013 · 6:31 p.m.
Présentation de Robert Maillart
May 8, 2013 · 6:33 p.m.
128 views
