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New building glass envelope with Light, Color and Images
Ion Luh, Consullux Lighting Consultants/CEL, Canada
Tuesday, Oct. 29, 2019 · 2:49 p.m. · 19m 10s
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00:00:00
yeah thank you
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hello everyone get afternoon ah change to a completely different subject
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ah first of all my name's young low
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um another architect not engineer on the lighting designer
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and um my heart attack um who i work
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with as a team that collaborative on this project
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could not make it she's receiving a on a
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fellowship test so that's far more important uh or courier
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so today i'm going to present you a case study focus some
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um like in design for doubles keen um for us all liking
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so on the case study as for a museum
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uh in each are museum i'm located in downtown toronto
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the university um it's a city you're in your own
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home thank their campus is completely open to the street
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to the tourist um to be um traffic so so there is
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no border interest no boundary art and music and they're they're building
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it's for the uh school of image or as well
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as for the entire city does that your graphic location
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of thought the museum um is a renovation
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project if you've photo clots for um the campus
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the um building itself um is existing it
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was bill and um to early i'm eighteen
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the nineteenth century as it completely windowless i'm very pronto
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yellow brick warehouse it was a priori before um and it wasn't
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designed for classrooms or office or anything about it can't panic purpose
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um in the ear tiny sturgeon on to
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school in each or um receive of huge donation
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for black star collections on those or black and white for for
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the graph um um a lot of ah very oh and a precious
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for the whole so how to house those
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collections um they universally disliked expand that facility
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and at a gallery and so these are the
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few photos that shows the uh the existing building conditions
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um it's very probably so it's very unfriendly um a few option
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has been discussed um including demolished in part building and we go
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um at the time of thought that design this is
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downtown i'm very of robots the heavy traffic heavy this yeah
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so did modesty building is not sustainable environmentally so
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at the end um and the project team proposed to clad in the building
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um and this is inspired by the fact that
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the art of photograph it's all about like an
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um yep overtime lane can be harmful to other
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photographs and how to solve that the landmark become
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at the centre of our study at for the feasibility
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if as well as for um creating a file icon building
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for the street out for the university campus as well as for the c. d. so um
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following the on campus master plan study um which
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in the first these are itself is very proud of phone making contribution to be a downtown landscapes
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um so they or if you kind of noise we need to follow in terms of our design in the building
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which including um protecting dour were
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collections um including a critique are conic
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image for the for the for the uh museum in front of school itself
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i'm looking to um this research into a few icon in eugene um
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that hot that's use as a or institution as well as um academic purpose
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i'm looking to the future possibility of uh how to make the building transparent
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yeah the um the like doesn't create i'm not home for source on to
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damage the artwork i'm looking to the uh the floor plan in terms of ah
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what is so i can be preserved yeah and um what for signing up great and um
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you to waste from a traffic standpoint from urban planning same twenty
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the but my um test target here we present in the um
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the final scheme that oh where did double scheme colossus thought will take place
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the early visions of thought building is um translucent um to allow the life
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sign out um so that uh that in targeting glow at the beacon um
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we're um the classrooms or study space with the house um
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those are the space will be um opened up to the campus
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as much as possible as a way to bring in the activity from
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from the uh from the campus in and allow the interaction
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bikini on about the about the building and out the campus
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so uh some study has been down by looking into the materials
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oh trust lose and i'm afraid to class on acrylic
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all the copper and that these are the few example um presence with our lighting in fact
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let's go back to the yet often bored and study um the lighting effect for some more
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um and establish some of of the lighting design
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criteria obviously this is um the light need be
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um compact in size so that it can be in tech grow into the about the first saw system
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um the fixture need be brought good and durable enough to sustain the cold weather conditions
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um the fixture it need to be slain and compact in size he needs to be um
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easy to maintain easy to install and above all
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um the like in need to be control so that is a good you could it is still be controllable
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looking to the options of thought the light fixture um complex ice
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um the light up take design need to be um
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a asymmetrical um to work without the very minimum space
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oh working closely the entire project teen look into the possibility of far
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clad in existing part building a with installations that um and yet oh
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create this year gap to house the light fixture and about the
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light uh to travel back to be um opted to this keen
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so this is um in other options that will look into
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which uh save some space on different from the first option um i'll
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like yes and then she any require space to travel so this
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four hundred millimetre created demand market because um that you
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can first thought become uh why did they need it
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so we're looking to the direct view which is a lot like macho pitch x. allies um
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located behind the colossus ah and that a lot of light project
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interact onto the about the u. v. over to the side line
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i'm looking to we're looking to a few pros and cons um and
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lies the difference the caught from the cost from um the maintenance standpoint
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um later we decided that the yelling and fixture on works
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it more economical as well as well from the like performance standpoint
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by using the near fixture we're making each class cannot um
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a light pixel um for colourful light yeah i'm i'm
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at the end of the day uh we would like to control the like so that
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doubt about that part building poetic beacon so this or the few study that shows where
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and how the fixtures should be position uh in terms of uh uh in relationship to the top of skin facade
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with the fish should do it down and up together so this life
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filled up the air gap or economical solution would be um the fixtures closer
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to this you can see in in just one fixer upper
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pixel which is to uh uh roughly
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a hundred millimetre by twenty four hundred millimetre
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another a study by looking into a compact size fixer
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oh that's fully adjustable with that can be rotate up or down
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um so that i'm disputing skin us which serve as the reflector
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doesn't reach out it was or hotspot this one week in short that
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the antarctic so which uniform and completely even from top to the bottom
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um another study um to find out how this fixture
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can be accommodated by this building and looked i'll which we work with
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eventually you will work with three hundred millimetre which is very very tight
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in order to spectral like oh not evenly um we'll look into the uh
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the um how to minimise the um number materials clad in the existing brick wall
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um obviously the existing brick wall full of texture for the colour
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uh inconsistent caller over that a long period of time
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and uh the inconsistency in the rough texture doesn't work
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friendly with white um it's not a good reflecting materials
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so we'll look into a clean yeah i'm
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i'm furnished he break surface with new installations
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with us some proof waterproof material with substrate ah fastened into the operators
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um words on though and vertical structure support
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and then the class fasten on to the substructure
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and the last layer of material going to complete that i feel the need
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for so i guess i'm light fixture so this is in preparation of uh oh
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oh don't mock up prior to the construction at this stage um the
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the in the first few wasn't convinced that because the nature this is the museum
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this is it that coach we stick to she is not a commercial bulletin board
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it's not a times square travel like in that what they want to look into so basis to use
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what like the only and nothing but white white they're very straight on that a requirement
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so we look into the positions and possibility of file what like
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'cause what lies less forgiving when it comes to compare what like what colour like
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colour like can be distracting so we even if there
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is a very minor note up or relations or shallow
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the colour like can cover it's like what we see is here in this room
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but if all of this colour laser white why then it highlights all of imperfection
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all the t. v. o. showing of of the material is going
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to get highlighted um all the crickets surface is gonna get highlight it
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so um with the white why uh that right away put the entire
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design keen on a lower that we need to include the the increase this or
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make the fridge patton word to trends trends loosens you pick last word more opaque
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um and how to study this is the upwards on the
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b. u. on him in preparation for other prick construction markup
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look into the corner conditions um where the fixture and the glass substrate you'd be
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can't believe are out um how to accommodate that the light fixture need to be on
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kendall beaver out as well to accommodate up at the corner condition and make sure there is no
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chaparral um t. and car looking need to be glow from end to end included the corner condition
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so i'm back to drafting board um and not the computer rendering to make sure that um
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the clone the conditions been cats um at the roof conditions been cats
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and um the starting point the endpoint of thought that lasts for size being looked after
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and i'll then when it to be a a prototype mock up oh two materials has been looking
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into with the class as well as one for white lie and the other one for colour light
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i'll prob gathering at um a task um before on it goes dark yeah i'm i'm
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so instantly um soon as we turn the light on with
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white lie and the colour lie side by side it was almost
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you could hear the crowd with a wraps like x. celeste that colour like turn on
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no but you look into white lie anymore and that including the school principal including the museum directors
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so that um to seeing is believing it's um in this case is is this
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is a perfect example these are the few of 'em class samples that will look into
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the light is looking at this location um the
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intensity the collar the wattage of the lights are
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exactly the same location and this is a starting
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as a review of thought the various that opaque this
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another close up view of a different pattern another the
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close up look into the um just by the connector
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and a closeup view of uh well a light
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fixture locations with um the class cannot opens up
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i'm just display their connector the light fixture located at the bottom
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a few takes away from all the construction mock ups um one eyed and that was on
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take note was taking in terms of thought the idea of using each glass panel it's uh like pixel
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um has been review and up with the position of uh fixtures
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here and here um and stare out through the entire fuss ah
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inevitably they will be like leading in between each pixel so
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how to prevent that was another lesson learned from the market
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so back to drafting bore um do another rendering
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um to receive a final approval from the university
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um the collective fixture position is doing fine tuning the class um
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about the gap between the class and mixes in first thought has been white i'm not
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another chronic condition to make sure that uh uh the light has been covered the entire first ah
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few mock up review um of what follows that shows that fixed it
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can deliver oh at the corner this or light fixtures shane up worked
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it's sending the light leakage and um the bleeding between the colour pick so the class pixel
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this or if you construction photos that shows the substrate
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before the class course install the light fixtures located at this positions
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when the class install the even there's it's not quite clear as you can see get greedy and
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fate almost to serve for the glass panel and then shout or kirk
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this are few diagram that shows the the digital control arm
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d. n. x. controller um with fixture connected together
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in the broader view of all the construction document where the fixture needy connect
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it in the junction box thing control would need to be happening with um
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in in someone's in in a diverse group um
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in other um inspections that for is the um
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well there goes and to the facts here well that goes into the where connections so um it was a
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lot of 'em back and for to make sure that the um the design intent was about to leave or
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this are the few on constructions shot during a time during my time
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a close review of thought each fixture can each glass candle can be control separately
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it into your view of of the fixture locations
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the complete um the completion that was made in our winter time you know i'm i'm
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one of of the snowstorm um that a rounder s. received
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yeah i'm a waste standing in the middle for the snow
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and program the light on this is the building without the light
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is the building without the light l. program and stay on
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with a huge well plastic soul program independently to create different colour
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so this installation oh i believe it come for that uh
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the lighting at a an additional value to looking
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for soccer when it's down probably winds down right
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and on the project uh get receiving after the installation after the completion
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the building receive a couple of design of war but i think the one
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that makes the design changed the most probably is the best er in design
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and that was voted by the local citizen now nicely
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this is everyone's favourite building and that become a landmark in downtown toronto
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